Cagri Erdem

Image of Cagri Erdem
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Mobile phone +47-41320109
Room V01-01
Available hours By appointment
Username
Visiting address Forskningsveien 3A Harald Schjelderups hus 0373 OSLO
Postal address Postboks 1133 Blindern 0318 OSLO

Academic interests

  • Computer music
  • New interfaces for musical expression
  • Electroacoustic improvisation
  • Auditory perception

 

Çağrı Erdem is an improviser, interdisciplinary artist and researcher working with interactive systems for computational music. In the sequel of his classical and jazz studies, he has earned his master’s degree in Sonic Arts where he has focused on the extraction of performative and ancillary body movements in the form of physiological signals for the augmentation of traditional music instruments. He is currently expanding his research on the extraction of biosignal features, real-time mapping strategies, and digital sound synthesis and effects processing techniques with an emphasis on auditory perception mechanisms of human hearing and sonic object cognition. 

 

Background

  • M.Sc. in Sonic Arts, Center for Advanced Studies in Music (MIAM), Istanbul Technical University, Istanbul, Turkey
  • B.Mus. in Jazz Composition, Berklee College of Music, Boston, MA, USA
  • Classical guitar performance, Istanbul University State Conservatory, Istanbul, Turkey

 

Tags: Music Technology, Sound Synthesis, Improvisation, Music and Movement

Publications

C. Erdem, A. Camci, and A. Forbes, “Biostomp: a biocontrol system for embodied performance using mechanomyography,” in Proceedings of the international conference on new interfaces for musical expression, Copenhagen, Denmark, 2017, p. 65–70. 

  • Erdem, Cagri; Schia, Katja Henriksen & Jensenius, Alexander Refsum (2019). Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance, In Federico Visi (ed.),  Music Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Nime.
  • Erdem, Cagri; Schia, Katja Henriksen & Jensenius, Alexander Refsum (2019). Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance, In Marcelo Queiroz & Anna Xambo Sedo (ed.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Nime.

View all works in Cristin

  • Alarcón Diaz, Ximena; Gonzalez Sanchez, Victor Evaristo & Erdem, Cagri (2019). INTIMAL: Walking to find place, breathing to feel presence. Show summary
  • Erdem, Cagri; Schia, Katja Henriksen & Jensenius, Alexander Refsum (2019). Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance.
  • Erdem, Cagri; Schia, Katja Henriksen & Jensenius, Alexander Refsum (2019). Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance.
  • Jensenius, Alexander Refsum; Erdem, Cagri; Zelechowska, Agata; Lan, Qichao; Fuhrer, Julian Peter & Gonzalez Sanchez, Victor Evaristo (2019). Entraining Guitars.
  • Jensenius, Alexander Refsum; Martin, Charles Patrick; Erdem, Cagri; Lan, Qichao; Fuhrer, Julian Peter; Gonzalez Sanchez, Victor Evaristo; Zelechowska, Agata; Glette, Kyrre & Nymoen, Kristian (2019). Self-playing Guitars. Show summary
  • Schia, Katja Henriksen; Erdem, Cagri; Lan, Qichao & Jensenius, Alexander Refsum (2018). Music-Dance Performance: "Rhythm".

View all works in Cristin

Published Feb. 12, 2019 4:17 PM - Last modified May 15, 2019 5:36 PM