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The topic for this week is toxicity and exposure, and I think this is an especially interesting 

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aspect of the world today the anthropocene and it's something that a lot of anthropologists have 

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taken an interest in, in recent years. It's a phenomenon which can let us highlight something very 

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interesting namely how experiences with certain things in the world can make us think differently 

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about ourselves. 

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and I'd like to point out one thing briefly at the beginning That place the readings that you have in 

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some context. 

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So simply put there are two common approaches to toxicity and exposure and both of them are are 

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present in the reading that you have this week but I'm choosing to highlight one more than the 

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other. 

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So you can say that there's a political economy approach which is very prevalent in studies of toxicity 

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And exposure which says that toxicity and exposure is an effect produced by the global 

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economic system it is one more thing that shows interconnections long distances and other structures 

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of the world system and harms some people more than others. On the other hand you have what you might 

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call an experiential approach where

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the focus is more on toxicity and exposure and experiences of having been exposed to or being exposed 

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to toxicity and how this may be is something that changes what it feels like to be you in the world 

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and to have a body and it changes what it feels like to relate to your own body and the world. 

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So you readings have elements of both these, but I'm going to emphasise the second one more than 

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the first one. So I've called this video anthropocene bodies and and to have a body in the 

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anthropocene and to have a body in the anthropocene is to have a body that is exposed to chemicals 

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and toxicity of various kinds but more generally it is a body that is unfixed 

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sort of distributed and also porous and our experiences with our own bodies in the anthropocene can 

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challenge how we conventionally think of bodies and persons in modern Western societies. 

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So one of your readings this week by a Vanessa Jones shows us one example of anthropocene 

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bodies she emphasises how bodies are in systems anthropocene bodies are bodies that are in systems, 

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and she draws on an anthropologists called Michel Truillot and one of his most significant 

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interventions was to focus on world systems not from the center but rather from the point of view of 

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their supposed 

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margins and fringes. 

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So we get a really a different view of the world systems like global capitalism if we start out from 

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a little village located on the margins somewhere, rather than focusing on say Wall Street or the UN 

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headquarters we're going to look at world systems from the point of view of a small village in 

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Martinique and Jones takes this a step further in a sense or maybe perhaps a  

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Step closer is a better word and asks what if we instead start with bodies. So bodies are 

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Signs of encounter and they can be signs of encounters that have happened in the past or 

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encounters that occur over very great distances. 

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Exposure and and bodies that have signs of exposure then reveal the system we might think of a body 

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as the sort of a sensor that picks up and records other strains of history then what gets written 

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down which is an idea we'll get back to in relation to Kate Brown's article about the  

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Chernobyl. 

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The global ask viewed and not just from villages but from particular bodies gives other stories 

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of the world so your body my body each of our bodies tells a story about the world Jones' 

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informant Mark is one such body from which to see the global, she writes and I quote as we scale inward 

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to his body most mundane functions we are also 

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scaling outward to talk about farming in Martinique about policy parody in France and about the 

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circulation of agricultural products in the global economy, all of these larger things affect 

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Mark's body and the way it functions and his body then is a place from which to get a different 

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kind of view of these large systems. 

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I'll get back to Mark in a little bit but first I wanted to show you the Vaval. 

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Jones is writing about and so the Vaval is this carnival figure that they have in parades in 

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Martinique and is this large Effigy made from papier-mâché and what you see here is actually a 

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photo of that actual Vaval that Jones describes in the article from the carnival on Martinique in 

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2013 and here it moves on the float  

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through the streets of Martinique. You can see the cars and people in the background there. So the 

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Vaval this carnival figure represents the spirit of colony while on the island but it also acts 

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as a kind of representation or a commentary on some current issue. It is decorated doing things that 

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that refer to current issues in Martinique and we can say that there are at least two comments that 

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this Vaval expresses, that  

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we can relate to the notion of bodies in systems and they both revolve around the 

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pesticide klordecone which you see written on the champagne glass there and 

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these comments are about the pesticide the chemical pesticide klordecone as tied to the world 

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system on one hand and about klordecone as tied to the functioning of local people's bodies on 

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the other hand. 

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In other words there are two ideas about anthropocene bodies that this carnival figure expresses 

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first the fact the fact of exposure to a chemical because of the relation between France and 

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Martinique and second the concern that this has an effect on who you are and what your body is to 

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you as a local Martinique person. So first Martinique is is part of the overseas territorial collectivity 

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of France 

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so it's a colony basically and the klordecone is there in the soil and in the food and in 

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bodies in part because the French government neglected to impose the same regulations on food 

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and agriculture to protect people in Martinique as they have in France so the presence and the 

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large concentrations of this chemical in the environment in Martinique is a sign of martinique's 

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position in the world 

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system and to the second point the Vaval expresses a concern with how klordécone effects 

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Martinique's people's bodies 

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so klordècone is a pesticide and what is used as a pesticide it seeps into the soil the water and 

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eventually ends with food that's grown and from there it gets into people's bodies, it is also 

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carcinogen it can cause cancer and its so-called environmental estrogen it's a 

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hormone altering chemical and it has been linked to male infertility so because 

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it generates estrogen it can change the way their body functions and it is felt especially acutely 

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by men. 

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In a sense to put it bluntly we can say that the Vavals social commentary is that Klordècone is a 

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French neglect which leads to sterilization among Martinique in men. The Vaval expresses in a 

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symbolic form the fact that there are connections through Klordècone between the geopolitical 

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positioning of Martinique and the functioning of bodies like Mark's Body 

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Mark's Body then because of Klordècone becomes Troublesome for him his body acts in 

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unpredictable ways and his troublesome and unpredictable body is a sign of encounters encounters 

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between the French state and its colonies between Martinique and global commodity chains 

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political decisions and economic structures leave traces in the soil and in the drinking water and 

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ultimately in the bodies of people like Mark he is in a position where he doesn't

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have a choice but to ingest klordècone it's in the water and in the soil and these traces manifest 

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in experiences of the body as something that has become unruly how to lose control he is sort of 

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experiences a lack of control over his own body, and this lack of control in turn is a reminder or 

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a sign Mark is reminded of something about a fact about his own body he is reminded that his 

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body is 

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porous that it has openings he knows that he is ingesting klordècone without being able to notice 

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it as it's happening he doesn't notice or feel it when it happens but he knows that is almost 

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certainly present in the food that he eats so when his body acts strangely when it causes him 

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trouble it is a reminder that he is being exposed to this chemical. 

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So I take this as a story about having an anthropocene exposed body 

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and to be clear this is the kind of body we all have to an extent but for most of us it isn't as 

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clear and as acutely felt that is as it is for someone like Mark and it shows just a few things 

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in such an anthropocene body it shows that exposure and toxicity makes us notice the various ways in which 

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the body is unfixed and open to the world, the body is porous sort of like a sponge. 

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There are ways into the body that we cannot control things from the environment around us

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effect our bodies without our awareness. Another aspect that this shows is that your body 

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isn't just you, its workings are affected by the soil where you food grows and water that comes out 

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of your taps and your body is you along with various quasi human agents as Jones calls it 

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as well as chemicals and pesticides. 

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The body is a sign of past and distant encounters you can also see the body as a kind of site 

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where widely distributed things gather and accrete and it is sort of common to say that the 

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world is characterised by flows that are present world is one that characterized by global flows of 

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materials and such but bodies may be one of the kinds of sites were things 

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rather than flow through one of those places where flows cause sort of buildup 

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and finally anthropocene bodies are often unpredictable and unruly your body's workings if you have 

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an anthropocene body may be partly out of your control and so exposure challenges what many of us 

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take for granted about bodies. It introduces gray zones it can complicate things it disturbs 

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conventional boundaries and by conventional boundaries I mean the way that us here sort of in the 

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west tend

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to think about the body and if we take exposure seriously it can challenge these 

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boundaries here between me and not me there are all sorts of gray zones now that is sort of part of 

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me but also not me and then inside and outside here and elsewhere like in the sense that larger 

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flows that come from many other places and from across time gather and build up in me right and 

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between human and non-human and alive 

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and dead anthropocene body's sort of obliterate the myth of the discrete and bounded individual. 

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When I did this lecture last year I talked about COVID and how our experiences would cope with 

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may have destabilized our conventional way of thinking about our bodies in sort of similar way to 

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exposure to have a body in like the COVID era is in many ways similar to have anybody in the 

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anthropocene just like the anthropocene and our 

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experiences with COVID having us nudged towards thinking about ourselves and our bodies as sort of 

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extended distributed and porous, so we've all had numerous experiences that have reminded us for 

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instance that we extend past the skin that our body doesn't end where we thought it did. Hand-washing 

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and distance and all that are also like little reminders in the everyday life that remnants 

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of other people linger all around 

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the world we pass through and that we can pick up remnants of other people as we go

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through the world and 

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and if we do all these things the thinking was that if we do all these things over an extended 

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period of time that something that might change the way we think about ourselves and this year I 

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think we can think about these questions in different way we can 

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we can think about what lingers when we no longer do all of these things that tell ourselves 

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that we are porous and that we extend past the skin when we have stopped doing that is there 

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anything that lingers in our sense of our sense of ourselves and in our way of thinking about our 

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own bodies maybe our experiences with COVID maybe that's made it just a tiny bit more 

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Easy for us to think about ourselves as anthropocene bodies. 