WEBVTT Kind: captions; language: en-us

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Have you ever thought about why modernity has so many straight lines and squares 

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why do we order nature into this particular shape 

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some of you may have taken a flight across the US and I think it's really shocking you would see 

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hours after hours of squares this grid formations where there are squares inside of squares and this 

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right here is just a random part of Indiana you'll see it in many other places as well, modernity

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is full of these squares which is sort of when you think about it's an arbitrary way of 

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ordering a landscape 

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why do we do it this way? and then James Scott has one kind of answer which is that it lies in a 

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particular way that the state sees things. So you reading an excerpt from a book called seeing like a 

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state and it's a very influential book very widely read book and after this book a lot of others have

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taken up this idea of seeing like 

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something something you have stuff like seeing like an oil company seeing like a survey and 

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other things that I can't think of right now and some of you may notice that there's a lot here 

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that resonates with Foucault if you read him so Scott shares with Foucault many ideas about 

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how the states use its citizens they have similar ideas about the universal mission, Foucault has 

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the idea of the panopticon 

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there's this kind of an idea that we have a fancy modern fantasy that it's possible to have this 

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God's eye view of everything from nowhere and part of the argument is that states 

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has this urge to create a world where everything is visible and accountable and surveillable

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but what we see in the Scott reading is that modernity doesn't just describe, it also creates the 

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things that it wants that it purports to describe so it's not just about measuring the world but 

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about creating a world that's measurable not just that they perceive an ordered and measurable World 

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instead of a disordered one but there are also actual interventions to make the world in their image 

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for instance to remove the things that they 

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Cannot easily measure so this is not just about perception not just seeing like a state it's not just 

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perceptions it is interventions as well, making something measurable. So Scott writes about the history 

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and development of scientific forestry in Germany and there's a really crucial point in this text 

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which I'd like to narrow in on, it is one of the steps in the development of forestry in Germany and 

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for the Foresters he writes about it was at that time 

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the next logical step in management of the forest after they had mapped the forests 

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this step was the attempt to create through careful seeding planting and cutting a forest 

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that was easier for  state Foresters to count manipulate measure and assess so this is the point 

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where they go from measuring to making something that's measurable from assessing to making 

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something that's more easily accessible from counting to making something that can be easily be 

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counted so before they reach this step what 

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Scott describes is a sort of tunnel vision that they have a narrowing ambition that brings forth 

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certain things bring certain things into focus while obscuring and excluding a lot of other things 

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because it is a synoptic view of a selective reality. So the Foresters in Germany they saw the forest 

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with this kind of constricted mission as focused in on the forest as 

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Commercial wood and there were a lot of things that fell outside of this mission such as the 

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understory and the animals living in the forest and all of the other parts of trees that were 

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not just the log that could be sold for timber, they didn't see the whole complex 

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trees Scott says but instead what they saw when they looked at the tree was an abstract tree that 

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represented a volume of 

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Lumber. They sold the forest as a resource and he describes how they changed gradually their vocabulary

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to fit with their vision describing not nature but natural resources and not a forest but a 

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crop of trees and the forest wasn't living in this Vision it was growing to deliver 

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sustainable yield of timber. 

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So in the first few pages we're squarely in the realm of knowledge presented by 

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These visual metaphors of how the forester see the forest, we get a sense of what their 

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vision and their conceptual apparatus must have been like for a forest to be sort of legible as a 

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resource 

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but then we get to this crucial point, the point at which the foresters no longer impose 

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a logic but actually changed the physical forest in order for it to fit with their vision so 

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through a range of interventions you can then go from forests to rationally ordered arrangement of 

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trees. 

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If at first every forest was the same conceptually sort of in their minds eye then now they 

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intervene so as to make every forest as far as possible the same in actual reality so we planted 

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monocultures for instance and they produce patches of trees where every tree was of 

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the same age even aged patches so they focused on one single species 

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That had large areas where every tree was the same age, now at first everything became a lot easier 

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right so they could much more easily calculate the yield and growth rates the forest became easier 

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to manipulate because there was less complexity and variation fewer other species of trees.  

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Another really interesting feature was that this neat arrangement of ordered trees could now be 

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surveyed by the chief 

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forester from back in his office, he wouldn't even have to go out there he could read it all from 

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graphs and tables it could all be managed based on calculations and assumptions because the forest 

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had been shaped according to those assumptions and graphs and tables were accurate measures of the 

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forest because the forest was constructed so that they could be accurately represented by those 

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graphs and tables and another thing is that this 

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kind of scientific forestry involves making universal models if a complex forest in Germany can be 

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physically transformed into a rationally ordered arrangement of trees, then it should in principle be 

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possible to apply those same principles anywhere. So local variation can be rendered irrelevant 

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and because of that this is something that can be done anywhere simply because local 

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variation is 

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irrelevant right, so that the trees were in a particular part of Germany shouldn't matter anymore and 

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you should be able to do the same thing in California or in India or in Australia or in Tanzania 

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or in Norway or wherever and this move of going from measuring to making measurable I think that's a 

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move that we see not just in forestry but in a lot of other places as well and we'll get more into 

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that next week when we talk about plantations. 

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For now let's look at another kind of landscape engineering. 

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Jerry Zee in Machine Sky gives us another example. There's a lot that is   

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similar to Scott but this is also a challenge or a corrective to some of the things that Scott 

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argues, Zee describes a mega project of sand control initiated by the Chinese state. So these 

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sandstorms frequently happen in Beijing and sandstorms for Zee this is an interesting argument 

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in itself it's sort of a phenomenon that can't be reduced to either land or whether it's as 

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closely tied to the landscape as it is to the wind, so the storms they cover Beijing in 

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these encompassing clouds of dust and sand that block out the sun and give the sky this eerie tinge

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as you can see on the picture here and this is what the the Chinese government wants to avoid then 

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and so to do that their 

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Ambitions of control you might say they extend into the skies. 

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I don't know about you guys but to me this high modernist fantasy of controlling the 

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weather it has something almost Godlike about it there's something godlike about being able 

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to control the weather right, so this is one of those pinnacles of human efforts to gain mastery over 

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nature or at least that's what it seems like, and cloud seeding experiments or projects are a 

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good example 

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you might have heard of this so cloud seeding is it's a technology that revolves around spraying 

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either dry ice or some kind of salts into clouds from the airplane with the aim of getting those 

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clouds to produce rain and as you can see here this is actually done in many places eight 

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states in the US are are doing this right now but it's also at the same time very unclear whether or 

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not it's actually working so you know in keeping with the theme of you know becoming 

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Godlike and controlling the weather there seems to be an element of Faith also in this these 

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projects and but anyway so the Chinese States tries to shape the weather and to control dust 

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storm in a somewhat similar but also sort of more indirect way compared to those cloud seeding 

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experiments 

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so the Chinese government they see the Chinese interior the interior parts of China as a windshed

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for Beijing and you know it's a it's a wind shed it's a similar thing as a watershed right. So 

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north of Beijing in the interior parts of the country there are large areas of desert and there 

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are also these persistent winds that persistently blow in the same 

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Direction that carries sand southwards so sand dunes up in northern China are in the eyes of Chinese 

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landscape managers they are dust storms in the making. 

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One way to avoid these dust storms is through Sand Dune stabilization upwind of Beijing, 

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concretely what they do is they plant seeds in order to make vegetation grow in areas with a lot of 

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sand and if there's vegetation there then the wind won't as easily pick up the sand and you won't 

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get sandstorms 

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and in the process they sort of they tried to use the patterns of air flow through to

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their advantage. So wind effects the landscape right they create sand dunes and picks up sand and 

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so on but the landscape and the vegetation also affects the the movement of the air so at first they 

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plant where they can where it's possible to plant things and then those first plants create 

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wind Shadow which we say we say in Norwegian "le" wind shadow which creates more possible plants 

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places to plant after that and and on and on so it goes. And all this very very local on-the-ground 

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stuff that's going on in the north of China this stuff affects the skies in in Beijing so the 

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interaction that the very local 

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interaction between wind sand dunes and vegetation up in the Arid parts of northern China can 

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either become or prevent sandstorms in Beijing 

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the Chinese Foresters then in theory can manipulate Beijing Skies by shaping landscapes in the North. 

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Zee writes about this as a strategy for affecting the Dynamics of sand and wind and they sort of 

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they work with the landscape to channel the wind and in this process they try to turn the wind from 

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a troublesome problem thing into something that they can harness as a tool and the same with sand 

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dune so they turn something troublesome the dunes where the wind can easily pick up 

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sand into a resource or a tool and namely a vegetated landscape which then acts as a barrier for 

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sandstorm so for the land managers landscapes in northern China our approach as components for the 

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modulation of downwind sky, the Landscapes up there are like buttons they can push and tweak to 

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change or program the weather in China these Landscapes are sort of in a sense like

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the control panels for Beijing skies, and here we see a shift again shift from problems turning 

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Troubles into tools and this is a different shift than the German Foresters shift from 

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measuring forests to making forts measurable and I think that the difference highlights two 

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different kinds of landscape engineering. 

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One thing is that air and wind much more clearly and dramatically than European forests poses some 

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challenges to notions of mastery and control you just simply cannot master the wind right, you cannot 

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create a weather system that fits with your ambition and your plans and your tables and your 

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calculations that just doesn't work you might as well try 

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catch the wind as the old song goes right. Another point is that engineering is not always about 

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Mastery and control it might also be about experimental programming of unruly more than human 

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machines so according to Zee there's an appreciation here of the unruliness of landscapes and 

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there's an appreciation that they are more than human and this is also in reference to 

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Anna Tsing but it's still transforming them so while there's an appreciation that 

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they are unruly and more than human is still an effort to transform them from something 

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Troublesome into a resource. 

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It's not also about forcing nature into the straight lines of modern fantasies these are not 

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mastered environments but environments approached through an engineering rationality and this is an 

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important point to end with here, so the engineering rationality sees the world kind of as a machine 

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where anything can be made into an input that you can tweak and and 

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and then outputs that you can get from tweaking inputs, where every element has a function and can be 

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manipulated to yield some kind of output force for instance in this imaginary is an element 

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you can manipulate to yielding outputs the same wind it's it's something at that you can harness 

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in order to draw some resource, nature becomes a set of tools and resources and then the 

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engineers can then harness landscape processes and proclivities in 

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in their engineering puzzles, this logic works not just within China but on a larger scale as well 

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where the world the whole world is sort of seen as a machine that is tweakable and and tunable by 

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the Chinese States. 