Cagri Erdem

Image of Cagri Erdem
Norwegian version of this page
Mobile phone +47-41320109
Room V01-01
Available hours By appointment
Username
Visiting address Forskningsveien 3A Harald Schjelderups hus 0373 OSLO
Postal address Postboks 1133 Blindern 0318 OSLO

Academic interests

  • Music-related motion
  • New interfaces for musical expression
  • Human-machine co-creativity
  • Improvisation

 
As a performer/researcher specializing in improvised electroacoustic music and multidisciplinary interactive systems; Çağrı Erdem explores the human body as a musical interface, with a particular emphasis on sound-motion dynamics and what machine agency can add to the existing interaction paradigms in the context of new instruments. His research and personal interests are focused on biosignal interfaces, multimodal analysis of music-related motion, computational modeling, sonic interaction design, and embodied sonic cognition.

 

Background

  • M.Sc. in Sonic Arts, Center for Advanced Studies in Music (MIAM), Istanbul Technical University, Istanbul, Turkey
  • B.Mus. in Jazz Composition, Berklee College of Music, Boston, MA, USA
  • Classical guitar performance, Istanbul University State Conservatory,  Istanbul, Turkey

 

Tags: Music Technology, Sound Synthesis, Improvisation, Music and Movement

Publications

C. Erdem, A. Camci, and A. Forbes, "Biostomp: a biocontrol system for embodied performance using mechanomyography," in  Proceedings of the international conference on new interfaces for musical expression , Copenhagen, Denmark, 2017, pp. 65-70 . 

  • Alarcón Diaz, Ximena; Gonzalez Sanchez, Victor Evaristo & Erdem, Cagri (2019). INTIMAL: Walking to feel place, breathing to feel presence. Proceedings of the International Conference on New Interfaces for Musical Expression.  ISSN 2220-4792. Full text in Research Archive. Show summary
  • Erdem, Cagri; Schia, Katja Henriksen & Jensenius, Alexander Refsum (2019). Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance, In Federico Visi (ed.),  Music Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Nime.
  • Erdem, Cagri; Schia, Katja Henriksen & Jensenius, Alexander Refsum (2019). Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance, In Marcelo Queiroz & Anna Xambo Sedo (ed.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Nime. Full text in Research Archive.

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  • Alarcón Diaz, Ximena; Gonzalez Sanchez, Victor Evaristo & Erdem, Cagri (2019). INTIMAL: Walking to find place, breathing to feel presence. Show summary
  • Erdem, Cagri & Saga, Yuki (2019). Meeting Yuki Saga.
  • Erdem, Cagri; Schia, Katja Henriksen & Jensenius, Alexander Refsum (2019). Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance.
  • Erdem, Cagri; Schia, Katja Henriksen & Jensenius, Alexander Refsum (2019). Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance.
  • Jensenius, Alexander Refsum; Erdem, Cagri; Zelechowska, Agata; Lan, Qichao; Fuhrer, Julian Peter & Gonzalez Sanchez, Victor Evaristo (2019). Entraining Guitars.
  • Jensenius, Alexander Refsum; Martin, Charles Patrick; Erdem, Cagri; Lan, Qichao; Fuhrer, Julian Peter; Gonzalez Sanchez, Victor Evaristo; Zelechowska, Agata; Glette, Kyrre & Nymoen, Kristian (2019). Self-playing Guitars. Show summary
  • Schia, Katja Henriksen; Erdem, Cagri; Lan, Qichao & Jensenius, Alexander Refsum (2018). Music-Dance Performance: "Rhythm".

View all works in Cristin

Published Feb. 12, 2019 4:17 PM - Last modified June 29, 2019 9:18 PM