Anne Danielsen

Image of Anne Danielsen
Norwegian version of this page
Phone +47 22 85 47 51
Mobile phone +47 482 14 002
Room V02-05
Available hours By appointment
Username
Visiting address Forskningsveienn 3A Harald Schjelderups hus 0373 Oslo
Postal address RITMO Postboks 1133 Blindern 0318 Oslo

Bio

Anne Danielsen is Professor of Musicology and Director of RITMO Center for Interdisciplinary Studies in Rhythm, Time and Motion at the University of Oslo, Norway. She has published widely on theoretical, aesthetic, cultural and perceptual aspects of rhythm, groove and technology in postwar African-American popular music and is author of Presence and Pleasure: The Funk Grooves of James Brown and Parliament (2006) and Digital Signatures: The Impact of Digitization on Popular Music Sound (with Ragnhild Brøvig-Hanssen, 2016), and editor of Musical Rhythm in the Age of Digital Reproduction (2010/2016).

Specialisms/Tutoring

  • Rhythm and Groove
  • African-American Music
  • Popular Music
  • Music Cognition
  • Music Production
  • Musical Aesthetics
  • Music and Media
  • Music and Culture

Current Research Activities

TIME: Timing and Sound in Musical Microrhythm (RCN-TOPPFORSK) 

RITMO Centre for Interdisciplinary Studies of Rhythm, Time and Motion (RCN Centre of Excellence)

Tags: Popular Music, African-American Music, Music Analysis, Rhythm and Groove, Music Cognition, Music and Media

Publications

  • Danielsen, Anne; Johansson, Mats Sigvard; Brøvig, Ragnhild; Sandvik, Bjørnar Ersland & Bøhler, Kjetil Klette (2023). Shaping rhythm: Timing and sound in five groove-based genres. Popular Music. ISSN 0261-1430.
  • Danielsen, Anne; Johansson, Mats Sigvard & Stover, Chris (2023). Bins, Spans, Tolerance: Three Theories of Microtiming Behavior. Music Theory Spectrum. ISSN 0195-6167. 45(2).
  • Danielsen, Anne & Paulsrud, Thea Sørli (2022). “Three and a Half Minutes of Attitude.” Vocal Delivery, Groove, and Production in Azealia Banks' “212” (2014). In Moylan, William; Burns, Lori & Mike, Alleyne (Ed.), Analyzing Recorded Music: Collected Perspectives on Popular Music Tracks (1st ed.). Focal Press. ISSN 9781003089926. doi: 10.4324/9781003089926-21.
  • Câmara, Guilherme Schmidt; Sioros, George & Danielsen, Anne (2022). Mapping Timing and Intensity Strategies in Drum-Kit Performance of a Simple Back-Beat Pattern. Journal of New Music Research. ISSN 0929-8215. doi: 10.1080/09298215.2022.2150649.
  • Kwak, Dongho; Krzyzaniak, Michael Joseph; Danielsen, Anne & Jensenius, Alexander Refsum (2022). A mini acoustic chamber for small-scale sound experiments. In Iber, Michael & Enge, Kajetan (Ed.), Audio Mostly 2022: What you hear is what you see? Perspectives on modalities in sound and music interaction. ACM Publications. ISSN 978-1-4503-9701-8. p. 143–146. doi: 10.1145/3561212.3561223.
  • Kwak, Dongho; Olsen, Petter Angell; Danielsen, Anne & Jensenius, Alexander Refsum (2022). A trio of biological rhythms and their relevance in rhythmic mechanical stimulation of cell cultures. Frontiers in Psychology. ISSN 1664-1078. 13. doi: 10.3389/fpsyg.2022.867191. Full text in Research Archive
  • Spiech, Connor; Sioros, Georgios; Endestad, Tor; Danielsen, Anne & Laeng, Bruno (2022). Pupil drift rate indexes groove ratings. Scientific Reports. ISSN 2045-2322. 12(1). doi: 10.1038/s41598-022-15763-w.
  • Sioros, Georgios; Madison, Guy; Cocharro, Diogo; Danielsen, Anne & Gouyon, Fabien (2022). Syncopation and Groove in Polyphonic Music: Patterns Matter. Music Perception. ISSN 0730-7829. 39(5), p. 503–531. doi: 10.1525/mp.2022.39.5.503.
  • Kwak, Dongho; Combriat, Thomas Michel Daniel; Wang, Chencheng; Scholz, Hanne; Danielsen, Anne & Jensenius, Alexander Refsum (2022). Music for Cells? A Systematic Review of Studies Investigating the Effects of Audible Sound Played Through Speaker-Based Systems on Cell Cultures . Music & Science. ISSN 2059-2043. 5. doi: 10.1177/20592043221080965. Full text in Research Archive
  • Danielsen, Anne; Nymoen, Kristian; Langerød, Martin Torvik; Jacobsen, Eirik; Johansson, Mats Sigvard & London, Justin (2021). Sounds familiar(?): Expertise with specific musical genres modulates timing perception and micro-level synchronization to auditory stimuli. Attention, Perception & Psychophysics. ISSN 1943-3921. doi: 10.3758/s13414-021-02393-z. Full text in Research Archive
  • Danielsen, Anne (2021). Rhythm, time, and presence. In Doffman, Mark; Payne, Emily & Young, Toby (Ed.), The Oxford Handbook of Time in Music. Oxford University Press. ISSN 9780190947279. doi: 10.1093/oxfordhb/9780190947279.013.8.
  • Brøvig-Hanssen, Ragnhild; Sandvik, Bjørnar; Aareskjold-Drecker, Jon Marius & Danielsen, Anne (2021). A Grid in Flux: Sound and Timing in Electronic Dance Music. Music Theory Spectrum. ISSN 0195-6167. 44(1). doi: 10.1093/mts/mtab013. Full text in Research Archive
  • Lartillot, Olivier; Nymoen, Kristian; Câmara, Guilherme Schmidt & Danielsen, Anne (2021). Computational localization of attack regions through a direct observation of the audio waveform. Journal of the Acoustical Society of America. ISSN 0001-4966. 149(1), p. 723–736. doi: 10.1121/10.0003374.
  • Danielsen, Anne (2020). 'Keeping it real', 'Keeping it dandy'? Male blackness and the popular music mainstream. In Hansen, Kai Arne; Jarman, Freya & Askerøi, Eirik (Ed.), Popular Musicology and Identity: Essays in Honour of Stan Hawkins. Routledge. ISSN 9781138322882.
  • Câmara, Guilherme Schmidt; Nymoen, Kristian; Lartillot, Olivier & Danielsen, Anne (2020). Timing Is Everything... Or Is It? Effects of Instructed Timing Style, Reference and Pattern on Drum Kit Sound in Groove-Based Performance. Music Perception. ISSN 0730-7829. 38(1), p. 1–26. doi: 10.1525/mp.2020.38.1.1. Full text in Research Archive
  • Danielsen, Anne & Hawkins, Stan (2020). The Quest of Princian Research. Popular music and society. ISSN 0300-7766. 43(3), p. 231–236. doi: 10.1080/03007766.2020.1757811.
  • Haugen, Mari Romarheim & Danielsen, Anne (2020). Effect of tempo on relative note durations in a performed samba groove. Journal of New Music Research. ISSN 0929-8215. doi: 10.1080/09298215.2020.1767655. Full text in Research Archive
  • Danielsen, Anne & Hawkins, Edgar Stanley (2020). “The Right Amount of Odd”: Vocal Compulsion, Structure, and Groove in Two Love Songs from Around the World in a Day. Popular music and society. ISSN 0300-7766. 43(3). doi: 10.1080/03007766.2020.1757814. Full text in Research Archive
  • Câmara, Guilherme Schmidt; Nymoen, Kristian; Lartillot, Olivier & Danielsen, Anne (2020). Effects of instructed timing on electric guitar and bass sound in groove performance. Journal of the Acoustical Society of America. ISSN 0001-4966. 147(2), p. 1028–1041. doi: 10.1121/10.0000724.
  • Danielsen, Anne (2020). Desktop production and groove. In Zagorski-Thomas, Simon & Bourbon, Andrew (Ed.), The Bloomsbury Handbook of Music Production. Bloomsbury Academic. ISSN 9781501334047.
  • Bromham, Gary; Moffat, David; Barthet, Mathieu; Danielsen, Anne & Fazekas, György (2019). The Impact of Audio Effects Processing on the Perception of Brightness and Warmth, AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound on ZZZ. Association for Computing Machinery (ACM). ISSN 9781450372978. p. 183–190. doi: 10.1145/3356590.3356618.
  • Sioros, George; Câmara, Guilherme Schmidt & Danielsen, Anne (2019). Mapping Timing Strategies in Drum Performance. In Flexer, Arthur; Peeters, Geoffroy; Urbano, Julián & Volk, Anja (Ed.), Proceedings of the 20th International Society for Music Information Retrieval Conference, ISMIR 2019. International Society for Music Information Retrieval. ISSN 9781732729919.
  • Skaansar, Jo Fougner; Laeng, Bruno & Danielsen, Anne (2019). Microtiming and mental effort: Onset asynchronies in musical rhythm modulate pupil size. Music Perception. ISSN 0730-7829. 37(2), p. 111–133. doi: 10.1525/mp.2019.37.2.111. Full text in Research Archive
  • Danielsen, Anne (2019). Glitched and Warped: Transformations of Rhythm in the Age of the Digital Audio Workstation. In Grimshaw, Mark; Walther-Hansen, Mads & Knakkergaard, Martin (Ed.), The Oxford Handbook of Sound and Imagination, Volume 2. Oxford University Press. ISSN 9780190460242. doi: 10.1093/oxfordhb/9780190460242.013.27. Full text in Research Archive
  • London, Justin; Nymoen, Kristian; Langerød, Martin Torvik; Thompson, Marc Richard; Code, David Løberg & Danielsen, Anne (2019). A comparison of methods for investigating the perceptual center of musical sounds. Attention, Perception & Psychophysics. ISSN 1943-3921. 81(6), p. 2088–2101. doi: 10.3758/s13414-019-01747-y. Full text in Research Archive
  • Danielsen, Anne; Nymoen, Kristian; Anderson, Evan; Câmara, Guilherme Schmidt; Langerød, Martin Torvik & Thompson, Marc R. [Show all 7 contributors for this article] (2019). Where is the beat in that note? Effects of attack, duration, and frequency on the perceived timing of musical and quasi-musical sounds. Journal of Experimental Psychology: Human Perception and Performance. ISSN 0096-1523. 45(3), p. 402–418. doi: 10.1037/xhp0000611.
  • Danielsen, Anne (2018). Pulse as Dynamic Attending: Analysing Beat Bin Metre in Neo Soul Grooves. In Scotto, Ciro; Smith, Kenneth M. & Brackett, John (Ed.), The Routledge Companion to Popular Music Analysis: Expanding Approaches. Routledge. ISSN 9781138683112. doi: 10.4324/9781315544700-12. Full text in Research Archive
  • Câmara, Guilherme Schmidt & Danielsen, Anne (2018). Groove. In Alexander, Rehding & Steven, Rings (Ed.), The Oxford Handbook of Critical Concepts in Music Theory. Oxford University Press. ISSN 9780190454746. doi: 10.1093/oxfordhb/9780190454746.013.17. Full text in Research Archive
  • Danielsen, Anne; Kjus, Yngvar & Kraugerud, Emil (2018). Gendered patterns in music mediation: a study of male and female performers at the Øya festival using multiple data sources. Poetics. ISSN 0304-422X. doi: 10.1016/j.poetic.2018.09.002. Full text in Research Archive
  • Danielsen, Anne (2018). Music, media and technological creativity in the digital age. Nordisk musikkpedagogisk forskning : Årbok. ISSN 1504-5021. 18, p. 9–22.
  • Danielsen, Anne (2018). Novel, expressive and skilled! In Eliassen, Knut Ove; Hovden, Jan Fredrik & Prytz, Øyvind (Ed.), Contested qualities: negotiating value in arts and culture. Fagbokforlaget. ISSN 9788245023770. p. 187–202.
  • Danielsen, Anne (2018). Time and Time Again: Repetition and Difference in Repetitive Music. In Julien, Olivier & Levaux, Christophe (Ed.), Over and Over. Exploring Repetition in Popular Music. Bloomsbury Academic. ISSN 9781501324888. doi: 10.5040/9781501324871.ch-002. Full text in Research Archive
  • Danielsen, Anne (2017). Struktur og performativitet: mikrorytmikk i afroamerikansk populærmusikk. Svensk tidskrift för musikforskning. ISSN 2002-021X. 99, p. 3–19. Full text in Research Archive
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2017). Music Production: Recording Technology and Acousmatic Listening. In Ashley, Richard D & Timmers, Renee (Ed.), The Routledge Companion to Music Cognition. Routledge. ISSN 9781138721050. Full text in Research Archive
  • Nymoen, Kristian; Danielsen, Anne & London, Justin (2017). Validating Attack Phase Descriptors Obtained by the Timbre Toolbox and MIRtoolbox. In Lokki, Tapio; Pätynen, Jukka & Välimäki, Vesa (Ed.), Proceedings of the 14th Sound and Music Computing Conference 2017. Aalto University. ISSN 978-952-60-3729-5. p. 214–219. Full text in Research Archive
  • Danielsen, Anne & Kjus, Yngvar (2017). The Mediated Festival: Live Music as Trigger of Music Streaming and Social Media Engagement. Convergence. The International Journal of Research into New Media Technologies. ISSN 1354-8565. 25(4), p. 714–734. doi: 10.1177/1354856517721808. Full text in Research Archive
  • Danielsen, Anne (2017). "Hot rhythms": Rytmisk musikk som den vestlige rasjonalitetens andre. In Stensæth, Karette; Trondalen, Gro & Varkøy, Øivind (Ed.), Musikk, handlinger, muligheter. Festskrift til Even Ruud. Norges musikkhøgskole. ISSN 978-82-7853-225-6. p. 197–206. Full text in Research Archive
  • Danielsen, Anne (2016). Nyskapende, sterkt og kompetent! Kvalitetsforståelser i musikkfeltet i lys av tre poulærmusikalske sjangre. In Eliassen, Knut Ove & Prytz, Øyvind (Ed.), Kvalitetsforståelser. Kvalitetsbegrepet i samtidens kunst og kultur.. Fagbokforlaget. ISSN 978-82-7081-179-3. p. 104–119.
  • Danielsen, Anne & Helseth, Inger (2016). Mediated Immediacy: The Relationship between Auditory and Visual Dimensions of Live Performance in Contemporary Technology-Based Popular Music. Rock Music Studies. ISSN 1940-1159. 3(1), p. 24–40. doi: 10.1080/19401159.2015.1126986. Full text in Research Archive
  • Kjus, Yngvar & Danielsen, Anne (2016). Live Mediation. Performing Concerts Using Studio Technology. Popular Music. ISSN 0261-1430. 35(3), p. 320–337. doi: 10.1017/S0261143016000568. Full text in Research Archive
  • Danielsen, Anne; Waadeland, Carl Haakon; Sundt, Henrik G. & Witek, Maria (2015). Effects of instructed timing and tempo on snare drum sound in drum kit performance. Journal of the Acoustical Society of America. ISSN 0001-4966. 138(4), p. 2301–2316. doi: 10.1121/1.4930950. Full text in Research Archive
  • Danielsen, Anne (2015). Metrical Ambiguity or Microrhythmic Flexibility? Analysing Groove in ‘Nasty Girl’ by Destiny’s Child. In Appen, Ralf von; Doehring, André; Helms, Dietrich & Moore, Allan F. (Ed.), Song Interpretation in 21st-century Pop Music. Ashgate. ISSN 978-1-4724-2800-4. p. 53–72.
  • Danielsen, Anne; Haugen, Mari Romarheim & Jensenius, Alexander Refsum (2015). Moving to the Beat: Studying Entrainment to Micro-Rhythmic Changes in Pulse by Motion Capture. Timing & Time Perception. ISSN 2213-445X. 3(1-2), p. 133–154. doi: 10.1163/22134468-00002043. Full text in Research Archive
  • Danielsen, Anne; Otnæss, Mona Kolstø; Jensen, Jimmy Kristian; Williams, Steven Charles Rees & Østberg, B.C. (2014). Investigating repetition and change in musical rhythm by functional MRI. Neuroscience. ISSN 0306-4522. 275, p. 469–476. doi: 10.1016/j.neuroscience.2014.06.029.
  • Kjus, Yngvar & Danielsen, Anne (2014). Live Islands in the Seas of Recordings: The Music Experience of Visitors at the Øya Festival. Popular music and society. ISSN 0300-7766. 38(5), p. 660–679. doi: 10.1080/03007766.2014.929322. Full text in Research Archive
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2013). The Naturalised and the Surreal: changes in the perception of popular music sound. Organised Sound. ISSN 1355-7718. 18(1), p. 71–80. doi: 10.1017/S1355771812000258. Full text in Research Archive
  • Danielsen, Anne (2012). The Sound of Crossover: Micro-rhythm and Sonic Pleasure in Michael Jackson's "Don't Stop 'Til You Get Enough". Popular music and society. ISSN 0300-7766. 35(2), p. 151–168. doi: 10.1080/03007766.2011.616298.

View all works in Cristin

  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2016). Digital Signatures: The Impact of Digitization on Popular Music Sound. MIT Press. ISBN 9780262034142. 188 p.

View all works in Cristin

  • Danielsen, Anne; Paulsrud, Thea Sørli & London, Justin (2022). Where is the beat in that (sung) note?
  • Danielsen, Anne (2022). Konsert med Ung Pike Forsvunnet.
  • Stenseth, Nils Christian; Andreassen, Karin Marie; Danielsen, Anne; Helgaker, Trygve; Jansen, Eystein & Moser, Edvard Ingjald [Show all 11 contributors for this article] (2022). Grunnforskningen er truet. Klassekampen. ISSN 0805-3839.
  • Danielsen, Anne & Kristensen, Regine Lund (2022). Det rykker litt ekstra i dansefoten når dette skjer. [Internet]. ung.forskning.no.
  • Danielsen, Anne (2022). RITMO: Forskning og infrastruktur.
  • Danielsen, Anne (2022). Rhythm, Time, and Presence.
  • Spiech, Connor; Hope, Mikael; Câmara, Guilherme Schmidt; Sioros, Georgios; Endestad, Tor & Laeng, Bruno [Show all 7 contributors for this article] (2022). PredicTAPbility: Sensorimotor Synchronization Increases Groove.
  • Kwak, Dongho; Krzyzaniak, Michael Joseph; Danielsen, Anne & Jensenius, Alexander Refsum (2022). A mini acoustic chamber for small-scale sound experiments.
  • Danielsen, Anne & Leske, Sabine Liliana (2022). How the brain tracks the precision of a beat bin - musical, behavioral and neurophysiological perspectives.
  • Danielsen, Anne; Câmara, Guilherme Schmidt; Lartillot, Olivier; Leske, Sabine Liliana & Spiech, Connor (2022). Musical rhythm. Behavioural, computational and neurophysiological perspectives.
  • Danielsen, Anne & Jensenius, Alexander Refsum (2022). Presentation of RITMO Research.
  • Danielsen, Anne (2022). Utvikling og ledelse av tverrfaglige forskningssentre - erfaringer fra RITMO SFF.
  • Danielsen, Anne (2022). Rytme, groove og digitale signaturer.
  • Brøvig-Hanssen, Ragnhild; Johansson, Mats Sigvard; Sandvik, Bjørnar; Jacobsen, Eirik; Aareskjold-Drecker, Jon Marius & Danielsen, Anne (2022). Musical rhythm. Qualitative investigations.
  • Funderud, Ingrid; Danielsen, Anne; Endestad, Tor; Jensenius, Alexander Refsum; Leske, Sabine Liliana & Solbakk, Anne-Kristin (2021). Improving working memory in patents with epilepsy by rhythmic sounds.
  • Kwak, Dongho; Danielsen, Anne & Jensenius, Alexander Refsum (2021). Music for cells: The human body as a rhythm machine.
  • Solbakk, Anne-Kristin; Leske, Sabine Liliana; Lubell, James Isaac; Blenkmann, Alejandro Omar; Llorens, Anais & Funderud, Ingrid [Show all 13 contributors for this article] (2021). Auditory prediction and prediction error in self-generated tones.
  • Danielsen, Anne (2021). Opening remarks, presentation of RITMO.
  • Danielsen, Anne (2021). Time and time again: repetition and difference in grooves.
  • Danielsen, Anne (2021). Rhythm and Meter.
  • Danielsen, Anne (2021). Shaping rhythm: Timing and sound in EDM.
  • Danielsen, Anne; Langerød, Martin Torvik; Nymoen, Kristian & London, Justin (2021). Genre expertise modulates timing perception and micro-level synchronization to auditory stimuli.
  • Danielsen, Anne; Langerød, Martin Torvik; Nymoen, Kristian & London, Justin (2021). Genre expertise modulates timing perception and micro-level synchronization to auditory stimuli.
  • Spiech, Connor; Laeng, Bruno; Sioros, George; Danielsen, Anne & Endestad, Tor (2021). More Than Meter’s The Eye: Divergent Roles of Pickups and Syncopation in Groove.
  • Ganis, Francesco; Dahl, Sofia; Câmara, Guilherme Schmidt & Danielsen, Anne (2021). Beat precision and perceived danceability in drum grooves.
  • Câmara, Guilherme Schmidt; Sioros, George & Danielsen, Anne (2021). Mapping timing and intensity strategies in drum-kit performance via hierarchical clustering and phylogenetic visualizations .
  • Danielsen, Anne (2021). Groove.
  • Danielsen, Anne & Mokkelbost, Erlend (2021). Intervju om soulmusikk til Øyapodcast.
  • Danielsen, Anne; Jemterud, Torkild & Brodal, Per (2021). Abels tårn. [Radio]. NRK P2.
  • Danielsen, Anne (2021). What is rhythm? What is micro rhythm?
  • Lilleslåtten, Mari; Câmara, Guilherme Schmidt & Danielsen, Anne (2020). Hva du synes er bra musikk avgjøres på noen tusendels sekunder. [Internet]. Forskning.no.
  • Jensenius, Alexander Refsum & Danielsen, Anne (2020). UiOs nettsider er en viktig forskningsinfrastruktur. Uniforum. ISSN 1891-5825.
  • Danielsen, Anne (2020). Interdisciplinary music research.
  • Jensenius, Alexander Refsum; Danielsen, Anne & Edwards, Peter (2020). Vi trenger kort og godt mer automagi i Cristin. Khrono.no. ISSN 1894-8995.
  • Danielsen, Anne (2020). Groove studies.
  • Jemterud, Torkild; Danielsen, Anne; Brodal, Per; Løvvik, Ole Martin; Goodwin, Morten & Knudsen, Pål Moddi (2020). Abels tårn: En følsom AI tester visesang.
  • Jensenius, Alexander Refsum; Danielsen, Anne & Edwards, Peter (2020). Vi trenger kort og godt mer automagi i Cristin. Uniforum. ISSN 1891-5825.
  • Danielsen, Anne (2020). Musical listening, micro-time .
  • Danielsen, Anne (2020). Does genre expertise modulate micro level synchronisation to musical sounds?
  • Danielsen, Anne (2020). Råd og tips for søkere til SFF V.
  • Danielsen, Anne (2019). The Expanding Present (panel member).
  • Danielsen, Anne & Nymoen, Kristian (2019). Where is the beat in that note?
  • Kverndokk, Kristin; Danielsen, Anne; Hellstenius, Jon Henrik & Orning, Tanja (2019). Om språk og musikk. Spillerom søndag (NRK). [Radio]. NRK P2.
  • Danielsen, Anne (2019). The impact of digitization on rhythm and groove in African-American popular music.
  • Danielsen, Anne (2019). Workshop on microrhythmic analysis and groove.
  • Sioros, George; Câmara, Guilherme Schmidt & Danielsen, Anne (2019). Mapping Timing Strategies in Drum Performance.
  • Leske, Sabine Liliana; Lubell, James Isaac; Blenkmann, Alejandro Omar; Llorens, Anaïs; Funderud, Ingrid & Foldal, Maja Dyhre [Show all 13 contributors for this article] (2019). Auditory prediction and prediction error in self-generated tones.
  • Leske, Sabine Liliana; Lubell, James; Blenkmann, Alejandro Omar; Llorens, Anaïs; Funderud, Ingrid & Foldal, Maja Dyhre [Show all 13 contributors for this article] (2019). Action-based auditory predictions.
  • Danielsen, Anne (2019). Erfaringer fra SFF IV.
  • Sioros, George & Danielsen, Anne (2019). How do Rhythmic Features Affect our Movement?
  • Sioros, George; Câmara, Guilherme Schmidt; Danielsen, Anne & Nymoen, Kristian (2019). Timing and drummers’ movement: A novel methodology for performance analysis .
  • Sioros, George; Madison, Guy; Cocharro, Diogo; Danielsen, Anne & Gouyon, Fabien (2019). Does moderate syncopation increase groove? The answer depends on the syncopation pattern.
  • Sioros, George; Madison, Guy; Cocharro, Diogo; Danielsen, Anne & Gouyon, Fabien (2019). The relation between groove and syncopation is intricate – not any pattern will do.
  • Câmara, Guilherme Schmidt; Nymoen, Kristian & Danielsen, Anne (2019). Timing is Everything... Or is it? Part II: Effects of Instructed Timing Style and Timing Reference on Drum-Kit Sound in Groove Performance.
  • Câmara, Guilherme Schmidt; Nymoen, Kristian; Lartillot, Olivier & Danielsen, Anne (2019). Timing is Everything... Or is it? Part I: Effects of Instructed Timing and Reference on Guitar and Bass Sound in Groove Performance.
  • Hagen, Maren Kvamme & Danielsen, Anne (2019). Ein hest og ei landeplage. [Internet]. nrk.no.
  • Bromham, Gary; Moffat, David; Danielsen, Anne & Fazekas, György (2019). Digital Warmth: The Retro in Digital.
  • Danielsen, Anne; Nymoen, Kristian & London, Justin (2019). Noise in the click or click in the noise: Investigating probe-stimulus order in P-center estimation tasks.
  • Danielsen, Anne (2019). Classic Album Sundays: Aretha Franklin (paneldeltakelse).
  • Kverndokk, Kristin; Hellstenius, Jon Henrik; Orning, Tanja & Danielsen, Anne (2018). Spillerom søndag: Om språk og musikk. [Radio]. NRK P2 .
  • Lartillot, Olivier; Nymoen, Kristian & Danielsen, Anne (2018). Prediction of P-centers from audio recordings.
  • Danielsen, Anne (2018). Hvordan legge til rette for nytt tverrfaglig samarbeid mellom institutter og fakulteter? RITMO Senter for tverrfaglig forskning på rytme, tid og bevegelse.
  • Jensenius, Alexander Refsum; Danielsen, Anne; London, Justin; Schia, Katja Henriksen & Abramczyk, Filip (2018). Intellectual warm-up: "Rhythm".
  • Vestre, Eskil Olaf; Danielsen, Anne; Jensenius, Alexander Refsum; London, Justin; Schia, Katja Henriksen & Abramczyk, Filip (2018). Rytmen er en danser. [Business/trade/industry journal]. Ballade.
  • Danielsen, Anne & Jensenius, Alexander Refsum (2018). Rytme i tid og rom.
  • London, Justin; Danielsen, Anne & Nymoen, Kristian (2018). Where is the beat in that note? Effects of attack, frequency, and duration on the p-centers of musical and quasi-musical sounds.
  • Danielsen, Anne (2018). Intervju om Aretha Franklin til NTB.
  • Danielsen, Anne (2018). Intervju om Aretha Franklin i Dagsnytt, NRK 2 .
  • Danielsen, Anne (2018). Microrhythms and Microsounds: The impact of digitization on African-American popular music.
  • Jære, Lisbet; Danielsen, Anne & Jensenius, Alexander Refsum (2018). På sporet av rytmen. [Internet]. Uniforum.
  • Danielsen, Anne; Johansson, Mats Sigvard & Haugen, Mari Romarheim (2018). Presentasjon av TIME-prosjektet.
  • Danielsen, Anne (2018). Hva er en sommerhit? [Radio]. NRK P2, Studio 2.
  • Danielsen, Anne (2018). Analysing Popular Music in the Digital Age.
  • Danielsen, Anne & Jensenius, Alexander Refsum (2018). UiOs innovasjonspris til RITMO ved Anne Danielsen og Alexander Refsum Jensenius. [Business/trade/industry journal]. Ballade.
  • Danielsen, Anne (2018). RITMO - a center for interdisciplinary research into rhythm, time and motion.
  • Danielsen, Anne (2017). Paneldeltakelse i serien Musikklære på Nasjonalbiblioteket, tema "Låten".
  • Danielsen, Anne (2017). Methodologies in Record Production Research (Panel).
  • Danielsen, Anne (2017). P-centres and beat bins - an introduction to the TIME project.
  • Danielsen, Anne (2017). The perception, aesthetics, and cultural values of 'glitched' grooves.
  • Danielsen, Anne (2017). Paneldeltakelse i serien Musikklære på Nasjonalbiblioteket, tema "Rytme".
  • Danielsen, Anne (2017). Timing and Sound in Musical Microrhythm: Theoretical, Aesthetic and Empirical Aspects.
  • Danielsen, Anne; London, Justin & Nymoen, Kristian (2017). Mapping the Beat Bin: The Effects of Rise Time, Duration, and Frequency Range on the Perceived Timing of Musical Sounds.
  • Danielsen, Anne (2017). Kvalitet i rytmisk musikk.
  • London, Justin; Nymoen, Kristian; Thompson, Marc; Code, David Loberg & Danielsen, Anne (2017). Where is the beat in that note? Comparing methods for identifying the p-center of musical sounds.
  • London, Justin; Nymoen, Kristian; Thompson, Marc; Code, David Loberg & Danielsen, Anne (2017). Where is the beat in that note? Comparing methods for identifying the p-center of musical sounds.
  • Danielsen, Anne; London, Justin & Nymoen, Kristian (2017). Mapping the beat bin: Effects of rise time, duration and frequency range on the perceived timing (P-center) of musical sounds.
  • Nymoen, Kristian; Danielsen, Anne & London, Justin (2017). Validating Attack Phase Descriptors Obtained by the Timbre Toolbox and MIRtoolbox.
  • Danielsen, Anne & Jensenius, Alexander Refsum (2017). Centre for Interdisciplinary Studies in Rhythm, Time and Motion får status som Senter for fremragende forskning. [Internet]. Ballade.
  • Danielsen, Anne (2017). Populærmusikk og mediering i den digitale tidsalder.
  • Danielsen, Anne (2017). Digital Signatures. The Impact of Digitization on Popular Music Sound.
  • Danielsen, Anne (2017). Music production research in Norway.
  • Danielsen, Anne; Nymoen, Kristian; Haugen, Mari Romarheim & Câmara, Guilherme Schmidt (2017). Project presentation: Timing and Sound in Musical Microrhythm (TIME).
  • Danielsen, Anne (2017). Rhythm and Groove in African-American Popular Music.
  • Danielsen, Anne (2017). Experimental hip-hop and the meanings of glitched grooves .
  • Danielsen, Anne (2016). Investigating the perception of sound-timing relationships in recorded (real) music.
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2016). Listening to Recordings: Ecological Constraints and the Tuning of the Ear.
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2016). Book presentation: Digital Signatures.
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2016). Book launch: Digital Signatures.
  • Danielsen, Anne (2016). Mediatised liveness: Music and media on and off stage .
  • Danielsen, Anne; Maasø, Arnt; Hagen, Anja Nylund & Kjus, Yngvar (2016). Clouds & Concerts summarised.
  • Danielsen, Anne (2016). Ung Pike Forsvant.
  • Danielsen, Anne (2016). Ung Pike Forsvunnet, konsert på Rock mot kreft.
  • Danielsen, Anne (2016). Music, media and technology in the digital age (keynote).
  • Danielsen, Anne (2015). Scannell, John. 2012. James Brown. Sheffield: Equinox. ISBN 978-1-84553-743-2 (pbk). 168 pp. Perfect Beat. ISSN 1038-2909. 15(2), p. 177–179.
  • Danielsen, Anne (2015). Konsert med Ung Pike Forsvunnet.
  • Danielsen, Anne (2015). Soul-groovens frelser vender tilbake. nrk.no/ytring.
  • Danielsen, Anne (2015). Presentasjon av prosjektet Sky&Scene.
  • Danielsen, Anne (2015). Musikk, kvalitet og kontekst.
  • Danielsen, Anne (2015). Auto-Tune as Hyper-Nature: Bon Iver's Visit to the Woods.
  • Danielsen, Anne (2015). Time and Time Again.
  • Hawkins, Stan; Zeiner-Henriksen, Hans T. & Danielsen, Anne (2015). Record Production in the Internet Age. Journal on the Art of Record Production. ISSN 1754-9892.
  • Danielsen, Anne (2015). Popular Music Analysis: Rhythm and Groove.
  • Danielsen, Anne (2015). The Musicalization of Reality. Sonic Spaces in Hip-Hop.
  • Danielsen, Anne (2014). Kongen av pop. Nærlesning av Michael Jacksons rytme.
  • Danielsen, Anne (2014). Structure and Flexibility: Microrhythm in Groove-based Music.
  • Danielsen, Anne (2014). Konsert med Ung Pike Forsvunnet.
  • Danielsen, Anne (2014). En analyse av musikken: Jeg vil være fantasien din. In Falck, Christer & Aagaard, Petter (Ed.), Prince: Shockadelica. Falck Forlag. ISSN 9788293039532. p. 187–196.
  • Danielsen, Anne (2014). Prince: Kiss.
  • Danielsen, Anne (2014). The digital groove: Prince’s Kiss.
  • Danielsen, Anne (2013). Sky og Scene: om lyttemønstre, strømming og live-musikk i den digitale tidsalder.
  • Danielsen, Anne (2013). Sjangerhælvete!
  • Danielsen, Anne (2013). New forms of live music? Artists' creativity and communication when performing in the digital age.
  • Danielsen, Anne (2013). Microrhythm in Groove-Based Music.
  • Danielsen, Anne (2013). Konsert med Ung Pike Forsvunnet.
  • Danielsen, Anne (2013). Temporality and Microrhythm in Groove-Based Musics. Analytical Perspectives.
  • Danielsen, Anne (2013). The Feel of the Machine.
  • Danielsen, Anne (2013). Repetition and change in groove-based music – an fMRI study.
  • Danielsen, Anne (2013). "Once Upon a Time Called Now" – the experience of time in groove-directed music.
  • Danielsen, Anne (2013). Authorship in the Age of Digital Reproduction.
  • Danielsen, Anne (2013). Ekspertkommentator i Norsk Melodi Grand Prix. [TV]. NRK TV.
  • Danielsen, Anne (2013). Intervju om kvinnesyn i rap. [Newspaper]. Dagsavisen.
  • Danielsen, Anne (2013). Konsert med Ung Pike Forsvunnet.
  • Danielsen, Anne (2013). The perfect take.
  • Danielsen, Anne & Jensenius, Alexander Refsum (2012). Entrainment and Pulse in Groove-Based Music: A motion capture study.
  • Danielsen, Anne (2012). Presentasjon av prosjektet Sky & Scene.
  • Zeiner-Henriksen, Hans T. & Danielsen, Anne (2012). Pulse and microrhythm in contemporary groove-based music.
  • Danielsen, Anne (2012). Musikk, mediering og mobilitet. Den digitale vending i musikkulturen.
  • Danielsen, Anne; Stover, Chris & Oddekalv, Kjell Andreas (2022). What Makes the Shit Dope? The Techniques and Analysis of Rap Flows. Universitetet i Oslo.
  • Câmara, Guilherme Schmidt; Danielsen, Anne & Nymoen, Kristian (2021). Timing Is Everything . . . Or Is It? Investigating Timing and Sound Interactions in the Performance of Groove-Based Microrhythm. Universitetet i Oslo. Full text in Research Archive
  • Kraugerud, Emil; Danielsen, Anne & Askerøi, Eirik (2016). Spaces of Sound: Meanings of Spatiality in Recorded Sound. Universitetet i Oslo.

View all works in Cristin

Published May 19, 2006 12:00 AM - Last modified Oct. 25, 2022 1:34 PM