Obligatorisk pensum

Bowman, R.: "The Stax Sound: A Musicological Analysis" i Popular Music, 14(3), 1995. 285-320.

Bijker, Wiebe E.: Of Bicycles, Bakelites, and Bulbs: Toward a Theory of Sociotechnical Change, Inside technology, 1995. Cambridge, Mass.:The MIT Press.

Camilleri, L.: "Shaping Sounds, Shaping Spaces" i Popular Music, 29(2), 2010. 199-211.

Frith, S.: "Art versus Technology: The Strange Case of Popular Music" i Media, Culture & Society, 8(3), 1986. 263-279.

Kvifte, T.: "Digital sampling and analog aesthetics" i A. Melberg (red.): Aesthetics at Work, 2007. Oslo: Unipub.

Loy, Gareth: "Musicians Make a Standard: The MIDI Phenomenon" i Computer Music Journal 9(4), 1985. 8–26.

Moore, R.F.: "The Dysfunctions of MIDI" i Computer Music Journal 12(1), 1988. 19–28.

Toynbee, J.: Making Popular Music: Musicians, Creativity and Insitutions, 2000. London: Arnold.

Valgfri tilleggslitteratur

Cunningham, M.: Good Vibrations: A History of Pecord Production, 1998 (Rev. ed.). London: Sanctuary.

Doyle, P. : Echo and Reverb: Fabricating Space in Popular Music Recording, 1900-1960, 2005 (1st ed.). Middletown, Conn.: Wesleyan University Press.

Goodwin, A.: "Sample and Hold: Pop Music in the Digital Age of Reproduction" i S. Hawkins, (red.) : Pop Music and Easy Listening, 2011. Aldershot: Ashgate.

Hawkins, S.: "On performativity and production in Madonna's 'Music'" i S. Whiteley, A. Bennett & S. Hawkins (red.): Music, Space and Place: Popular Music and Cultural Identity, 2004. Aldershot: Ashgate.

Katz, M.: Capturing Sound: How Technology Has Changed Music, 2005. Berkeley, Calif.: University of California Press.

Lacasse, S.: Listen to My Voice: The Evocative Power of Vocal Staging in Recorded Rock Music and Other Forms of Vocal Expression, 2000. Liverpool: Liverpool University Press.

Massey, H.: Behind the Glass: Top Record Producers Tell How They Craft the Hits, 2000. San Francisco, Calif.: Miller Freeman Books.

Moore, A. F.: "The Persona-Environment Relation in Recorded Song" i Music Theory Online, 11(4), 2005.

Taylor, Timothy D.: Strange Sounds: Music, Technology & Culture, 2001. Routledge. ISBN: 0-415-93684-5.

Théberghe, P.: Any Sound You Can Imagine: Making Music/Consuming Technology, 1997. Hanover: Wesleyan University Press.

Toft, R.: "Hits and Misses: Crafting a Pop Single for the Top-40 Market in the 1960s" i Popular Music, 29(2), 2010. 267-281.

Walser, R.: Running With the Devil: Power, Gender and Madness in Heavy Metal Music, 1993. Hanover: University Press of New England.

Warner, T.: Pop Music, Technology and Creativity: Trevor Horn and the Digital Revolution, 2003. Aldershot: Ashgate.

Wicke, P.: "The Art of Phonography: Sound, Technology and Music" i D. B. Scott (red.): The Ashgate Research Companion to Popular Musicology, 2009. Aldershot: Ashgate.

Zak, A.: The Poetics of Rock: Cutting Tracks, Making Records, 2001. Berkeley: University of California Press.

Published Oct. 12, 2011 9:45 AM - Last modified Jan. 1, 2012 7:48 PM