Pensum/læringskrav

HOVEDBOK: Kvale, Steinar og Svend Brinkmann. 2015. Det kvalitative forskningsintervju, oversatt av Tone M. Anderssen og Johan Rygge. Oslo, Gyldendal akademisk.

Eriksen, Thomas Hylland: Små steder — store spørsmål. Innføring i sosialantropologi. 3. utgave, 2010. Oslo: Universitetsforlaget. Kapitel 1-5, side 13-78.
[English version:  Eriksen, Thomas Hylland: Small Places, Large Issues: An Introduction to Social and Cultural Anthropology. London: Pluto Press; 4th edition, 2015]

Ruud, Even. 2016. Musikkvitenskap. Oslo: Universitetsforlaget, 111-118, 169-171.

Ruud, Even. 2013. Musikk og identitet. Oslo: Universitetsforlaget, 51-82.

English text: Even Ruud (1997) Music and identity, Nordisk Tidsskrift for Musikkterapi, 6:1, 3-13, DOI:10.1080/08098139709477889

 

ARTIKLER/BOKKAPITLER:

Anon. “Strategies for Qualitative Interviews.” Harvard University, Department of Sociology.

Assmann, Aleida. 2011. “Archives.” Cultural Memory and Western Civilization. Functions, Media, Archives, Cambridge: Cambridge University Press, 327-332

Born, Georgina and Hesmondhalgh, David. 2000. (red.): Western Music and its Others: Difference, Representation, and Appropriation in Music. Berkeley: University of California Press, s. 1-31.

Born, Georgina. 2010. “The Social and the Aesthetic: For a Post-Bourdieuian Theory of Cultural Production.” Cultural Sociology, Volume 4(2): 171–208. 

Bowen, Glenn A. 2009. “Document Analysis as a Qualitative Research Method.” Qualitative Research Journal, 9(2), 27-44.

Briggs, Charles. 1986. “Introduction”, in Learning How To Ask: A Sociolinguistic Appraisal of the Role of the Interview in Social Science Research. Cambridge: Cambridge University Press, 1-30.

DeNora, Tia. 1999. “Music as a Technology of the Self." Poetics 27, 31-56. 

Featherstone, M. 2006. “Archive.” Theory, Culture & Society 23(2-3), 591–596

Feld, Steven. 2007. "Dialogic Editing: Interpretin how Kaluli read Sound and Sentiment." Antonius CHM Robben & Jeffrey A. Sluka (red.) Ethnographic Fieldwork. An Anthropological Reader, Blackwell, 417-430.

Foucault, Michel. 1972. "Introduction." The Archaeology of Knowledge. London: Tavistock.

Foucault, Michel. 1984. “Nietzsche, Genealogy, History”, The Foucault Reader, (red.) Paul Rabinow. New York: Pantheon.

Gripsrud, Jostein. 2002. ”Populærmusikk mellom kunst og marked”, i Gripsrud (red.) Populærmusikken i kulturpolitikken. Oslo: Norsk Kulturråd, 8-45. 

Hall, Stuart and Tony Jefferson. 2006. (ed.) “Once more around Resistance through Rituals. In Resistance Through Rituals: Youth Subcultures in Post-War Britain, vii-xxxiii. Routledge, 2nd edition.

Hebdige, Dick. 1979. Part One: ‘From culture to hegemony’, Subculture: The Meaning of Style, Routledge, 1-19.

Jørgensen, Marianne Winter og Louise Phillips. 2006. “Det diskursanalytiske felt”, Diskursanalyse som teori og metode. Roskilde: Roskilde Universitetsforlag, 9-28.

Kvale. S. 2011. “Planning An Interview Study”. Doing Interviews. London: Sage, 34-50.  http://methods.sagepub.com.ezproxy.uio.no/book/doing-interviews

Peters, John Durham. 2008. "History as a Communication Problem." In Explorations in Communication and History, (red.) Barbie Zelizer. London: Sage.

Small, Christopher. 1998. ”Prelude”, Musicking: The Meanings of Performing and Listening, Hanover, NH: Wesleyan University Press, s. 1-18.

Wadel, Cato 1991. "Feltarbeid som runddans mellom teori, metode og data", Feltarbeid i egen kultur: En innføring i kvalitativt orientert samfunnsforskning. Flekkefjord: SEEK. Kap. 3, 127-181.  

Webb, Peter. 2004. “Interrogating the production of sound and place: the Bristol phenomenon, from Lunatic Fringe to worldwide Massive”, i S. Whiteley, A. Bennett, S. Hawkins (red.) Music, Space, and Place, 66-85.

Weisethaunet, Hans og Ulf Lindberg, 2010. "Authenticity Revisited: The Rock Critic and the Changing Real", Popular Music and Society, 33:4,  465-485. 

Lindberg et al. 2005. Rock Criticism from the Beginning. New York: Peter Lang (excerpt, 23-35). 

Publisert 13. des. 2019 12:57 - Sist endret 5. jan. 2020 20:39