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Hello everybody. Today, we have hopefully an interesting encounter. Hopefully we can have some fun. 

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Yeah, let's try this. So, today the topic is performative methods or Performance Based Methods, 

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which is a huge family of methods 

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that we don't usually think about. This something that you do not find often in the 

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textbooks, in the handbooks of methods, but they are extremely important and extremely popular 

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especially when it comes to the work with special needs and vulnerable 

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populations, and when it comes to work with participants that may 

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have some barrier -can be a linguistic barrier, can be another kind of barrier- . So this is why I 

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really would like you to to learn about these methods and to consider them. Of course as any kind of 

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method you use

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it's part of a system. So you can also combine different methods, not necessarily use one 

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single way of collecting data. So, let's move immediately to your question. 

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Actually they are very very important questions. I really appreciate your

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commitment to this. You don't ask many questions, but when you ask a question is always a 

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tough one for me. I appreciate this. So, let's start with the concept of embodiment. 

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*Professor sharing his screen*

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Now you should be able to see it. Well, the first question about the concept of 

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embodiment. Maybe if you had some courses, you are already familiar with this concept, 

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but maybe not everybody. Also because it is a concept that somehow has 

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slightly different meanings for different disciplines. Because it is used in phenomenology, it is 

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used in in the Hutchins theory of distributed cognition, it is used

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neurosciences, it is used in psychoanalysis also. So, each one of 

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these areas has a slightly different meaning for embodiment. 

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So, I'll try to bring together all the the common traits. The idea of embodiment comes from a turn 

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in philosophy and human in social sciences around the 70s. So, when there was a big effort to 

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overcome the Cartesian dualism, the sharp seperation

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between mind and body. And the fact that these are two different domains and 

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different people study these different aspects. But actually, the body turn during the 70's was 

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exactly say that ''You cannot separate the mind and the body, because we are our bodies. '' This also 

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started earlier 

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with phenomenology of course. But it was kind of restricted. For instance, have you heard about 

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people like Sartre, Merleau-Ponty? Which were kind of philosophers, psychologists...  

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We started to reflect about the way how our body puts us into the world. 

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So we are connected to our bodies, so it's not something separate, it's not a machine that we

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control with our minds, but also the body is our interface with the world. 

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So, this general idea has been developed in different ways, but we can have some common traits. 

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One idea is the idea of distributed cognition, extended cognition, extended mind, distributed mind.

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So the idea is that our cognition is not 

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restored only in the brain, but all our body and all our peripheral central and peripheral nervous 

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systems are part of our mind or our cognition and related to the world. For instance,

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the idea of gut feelings, so when 

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you feel something with your guts,

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with your belly. Also, in Greek philosophy 

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the mind or the emotions were located here and not in the brain. In ancient Greek philosophy the 

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brain was not the most important part of our body. The idea is that we here have an 

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incredible part of our nervous system. So, it is 

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definitely true that we also experience the world with this part of the body. So that's just a 

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metaphor, an example. At the same time, our cognition is not limited within the body. 

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For instance, I imagine that when you have to make a calculation, you use a calculator, right? 

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If I ask you, who is making the calculation? 

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You or the calculator? 

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What do you think? Both? So, our mind is distributed throughout our body, but also outside. So that's 

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the idea of distributed cognition. The second important aspect of the embodiment idea is that our 

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body is not only our body. 

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Our body is a social arena. 

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A lot of things happen on our body. Our body is shaped by culture. Why do you go to the gym? 

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Why do you cut your hair in a certain way? 

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This is how the culture is inscribed in our body. Why do you get tattoos? 

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So it's not just the culture, which is shaping your body, but you and your body say something to the 

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society. So it's an arena. It's especially important when we 

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study special needs. Why? Because the body of the people with special needs is even 

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more controversial arena. 

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Just imagine for instance, how the society is controlling sexuality. Our sexuality is inscribed 

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by society in our bodies. So for a long time, the body of people with some kind of special 

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needs was asexual. 

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So sexuality was not a right or pleasure for people disabilities. 

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But that's a body. 

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Another common point is the fact that we are egocentric. 

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We are all egocentric. Why? Because our body is limiting our perception of the world. So, we see 

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the word in this way. We don't have highs on the back. So the way we the perspective of the world

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the perspective in which we perceive the world is egocentric. 

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It's a bodily thing. So, it depends on our biological structure. But it is also a

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psychological thing. So we perceive the world from our perspective. It's only through and 

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forth that we can take the other person's perspective. 

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And only by assuming that the other person is somehow similar to us. 

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But also we are not only egocentric, because of the culture is inscribed in our bodies. We are also 

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ethnocentric. 

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We perceive the word starting from our own bodily embodied perspective, which is also a cultural 

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perspective. Just imagine the importance of gaze.

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So we perceive the gaze from this perspective. This is our perception. But our 

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gaze is cultural. Do you remember the observation things? But it is also because our 

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culture tells us where to look. 

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Some cultures don't want people to look straight in the eyes. This is highly aggressive and offensive

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In some cultures, people will look down and this will give them a completely different 

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perspective on the world. What do you look in the people you meet? Do you look the shoes? 

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You look to the face, the hair cut? This is cultural.

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The other important element that comes directly from the phenomenology is that our body is 

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subject and object at the same time.

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So, reflection emerges from the fact that our body is the subject, so we are the subject, we have our 

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egocentric perspective; But we are also the object, so we know that the others are looking at me, on my body.

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So, I see myself through the eyes of the others constantly and I know that the others are 

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looking at me. So I feel 

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as a subject who looks and an object who is looked at the same time. But it's not so easy. 
 
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At the same time , I can also be subject and object of myself. So for instance, there is a famous example 

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in Merleau-Ponty about the hand. So, my hand is the way I explore the word, I touch things.  

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So, what happens when I touch my hand?

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With one hand, I touched my hand... So, I'm exploring with my body, but I am exploring my body as if 

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it was an external object. I become subject and object at the same time of the experience 

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of the world. This is very important because it has to do with the 

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development of how our self-consciousness or how our self reflexivity, 

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our self-awareness. 

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So this is general embodiment. When you see this word in the text, it has to do with all these stuff.

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We should have one course only on embodiments. I try to sum up as much as possible. 

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Questions? Comments? From home?  

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Hmm. Yeah, that's not easy stuff. 

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So next question.. Okay, very nice question actually and very challenging. Have you watched 

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the video? This Britihs dance company? I got this question that I find 

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very relevant. Why is it relevant for us? 

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I don't want to tell you why it's relevant because it's not the same for everyone

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but let's start by your experience watching the that video. 

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I don't know if you watched also the other videos, there are plenty of it. So, what was your 

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feelings watching the video? 

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Come on, don't be shy, be honest.  

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From home? What was your first feeling? 

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*student saying ''awkward''*

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Awkward?

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Yeah, definitely. What else? 

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How did you feel? 

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Nobody felt uncomfortable for instance? 

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No feeling? 

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Disturbed?

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Confused? 

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Yeah, what else? 

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Did for instance, did anybody simply loved it? 

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Or had fun watching that video? 

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No? 

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No. Why? 

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I cannot read the chat, so just tell me why.

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*Student talking, not detectable for subtitling*

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Yeah, exactly. You don't know if there is a message, very good. These are all very good 

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observations. I must tell you one more thing. The video I linked was not the full 

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performance. 

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Because the full performance was a street performance. They performed in the streets of 

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London, but they were dressed from old times, they had dresses from the 1920's 1930's. 

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They were dressed like they went out for a dancing night and they were drunk 

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in the mornin after.

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So, the performance, street performance, was super fun. You could not stop

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laughing at it. It was super ironic, super fun. 

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Why do you think 

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they do such kind of performance?

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One could say ''I didn't get the message, if there is a message. '' Okay, so what do 

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you think can be the message? 

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What did you bring back home after watching that performance? 

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Any idea? 

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Well, the point is exactly that 

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why we study Performance Based methods. Because Performance Based methods, they are made to 

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give you access to a level of experience, which cannot be reached in other ways. 

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So, you first feel and then you reflect. 

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That's the idea of Performance Based methods. So, that was not a representation of something, was not 

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simply a show. They create a situation into which you first relate effectively 

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so you experience something. It is awkward. Very good. It's somehow raising your curiosity. 

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Curiosity, or the feeling that something is strange is exactly the stem for thinking. 

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*student asking question, not detectable for subtitling*

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That specific performance is the kind of work that that company does. They don't 

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do academic research. So, what they do is, they do work of reflection upon the disability. 

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They try to represent the condition, the first person condition of disability. 

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And they also denounce the stereotypes 

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about disability and instead of writing a book, they create a performance. So that's the idea.

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I'm not sure if it's a specific research. For instance,

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there is another very nice performance, which is instead a community research and action based 

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research, this company went to a village of fishermen --you know, fishing is kind of disappearing. 

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especially the small fisher villages--, what they did together with the community, they 

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created a performance about the story of the village. So, it was an action of community empowerment. 

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That was a research for instance. I think you can find the show on the website.

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So, the idea is that through the performance

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you start questioning something, like values for instance. For instance, one example, 

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can a person without the legs, have fun dancing? 

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Your first answer would probably be no. Okay. Well, that performance is already questioning  

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your assumption or stereotype of a person with that disability. It starts by surprise. You say ''Look, that's not 

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possible. '' Oh, very good. Start with suprise. That's the starting of philosophy, used to say Aristotle.

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Aristotle said philosophy start with surprise, with amazement. 

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So, that's why it is relevant. That's why it is relevant for us.

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Next question. 

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''The role of audience in performative research'' Other very important question. Performative 

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research is exactly doing research with the audience, not about the audience. So the audience is 

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part of the process.

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It has two goals, to show something in such a way, that you experience it as a whole. 

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Not only rationally but has a whole,

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you are immersed in an experience. But also, is really democratic and participative. Very often 

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you ask the audience to be part of the creation of knowledge. 

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I want to tell you a short story about a concrete example. 

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A couple of years ago before the Covid, I was invited in Brazil to participate in a Performance 

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Based project. So, there was a very nice theater company and they were collaborating with an 

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association, an NGO, to prevent suicide. 

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So, what they decided to do is to create a performance 

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about suicide, 

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and than they invited me and other psychologists to engage the audience after the performance. 

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The performance was based on a very short novel of maybe the most famous Brazilian author of the

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19th century, Machado De Assis. 

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It is a monologue. It is a monologue of a young man who is going to suicide.

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So it's like the last day of life, and it's incredible because you love a lot. 

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So, can you imagine a guy telling you for one hour how he is going to kill himself and why, and 

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can be funny? So it's a very nice novel and actually the play was very nice because 

00:25:13.750 --> 00:25:17.600
all the time you shift from different feelings... 

NOTE
Treffsikkerhet: 91% (HØY)

00:25:17.600 --> 00:25:29.300
You cry, you love, you feel ashamed, you feel amazed. Somehow it's very powerful 

00:25:29.300 --> 00:25:40.900
because it represents exactly the very complex emotional life of a person who is thinking about suicide.

00:25:40.900 --> 00:25:48.900
Well, we had this performance. There was the audience in the theater, and after the performance, 

00:25:48.900 --> 00:25:58.000
the actors, the psychologists and the audience, sat all together and started to discuss about 

00:25:58.000 --> 00:26:04.100
suicide, about the performance for quite a long time actually. 

NOTE
Treffsikkerhet: 91% (HØY)

00:26:04.100 --> 00:26:15.750
Well, the amazing thing is that a lot of things started to happen. People started 

00:26:15.750 --> 00:26:20.600
to talk about their personal stories related to suicide. 

NOTE
Treffsikkerhet: 91% (HØY)

00:26:20.600 --> 00:26:30.000
Than we started to talk about the prejudice. For instance, when someone in the family commit 

00:26:30.000 --> 00:26:38.500
suicide, there is a shame on the whole family. So it's a tragedy that lasts after the suicide for the 

00:26:38.500 --> 00:26:43.900
whole family, that has a kind of stigma. So, all these things started to emerge and 

00:26:43.900 --> 00:26:51.050
people started to cry. It was an incredible experience. So, at the end of this experience, 

NOTE
Treffsikkerhet: 91% (HØY)

00:26:51.050 --> 00:26:55.050
we all came out with a lot of new knowledge 

NOTE
Treffsikkerhet: 91% (HØY)

00:26:55.050 --> 00:27:03.400
about the experience of suicide, the social representation of suicide, how to prevent suicide of course.

00:27:03.400 --> 00:27:11.950
And our role as psychologists was basically to facilitate. 

NOTE
Treffsikkerhet: 91% (HØY)

00:27:11.950 --> 00:27:22.000
So we didn't really have to give advice, because you cannot give advice in that condition. 

00:27:24.700 --> 00:27:32.500
But they didn't need psychologist at that moment because all the group, all the 

00:27:32.500 --> 00:27:38.100
community of the audience was creating new knowledge. What do you do with this new knowledge? 

00:27:38.100 --> 00:27:42.199
Well, first of all, everybody was bringing back home this a new awareness about 

NOTE
Treffsikkerhet: 89% (HØY)

00:27:42.199 --> 00:27:48.900
suicide and new knowledge about suicide and suicide prevention. But for instance, we didn't 

00:27:48.900 --> 00:27:57.200
recorded the debate, we decided not to record. But if we would have recorded that, that would have 

00:27:57.200 --> 00:28:07.100
been a huge amount of data for a further analysis. So, such a thing, could not emerge in a 

00:28:07.100 --> 00:28:08.750
focus group. 

NOTE
Treffsikkerhet: 83% (HØY)

00:28:08.750 --> 00:28:12.650
It's not the same that doing a focus group for instance. 

NOTE
Treffsikkerhet: 81% (HØY)

00:28:12.650 --> 00:28:21.850
It's much more. It's involving the active audience participation in the performance. 

00:28:21.850 --> 00:28:29.000
So, that's an example. That's why it is important to use this, to ask people not only to answer our 

00:28:29.000 --> 00:28:38.100
questions, but to have people doing things, that's the meaning of Performance Based research. 

00:28:38.100 --> 00:28:42.000
So, we do things together with our participants. 

NOTE
Treffsikkerhet: 91% (HØY)

00:28:42.000 --> 00:28:44.450
Is it clear? 

NOTE
Treffsikkerhet: 91% (HØY)

00:28:44.450 --> 00:28:47.200
Questions? 

NOTE
Treffsikkerhet: 91% (HØY)

00:28:48.100 --> 00:28:50.800
From home? 

NOTE
Treffsikkerhet: 69% (MEDIUM)

00:28:51.700 --> 00:28:54.600
No, okay. 

NOTE
Treffsikkerhet: 91% (HØY)

00:28:59.300 --> 00:29:11.900
The challenge today was to try to design this activity for both people here and people at home.

00:29:11.900 --> 00:29:21.300
That was really a challenge. I hope we have everything here in the classroom. 

00:29:21.300 --> 00:29:29.750
Nevertheless, I think that this is something that you should try. 

NOTE
Treffsikkerhet: 90% (HØY)

00:29:29.750 --> 00:29:38.200
Or at least, should start thinking about ''why?''. Because, you are supposed to work with special needs 

00:29:38.200 --> 00:29:55.100
people and special needs people often have an intersection of conditions that can limit the 

00:29:55.500 --> 00:29:59.450
use of some methods. 

NOTE
Treffsikkerhet: 91% (HØY)

00:29:59.450 --> 00:30:08.750
So, body mapping is really effective. I use it a lot. It's used a lot in disability studies 

00:30:08.750 --> 00:30:20.200
it's used a lot with people with people with chronic illnesses, it's used a lot in 

00:30:20.200 --> 00:30:29.600
study with situation of abuse for instance. So, these are all areas in which you may work.

NOTE
Treffsikkerhet: 77% (HØY)

00:30:29.600 --> 00:30:41.650
And it's also used as therapical tool. So you may, one day, need to use it.

00:30:41.650 --> 00:30:49.550
So, now we will take more time to do this, because it requires some time. I will give you the instructions 

00:30:49.550 --> 00:30:54.900
and then we think we can have a break. 

NOTE
Treffsikkerhet: 91% (HØY)

00:30:54.900 --> 00:31:07.700
Okay, the same structure. Up there, there is some material for you in the room. 

NOTE
Treffsikkerhet: 91% (HØY)

00:31:07.700 --> 00:31:18.200
At home, you can take the material that you have there. But it's not so complicated. So now we 

00:31:18.200 --> 00:31:24.300
have a break, you have the time to create the groups and to find the material that you want. 

NOTE
Treffsikkerhet: 75% (MEDIUM)

00:31:25.700 --> 00:31:28.400
Re-instruction.

NOTE
Treffsikkerhet: 91% (HØY)

00:31:28.400 --> 00:31:36.800
How to do this? In your group... You have to choose one 

NOTE
Treffsikkerhet: 85% (HØY)

00:31:36.800 --> 00:31:47.600
person who is the participant and I need at least two more persons. One is the interviewer,

00:31:47.600 --> 00:31:56.300
who's asking question. And one is the observer. Actually, you could also record with 

00:31:56.300 --> 00:32:04.400
your phone the whole thing. Of course, you have to delete it afterwards. So you 

00:32:04.400 --> 00:32:07.199
can watch afterwards how does it work.

NOTE
Treffsikkerhet: 91% (HØY)

00:32:07.199 --> 00:32:15.000
So these are the instruction for home and the classroom.

00:32:15.000 --> 00:32:23.800
You take a big piece of that roll of paper. Then you have 

00:32:23.800 --> 00:32:33.300
scissors, color paper, crunchy paper,

00:32:33.300 --> 00:32:39.100
you have feathers, you have scottch tape

NOTE
Treffsikkerhet: 91% (HØY)

00:32:39.100 --> 00:32:46.200
you have a lot of stuff there. So take what you want from there. The first step 

00:32:46.200 --> 00:32:55.500
is, one lays on the ground and the interviewer is drawing the shape of the body on the paper. 

00:32:55.500 --> 00:33:02.350
You can do whatever you want, you can take the position you want. 

NOTE
Treffsikkerhet: 89% (HØY)

00:33:02.350 --> 00:33:10.300
Than, you start decorating the shape of the body during the interview. So, the interviewer will ask you, 

00:33:10.300 --> 00:33:20.500
for instance, when do you feel lonely? For instance... Does it makes you feel 

00:33:20.500 --> 00:33:27.000
something, in some part of the body? The person says ''Yes, here. '' Okay, how would you draw this 

00:33:27.000 --> 00:33:32.250
feeling? Which color is this feeling? So this is how you develop the interview.

NOTE
Treffsikkerhet: 91% (HØY)

00:33:32.250 --> 00:33:41.900
Try to do a little bit of interview. Try to do a little bit of observation...

00:33:41.900 --> 00:33:50.000
So try to develop your own interview about the experience of loneliness 

00:33:50.000 --> 00:33:57.400
or solitude. At home, unfortunately you cannot draw the whole body, but one person can choose to 

00:33:57.400 --> 00:34:02.150
draw a part of the body. So you take a piece of paper and 

NOTE
Treffsikkerhet: 91% (HØY)

00:34:02.150 --> 00:34:09.300
draw a part of your body --can be hand, the head, your leg, whatever--. And, you have one 

00:34:09.300 --> 00:34:18.000
interviewer and one observer as well. The observer takes notes and record what is happening.

00:34:20.699 --> 00:34:29.100
Yeah, that's it. Is it clear? Please don't ask me afterwards to repeat the instruction. If you 

00:34:29.100 --> 00:34:31.900
don't understand something, ask me now. 

NOTE
Treffsikkerhet: 91% (HØY)

00:34:32.000 --> 00:34:34.500
Okay. 

NOTE
Treffsikkerhet: 91% (HØY)

00:34:35.199 --> 00:34:39.600
Is it clear? Also from home? 

NOTE
Treffsikkerhet: 74% (MEDIUM)

00:34:39.600 --> 00:34:46.300
Student from zoom: So our questions are going to 

00:34:46.300 --> 00:34:56.150
focus on the concept of loneliness? *** Professor: The experience, the experience or solitude. 

00:34:56.150 --> 00:35:06.900
Student: Okay, thank you. *** Professor: Yeah, that's it. So now we have a break. At 11 o'clock we are back.

00:35:06.900 --> 00:35:10.000
Maybe we can. 

NOTE
Treffsikkerhet: 79% (HØY)

00:35:10.000 --> 00:35:17.800
also do something, you can work in groups of three if you want instead of four or five. It's up 

00:35:17.800 --> 00:35:26.000
to you. Also at home, we can create rooms of three, maximum four people. Yeah, that's it. 

00:35:26.000 --> 00:35:34.950
Then we meet again 10 minutes, 15 minutes before the end. So we have a briefing. Fine? 

00:35:34.950 --> 00:35:37.500
Clear? Great. 

NOTE
Treffsikkerhet: 77% (HØY)

00:35:37.500 --> 00:17:50.850
So, I stop recording now, and we have a break. 