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Publications

An overview of our latest publications and research activities. For a full overview, please visit Cristin.

  • Anne Danielsen (2020). Desktop production and groove, In Andrew Bourbon & Simon Zagorski-Thomas (ed.),  The Bloomsbury Handbook of Music Production.  Bloomsbury Academic.  ISBN 9781501334047.  chapter 17.
  • Laura Bishop & Alexander Refsum Jensenius (2020). Reliability of two infrared motion capture systems in a music performance setting, In Andrea Valle & Simone Spagnol (ed.),  Proceedings of the 17th Sound and Music Computing Conference.  Axea sas/SMC Network.  ISBN 978-88-945415-0-2.  Paper.
  • Ragnhild Brøvig-Hanssen & Aram Sinnreich (2020). Do You Wanna Build a Wall? Remix Tactics in the Age of Trump. Popular music and society.  ISSN 0300-7766.  43
  • Anaïs Llorens; Ingrid Funderud; Alejandro Omar Blenkmann; James Lubell; Maja Dyhre Foldal; Sabine Liliana Leske; Rene Huster; Torstein Ragnar Meling; Robert T Knight; Anne-Kristin Solbakk & Tor Endestad (2020). Preservation of Interference Effects in Working Memory After Orbitofrontal Damage. Frontiers in Human Neuroscience.  ISSN 1662-5161.
  • Morten Øvervoll; Ilaria Schettino; Hikaru Suzuki; Matia Okubo & Bruno Laeng (2020). Filtered beauty in Oslo and Tokyo: A spatial frequency analysis of facial attractiveness. PLOS ONE.  ISSN 1932-6203.  15
  • Merve Akca; Bruno Laeng & Rolf Inge Godøy (2020). No Evidence for an Auditory Attentional Blink for Voices Regardless of Musical Expertise. Frontiers in Psychology.  ISSN 1664-1078.  10
  • Guilherme Schmidt Câmara; Kristian Nymoen; Olivier Lartillot & Anne Danielsen (2020). Effects of instructed timing on electric guitar and bass sound in groove performance. Journal of the Acoustical Society of America.  ISSN 0001-4966.  147, s 1028- 1041
  • Anne Danielsen & Edgar Stanley Hawkins (2020). “The Right Amount of Odd”: Vocal Compulsion, Structure, and Groove in Two Love Songs from Around the World in a Day. Popular music and society.  ISSN 0300-7766.
  • Mari Romarheim Haugen & Anne Danielsen (2020). Effect of tempo on relative note durations in a performed samba groove. Journal of New Music Research.  ISSN 0929-8215.
  • David Huron & Jonna Katariina Vuoskoski (2020). On the enjoyment of sad music: Pleasurable Compassion Theory and the role of trait empathy. Frontiers in Psychology.  ISSN 1664-1078.
  • Farzan Noori; Michael Riegler; Md Zia Uddin & Jim Tørresen (2020). Human Activity Recognition from Multiple Sensors Data Using Multi-Fusion Representations and CNNs. ACM Transactions on Multimedia Computing, Communications, and Applications (TOMCCAP).  ISSN 1551-6857.  16
  • Maja Dyhre Foldal; Alejandro Omar Blenkmann; Anais Llorens; Robert T. Knight; Anne-Kristin Solbakk & Tor Endestad (2020). The brain tracks auditory rhythm predictability independent of selective attention. Scientific Reports.  ISSN 2045-2322.  10
  • Anne Danielsen & Stan Hawkins (2020). The Quest of Princian Research. Popular music and society.  ISSN 0300-7766.
  • Anna Pecchinenda; Bianca Monachesi & Bruno Laeng (2020). Fearful expressions of rapidly presented hybrid-faces modulate the lag 1 sparing in the attentional blink. Acta Psychologica.  ISSN 0001-6918.
  • Agata Zelechowska; Victor E. Gonzalez-Sanchez; Bruno Laeng & Alexander Refsum Jensenius (2020). Headphones or Speakers? An Exploratory Study of Their Effects on Spontaneous Body Movement to Rhythmic Music. Frontiers in Psychology.  ISSN 1664-1078.  11
  • Fumiaki Sato; Bruno Laeng; Shigeki Nakauchi & Tetsuto Minami (2020). Cueing the Necker cube: Pupil dilation reflects the viewing-from-above constraint in bistable perception.. Journal of Vision.  ISSN 1534-7362.  20
  • Charles Patrick Martin & Henry Gardner (2019). Free-Improvised Rehearsal-as-Research for Musical HCI, In Marcelo M. Wanderley; Katie Wilkie-McKenna; Tom Mudd; Simon Holland & Andrew McPherson (ed.),  New Directions in Music and Human-Computer Interaction.  Springer.  ISBN 978-3-319-92068-9.  Chapter 17.  s 269 - 284
  • Anne Danielsen (2019). Glitched and Warped: Transformations of Rhythm in the Age of the Digital Audio Workstation, In Mads Walther-Hansen; Martin Knakkergaard & Mark Grimshaw (ed.),  The Oxford Handbook of Sound and Imagination, Volume 2.  Oxford University Press.  ISBN 9780190460242.  Chapter 29.
  • Qichao Lan; Jim Tørresen & Alexander Refsum Jensenius (2019). RaveForce: A Deep Reinforcement Learning Environment for Music Generation, In Alberto Peinado; Ana M. Barbancho; Lorenzo J. Tardón & Isabel Barbancho (ed.),  SMC 2019 Proceedings of the 16th Sound & Music Computing Conference.  Society for Sound and Music Computing.  ISBN 978-84-09-08518-7.  P2.1.  s 217 - 222
  • Olivier Lartillot & Didier Grandjean (2019). Tempo and Metrical Analysis by Tracking Multiple Metrical Levels Using Autocorrelation, In Lorenzo J. Tardón; Isabel Barbancho; Alberto Peinado & Ana M. Barbancho (ed.),  SMC 2019 Proceedings of the 16th Sound & Music Computing Conference.  Society for Sound and Music Computing.  ISBN 978-84-09-08518-7.  S2.6.  s 174 - 181
  • Olivier Lartillot (2019). Miningsuite: A Comprehensive Matlab Framework for Signal, Audio and Music Analysis, Articulating Audio and Symbolic Approaches, In Alberto Peinado; Lorenzo J. Tardón; Isabel Barbancho & Ana M. Barbancho (ed.),  SMC 2019 Proceedings of the 16th Sound & Music Computing Conference.  Society for Sound and Music Computing.  ISBN 978-84-09-08518-7.  D3.1.  s 489 - 489
  • Cagri Erdem; Katja Henriksen Schia & Alexander Refsum Jensenius (2019). Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance, In Marcelo Queiroz & Anna Xambo Sedo (ed.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Nime.
  • Cagri Erdem; Katja Henriksen Schia & Alexander Refsum Jensenius (2019). Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance, In Federico Visi (ed.),  Music Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Nime.
  • Nanette Nielsen (2019). 'Carl Nielsen, the Modern Musical Philosopher: Life as an Aesthetic Experience', In Perrakis Manos (ed.),  Life as an Aesthetic Idea of Music.  Universal Edition.  ISBN 978-3-7024-7621-2.  Chapter 5.  s 79 - 103
  • Rolf Inge Godøy (2019). Thinking Sound-Motion Objects, In Michael Filimowicz (ed.),  Foundations in Sound Design for Interactive Media.  Routledge.  ISBN 9781138093942.  8.  s 161 - 178
  • Ulf A. S. Holbrook (2019). A question of backgrounds: Sites of listening, In Monty Adkins & Simon Cummings (ed.),  Music beyond airports: Appraising ambient music.  University of Huddersfield Press.  ISBN 978-1-86218-161-8.  3.  s 51 - 66
  • Anna Xambo Sedo; Sigurd Saue; Alexander Refsum Jensenius; Robin Støckert & Øyvind Brandtsegg (2019). NIME Prototyping in Teams: A Participatory Approach to Teaching Physical Computing, In Marcelo Queiroz & Anna Xambo Sedo (ed.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Conference paper.  s 216 - 221
  • Torgrim Rudland Næss & Charles Patrick Martin (2019). A Physical Intelligent Instrument using Recurrent Neural Networks, In Anna Xambo Sedo & Marcelo Queiroz (ed.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Conference Paper.  s 79 - 82
  • Charles Patrick Martin & Jim Tørresen (2019). An Interactive Musical Prediction System with Mixture Density Recurrent Neural Networks, In Marcelo Queiroz & Anna Xambo Sedo (ed.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Conference Paper.  s 260 - 265
  • Andrei Faitas; Synne Engdahl Baumann; Torgrim Rudland Næss; Jim Tørresen & Charles Patrick Martin (2019). Generating Convincing Harmony Parts with Simple Long Short-Term Memory Networks, In Anna Xambo Sedo & Marcelo Queiroz (ed.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Conference Paper.
  • Jørgen Halvorsen Nordmoen; Tønnes Frostad Nygaard; Kai Olav Ellefsen & Kyrre Glette (2019). Evolved embodied phase coordination enables robust quadruped robot locomotion, In Manuel López-Ibáñez (ed.),  GECCO '19: Proceedings of the Genetic and Evolutionary Computation Conference.  Association for Computing Machinery (ACM).  ISBN 978-1-4503-6111-8.  Kapittel.  s 133 - 141
  • Bjørn Ivar Teigen; Kai Olav Ellefsen & Jim Tørresen (2019). A Categorization of Reinforcement Learning Exploration Techniques Which Facilitates Combination of Different Methods, In  Proceedings of the 9th Joint IEEE International Conference on Development and Learning and on Epigenetic Robotics.  IEEE.  ISBN 978-1-5386-8129-9.  Kapittel.  s 189 - 194
  • Ragnhild Brøvig-Hanssen (2019). Humor's Role in Mashups and Remixes, In Kai Arne Hansen & Nick Braae (ed.),  On Popular Music and Its Unruly Entanglements.  Palgrave Macmillan.  ISBN 978-3-030-18099-7.  Kapittel.  s 189 - 207
  • Ragnhild Brøvig-Hanssen (2019). Mixing with Quotations: Mashups and Contextual Transformation, In Serge Lacasse; Simon Zagorski-Thomas; Katia Isakoff & Sophie Stévance (ed.),  The Art of Record Production, Volume 2: Creative Practice in the Studio.  Routledge.  ISBN 978-1138205109.  Chapter 3.  s 50 - 65
  • Alexandros Kontogeorgakopoulos; George Sioros & Odysseas Klissouras (2019). Mechanical Entanglement: A Collaborative Haptic-Music Performance, In Ana M. Barbancho; Lorenzo J. Tardón; Isabel Barbancho & Alberto Peinado (ed.),  SMC 2019 Proceedings of the 16th Sound & Music Computing Conference.  Society for Sound and Music Computing.  ISBN 978-84-09-08518-7.  P.3.  s 20 - 25
  • Aline Weber; Lucas N. Alegre; Jim Tørresen & Bruno Castro da Silva (2019). Parameterized Melody Generation with Autoencoders and Temporally-Consistent Noise, In Federico Visi (ed.),  Music Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Artikkel.  s 174 - 179
  • Artur Becker; Henrik Herrebrøden; Victor Evaristo Gonzalez Sanchez; Kristian Nymoen; Carla Maria Dal Sasso Freitas; Jim Tørresen & Alexander Refsum Jensenius (2019). Functional Data Analysis of Rowing Technique Using Motion Capture Data, In Grisha Coleman (ed.),  Proceedings of the 6th International Conference on Movement and Computing.  ACM Publications.  ISBN 978-1-4503-7654-9.  Article 12.
  • Tønnes Frostad Nygaard; Jørgen Halvorsen Nordmoen; Kai Olav Ellefsen; Charles Patrick Martin; Jim Tørresen & Kyrre Glette (2019). Experiences from Real-World Evolution with DyRET: Dynamic Robot for Embodied Testing, In  Nordic Artificial Intelligence Research and Development: Third Symposium of the Norwegian AI Society, NAIS 2019.  Springer.  ISBN 978-3-030-35664-4.  Artikkel.  s 58 - 68
  • Rolf Inge Godøy (2019). Musical Shape Cognition, In Mads Walther-Hansen; Martin Knakkergaard & Mark Grimshaw (ed.),  The Oxford Handbook of Sound and Imagination, Volume 2.  Oxford University Press.  ISBN 9780190460242.  Chapter 12.  s 237 - 258
  • George Sioros; Guilherme Schmidt Câmara & Anne Danielsen (2019). Mapping Timing Strategies in Drum Performance, In Julián Urbano; Arthur Flexer; Anja Volk & Geoffroy Peeters (ed.),  Proceedings of the 20th International Society for Music Information Retrieval Conference, ISMIR 2019.  International Society for Music Information Retrieval.  ISBN 9781732729919.  F-17.
  • Gary Bromham; David Moffat; Mathieu Barthet; Anne Danielsen & György Fazekas (2019). The Impact of Audio Effects Processing on the Perception of Brightness and Warmth, In  AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound on ZZZ.  Association for Computing Machinery (ACM).  ISBN 9781450372978.  Research article.  s 183 - 190
  • Benedikte Wallace; Charles Patrick Martin & Kristian Nymoen (2019). Tracing from Sound to Movement with Mixture Density Recurrent Neural Networks, In Grisha Coleman (ed.),  Proceedings of the 6th International Conference on Movement and Computing.  ACM Publications.  ISBN 978-1-4503-7654-9.  Artikkel.
  • Qichao Lan & Alexander Refsum Jensenius (2019). QuaverSeries: A Live Coding Environment for Music Performance Using Web Technologies, In Sara R. Martin; Gerard Roma & Anna Xambo Sedo (ed.),  Proceedings of the International Web Audio Conference.  NTNU.  1.
  • Michael Joseph Krzyzaniak; David Frohlich & Philip JB Jackson (2019). Six types of audio that DEFY reality! A taxonomy of audio augmented reality with examples, In  AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound on ZZZ.  Association for Computing Machinery (ACM).  ISBN 9781450372978.  Long Paper.
  • Ximena Alarcón Diaz & Alexander Refsum Jensenius (2019). “Ellos no están entendiendo nada” [“They are not understanding anything”]: embodied remembering as complex narrative in a Telematic Sonic Improvisation, In Morten Søndergaard & Laura Beloff (ed.),  Proceedings of RE:SOUND 2019.  British Computer Society (BCS).  Chapter.
  • Anne Danielsen (2018). Time and Time Again: Repetition and Difference in Repetitive Music, In Olivier Julien & Christophe Levaux (ed.),  Over and Over. Exploring Repetition in Popular Music.  Bloomsbury Academic.  ISBN 9781501324888.  kapittel 2.
  • Rolf Inge Godøy (2018). Motormimetic features in musical experience, In Gianfranco Vinay & Patrizia Veroli (ed.),  Music-dance: sound and motion in contemporary discourse.  Routledge.  ISBN 9781138280519.  12.  s 207 - 221
  • Ragnhild Brøvig-Hanssen (2018). Listening To or Through Technology: Opaque and Transparent Mediation, In Eliot Bates & Samantha Bennett (ed.),  Critical Approaches to the Production of Music and Sound.  Bloomsbury Academic.  ISBN 9781501332.  Chapter 11.  s 195 - 210
  • Anne Danielsen (2018). Novel, expressive and skilled!, In Øyvind Prytz; Jan Fredrik Hovden & Knut Ove Eliassen (ed.),  Contested qualities: negotiating value in arts and culture.  Fagbokforlaget.  ISBN 9788245023770.  kapittel.  s 187 - 202
  • Alexander Refsum Jensenius (2018). Methods for Studying Music-Related Body Motion, In Rolf Bader (ed.),  Springer Handbook of Systematic Musicology.  Springer Nature.  ISBN 978-3-662-55002-1.  38.  s 805 - 818
  • Rolf Inge Godøy (2018). Sonic Object Cognition, In Rolf Bader (ed.),  Springer Handbook of Systematic Musicology.  Springer Nature.  ISBN 978-3-662-55002-1.  35.  s 761 - 777
  • Victor Evaristo Gonzalez Sanchez; Charles Patrick Martin; Agata Zelechowska; Kari Anne Vadstensvik Bjerkestrand; Victoria Kristine Å Johnson & Alexander Refsum Jensenius (2018). Bela-based augmented acoustic guitars for sonic microinteraction, In Doug Bowman; Luke Dahl & Tom Martin (ed.),  Proceedings of the International Conference On New Interfaces For Musical Expression.  Virginia Tech.  Chapter.  s 324 - 327
  • Charles Patrick Martin; Alexander Refsum Jensenius & Jim Tørresen (2018). Composing an ensemble standstill work for Myo and Bela, In Tom Martin; Luke Dahl & Doug Bowman (ed.),  Proceedings of the International Conference On New Interfaces For Musical Expression.  Virginia Tech.  KAPITTEL.  s 196 - 197
  • Stefania Serafin; Sofia Dahl; Roberto Bresin; Alexander Refsum Jensenius; Runar Unnthorsson & Vesa Välimäki (2018). NordicSMC: A Nordic University Hub on Sound and Music Computing, In Anastasia Georgaki (ed.),  Proceedings of the Sound and Music Computing Conference.  Cyprus University of Technology.  KAPITTEL.
  • Pritty Patel-Grosz; Patrick Georg Grosz; Tejaswinee Kelkar & Alexander Refsum Jensenius (2018). Coreference and disjoint reference in the semantics of narrative dance, In Stephanie Solt & Uli Sauerland (ed.),  Proceedings of Sinn und Bedeutung 22, vol. 2, ZASPiL 61.  Leibniz-Zentrum Allgemeine Sprachwissenschaft (ZAS).  Chapter in Vol. 2.  s 199 - 216
  • Jørgen Halvorsen Nordmoen; Eivind Samuelsen; Kai Olav Ellefsen & Kyrre Glette (2018). Dynamic mutation in MAP-Elites for robotic repertoire generation, In  The 2018 Conference on Artificial Life.  MIT Press.  ISBN 9780262355766.  Konferanseartikkel.  s 598 - 605
  • Alexander Refsum Jensenius (2018). The Musical Gestures Toolbox for Matlab, In Emilia Gómez; Emmanouil Benetos; Eric Humphrey & Xiao Hu (ed.),  Proceedings of the 19th International Society for Music Information Retrieval Conference.  Institut de Recherche et Coordination Acoustique/Musique.  ISBN 978-2-9540351-2-3.  Demo.
  • Guilherme Schmidt Câmara & Anne Danielsen (2018). Groove, In Rehding Alexander & Rings Steven (ed.),  The Oxford Handbook of Critical Concepts in Music Theory.  Oxford University Press.  ISBN 9780190454746.  Groove.
  • Tejaswinee Kelkar; Udit Roy & Alexander Refsum Jensenius (2018). Evaluating a collection of Sound-Tracing Data of Melodic Phrases, In Emilia Gómez; Emmanouil Benetos; Eric Humphrey & Xiao Hu (ed.),  Proceedings of the 19th International Society for Music Information Retrieval Conference.  Institut de Recherche et Coordination Acoustique/Musique.  ISBN 978-2-9540351-2-3.  KAPITTEL.
  • Olivier Lartillot; Hans-Hinrich Thedens & Alexander Refsum Jensenius (2018). Computational model of pitch detection, perceptive foundations, and application to Norwegian fiddle music, In Richard Parncutt & Sabrina Sattmann (ed.),  Proceedings of ICMPC15/ESCOM10.  Centre for Systematic Musicology, University of Graz.  ISBN 978-3-200-05771-5.  article.  s 252 - 255
  • Anne Danielsen (2018). Pulse as Dynamic Attending: Analysing Beat Bin Metre in Neo Soul Grooves, In Ciro Scotto; John Brackett & Kenneth M. Smith (ed.),  The Routledge Companion to Popular Music Analysis: Expanding Approaches.  Routledge.  ISBN 9781138683112.  Chapter 12.
  • Victor Evaristo Gonzalez Sanchez; Agata Zelechowska & Alexander Refsum Jensenius (2018). Muscle activity response of the audience during an experimental music performance, In Stuart Cunningham (ed.),  Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion.  Association for Computing Machinery (ACM).  ISBN 978-1-4503-5373-1.  Sound and Immersion. Article 11.
  • Rolf Inge Godøy (2018). Sound-Motion Bonding in Body and Mind, In Sander L. Gilman & Youn Kim (ed.),  The Oxford Handbook of Music and the Body.  Oxford University Press.  ISBN 9780190636234.  Chapter.
  • Merve Akca (2018). Time course of selective attention for instrumental timbres and human voice, In Tom Ziemke; Mattias Arvola; Nils Dahlbäck & Erik Billing (ed.),  PROCEEDINGS OF THE 14TH SWEDISH COGNITIVE SCIENCE SOCIETY CONFERENCE.  The University of Skövde.  ISBN 978-91-983667-3-0.  Paper published at the proceedings.  s 10 - 11
  • Ulf A. S. Holbrook (2018). An Approach to Stochastic Spatialisation: A Case of Hot Pocket, In Doug Bowman; Luke Dahl & Tom Martin (ed.),  Proceedings of the International Conference On New Interfaces For Musical Expression.  Virginia Tech.  1.  s 31 - 32
  • Sofia Dahl & George Sioros (2018). Rhythmic recurrency in dance to music with ambiguous meter, In Antonio Camurri & Gualtiero Volpe (ed.),  Proceedings of the 5th International Conference on Movement and Computing.  ACM Publications.  ISBN 978-1-4503-6504-8.  Article No. 38.

View all works in Cristin

  • Simon Høffding (2019). A Phenomenology of Musical Absorption. Palgrave Macmillan.  ISBN 978-3-030-00659-4.  300 s.

View all works in Cristin

  • Jonna Katariina Vuoskoski & Tuomas Eerola (2020). Personality and musicians, In  The Science and Psychology of Music: From Beethoven at the Office to Beyoncé at the Gym.  ABC-CLIO.  ISBN 978-1-4408-5771-3.  Chapter 7b.
  • Tuomas Eerola & Jonna Katariina Vuoskoski (2020). Personality and listeners, In  The Science and Psychology of Music: From Beethoven at the Office to Beyoncé at the Gym.  ABC-CLIO.  ISBN 978-1-4408-5771-3.  Chapter 7a.
  • Ragnhild Brøvig-Hanssen & Ellis Nathaniel Jones (2020). Slutten på remix? Spenningsforholdet mellom mashup-musikk og automatiske reguleringsverktøy.
  • Anne Danielsen (2020). Råd og tips for søkere til SFF V.
  • Kyrre Glette (2020). Evolutionary algorithms for intelligent robots.
  • Ragnhild Brøvig-Hanssen (2020). Slutten på mashup musikk?.
  • Kjell Andreas Oddekalv (2020). Brakkeskole: Kjell Andreas Oddekalv forskar på rapflow.
  • Ragnhild Brøvig-Hanssen (2020). Playful Rhythms and Mosaic Flow.
  • Anne Danielsen (2020). Exploring the Hu/Machine: Shaping beats in contemporary African-American popular music.
  • Simon Høffding (2020). shared musical absorption: A Phenomenological case study with the Danish string quartet.
  • Alexander Refsum Jensenius (2020). Video Visualization Strategies at RITMO.
  • Olivier Lartillot; Carlos Cancino-Chacón & Charles Brazier (2020). Real-Time Visualisation Of Fugue Played By A String Quartet.
  • Laura Bishop & Alexander Refsum Jensenius (2020). Reliability of two infrared motion capture systems in a music performance setting.
  • Anne Danielsen (2020). The Experience of Time and the "Now": Groove studies.
  • Anne Danielsen (2020). Does genre expertise modulate micro level synchronisation to musical sounds?.
  • Anne Danielsen (2020). Musical listening, micro-time.
  • Kjell Andreas Oddekalv (2020). When Metre meets Metre: Rhythmic Ambiguity and Flexibility in Rap Flows.
  • Kjell Andreas Oddekalv (2020). Food & Paper: Metre on metre - a theoretical framework for rap analysis.
  • Kjell Andreas Oddekalv (2020). METRE MEETS METRE – HOW DO WE HEAR, ANALYSE AND LISTEN TO RAP FLOWS?.
  • Kjell Andreas Oddekalv (2020). IMV PhD Midway Assessment for Kjell Andreas Oddekalv.
  •  (2020). English translation of press release 46/20 (including decision), German Federal Court of Justice, I ZR 115/16 - Metal on Metal IV (Pelham v Hütter), 30 April 2020.
  •  (2020). NTT: Noen forsker på musikk helt på ekte - Jazznytt.
  •  (2020). Kunst og Kunstig Intelligens.
  •  (2020). De dyktigste musikerne kan spille uten å tenke.
  •  (2020). Dansestilen din avslører deg.
  •  (2020). Bortebuaren.
  •  (2020). Spelelystene.
  •  (2020). Meiner forskarar må ha rett til å «klippe og lime» frå publiserte artiklar.
  •  (2020). Nesten umulig å stå i ro til musikk.
  •  (2020). Forskning om danselyst.
  •  (2020). Klarer du å stå stille til favorittlåta di?.
  •  (2020). Hvor vanskelig er det egentlig å la være å bevege seg til fengende musikk?.
  •  (2020). Du klarer faktisk ikke å stå stille.
  •  (2020). You just can’t stand still.
  • Bruno Laeng & Dag Alnæs (2019). Pupillometry, In Ulrich Ettinger & Christoph Klein (ed.),  Eye Movement Research.  Springer Nature.  ISBN 978-3-030-20083-1.  Chapter 11.  s 449 - 502
  • Kjell Andreas Oddekalv (2019). Rap Flows PhD Thesis.
  • Ximena Alarcón Diaz (2019). Seminario Transdisciplinar: voz, memoria, violencia, comunidad, prácticas artísticas.
  • Ragnhild Brøvig-Hanssen (2019). Presentation of the MASHED-project.
  • Ragnhild Brøvig-Hanssen; Ellis Nathaniel Jones; Alan Hui & Josh Perrett (2019). Mashup Music, Copyright, and Platform Regulation: A promo video.
  • Alexander Refsum Jensenius (2019). Tutorial: Musical Gestures Toolbox.
  • Alexander Refsum Jensenius; Andrew McPherson; Anna Xambo Sedo; Dan Overholt; Guillaume Pellerin; Ivica Ico Bukvic; Rebecca Fiebrink & Rodrigo Schramm (2019). Open Research Strategies and Tools in the NIME Community.
  • Alexander Refsum Jensenius; Rodrigo Schramm; Lamberto Coccioli; Clara Mancini & Michael J. Lyons (2019). Ethics at NIME.
  • Simon Høffding (2019). Hvad er musikalsk fordybelse?.
  • Alan Hui (2019). Platform regulation of mashup makers in a post-Brexit UK.
  • Yngvar Kjus; Ragnhild Brøvig-Hanssen; Eirik Askerøi; Mike Hartung; Magnus Wergeland Juell & Sara Karoliussen (2019). Musikkprodusentens rolle.
  • Ragnhild Brøvig-Hanssen (2019). Presentation of MASHED; TIME; and MusFrag.
  • Jim Tørresen (2019). Ethics and artificial intelligence in healthcare.
  • Alexander Refsum Jensenius (2019). Hvordan fremme tverrfaglighet?.
  • Alexander Refsum Jensenius (2019). Scientific Computing Use Case: RITMO.
  • Solveig Isis Sørbø; Matthew Good & Alexander Refsum Jensenius (2019). RITMO + UB = MusicLab.
  • Anne Danielsen (2019). Erfaringer fra SFF IV..
  • Tejaswinee Kelkar (2019). Girl Music Tech Camp.
  • Tejaswinee Kelkar (2019). WoNoMute LittleBits Workshop.
  • Tejaswinee Kelkar (2019). Spatial and Bodily Metaphors as means for Musical Sense-making.
  • Alexander Refsum Jensenius (2019). Experimenting with Open Research Experiments.
  • Alexander Refsum Jensenius (2019). Musikkteknologi som døråpner til bedre forståelse.
  • Ragnhild Brøvig-Hanssen (2019). Mashups as Bisociative.
  • Alejandro Omar Blenkmann (2019). Auditory deviance detection network in the human brain.
  • Anne Danielsen (2019). Utfordringer og løsninger for et tverrfakultært SFF.
  • Anne Danielsen (2019). Classic Album Sundays: Aretha Franklin (paneldeltakelse).
  • Kyrre Glette (2019). Kunstig intelligens for tilpasningsdyktige roboter.
  • Jim Tørresen (2019). Kunstig intelligens – hvem, hva og hvor. (Eng. Artificial Intelligence – who, what and where).
  • Kristian Nymoen (2019). Musikalske maskiner.
  • Alexander Refsum Jensenius (2019). The RITMO Centre at University of Oslo.
  • Alexander Refsum Jensenius (2019). Developing the self-playing guitars.
  • Alan Hui; Ragnhild Brøvig-Hanssen & Ellis Nathaniel Jones (2019). Grey Tuesday (Musikk I gråsonen).
  • Kyrre Glette (2019). Kunstig intelligens for tilpasningsdyktige roboter.
  • Charles Patrick Martin; Torgrim Rudland Næss; Andrei Faitas & Synne Engdahl Baumann (2019). Session on Musical Prediction and Generation with Deep Learning.
  • Erling E. Guldbrandsen (2019). Gustav Mahlers Åttende symfoni - Die Sinfonie der Tausend.
  • Paul Knutsen & Erling E. Guldbrandsen (2019). Roald Amundsens ansvar for Knutsens og Tessems død. Om polarekspedisjonen til Nordøstpassasjen 1918–1919. Foredrag ved Paul Knutsen.
  • Erling E. Guldbrandsen & Nina Nielsen (2019). Hvorfor hater jeg julemusikk - hvorfor elsker jeg julemusikk. Panelsamtale.
  • Ragnhild Brøvig-Hanssen & Jon Marius Aareskjold (2019). Vocal Chops and it's aesthetics.
  • Qichao Lan; Jim Tørresen & Alexander Refsum Jensenius (2019). RaveForce: A Deep Reinforcement Learning Environment for Music.
  • Olivier Lartillot (2019). Miningsuite: A Comprehensive Matlab Framework for Signal, Audio and Music Analysis, Articulating Audio and Symbolic Approaches.
  • Alexandros Kontogeorgakopoulos; George Sioros & Odysseas Klissouras (2019). Mechanical Entanglement: A Collaborative Haptic-Music Performance.
  • Ximena Alarcón Diaz; Victor Evaristo Gonzalez Sanchez & Cagri Erdem (2019). INTIMAL: Walking to find place, breathing to feel presence.
  • Mari Romarheim Haugen; Mats Sigvard Johansson & Olivier Lartillot (2019). Investigating rhythm production and perception in traditional scandinavian dance music in non-isochronous meter: A case study of norwegian telespringar.
  • Tønnes Frostad Nygaard; Charles Patrick Martin; Jim Tørresen & Kyrre Glette (2019). Self-Modifying Morphology Experiments with DyRET: Dynamic Robot for Embodied Testing.
  • Tønnes Frostad Nygaard; Jørgen Halvorsen Nordmoen; Charles Patrick Martin; Jim Tørresen & Kyrre Glette (2019). Lessons Learned from Real-World Experiments with DyRET: the Dynamic Robot for Embodied Testing.
  • Torgrim Rudland Næss; Jim Tørresen & Charles Patrick Martin (2019). A Physical Intelligent Instrument using Recurrent Neural Networks.
  • Justinas Miseikis; Inka Brijacak; Saeed Yahyanejad; Kyrre Glette; Ole Jacob Elle & Jim Tørresen (2019). Two-Stage Transfer Learning for Heterogeneous Robot Detection and 3D Joint Position Estimation in a 2D Camera Image Using CNN.
  • Guilherme Schmidt Câmara; Kristian Nymoen; Olivier Lartillot & Anne Danielsen (2019). Timing is Everything... Or is it? Part I: Effects of Instructed Timing and Reference on Guitar and Bass Sound in Groove Performance.
  • George Sioros; Guy Madison; Diogo Cocharro; Anne Danielsen & Fabien Gouyon (2019). Does moderate syncopation increase groove? The answer depends on the syncopation pattern.
  • George Sioros; Guilherme Schmidt Câmara; Anne Danielsen & Kristian Nymoen (2019). Timing and drummers’ movement: A novel methodology for performance analysis.
  • Connor Spiech (2019). Predicting the Groove: A Combined EEG-Pupillometry Study.
  • Connor Spiech (2019). Predicting the Groove: A Combined EEG-Pupillometry Study.
  • Sabine Liliana Leske; James Lubell; Alejandro Omar Blenkmann; Anaïs Llorens; Ingrid Funderud; Maja Dyhre Foldal; Pål Gunnar Larsson; Jugoslav Ivanovic; Torstein Ragnar Meling; Robert Thomas Knight; Anne Danielsen; Tor Endestad & Anne-Kristin Solbakk (2019). Action-based auditory predictions.
  • Sabine Liliana Leske; James Isaac Lubell; Alejandro Omar Blenkmann; Anaïs Llorens; Ingrid Funderud; Maja Dyhre Foldal; Pål Gunnar Larsson; Jugoslav Ivanovic; Torstein Ragnar Meling; Robert Thomas Knight; Anne Danielsen; Tor Endestad & Anne-Kristin Solbakk (2019). Auditory prediction and prediction error in self-generated tones.
  • Alejandro Omar Blenkmann; Anne-Kristin Solbakk; James Lubell; Sabine Liliana Leske; Anaïs Llorens; Ingrid Funderud; Santiago Collavini; Pål Gunnar Larsson; Jugoslav Ivanovic; Torstein Ragnar Meling; Tristan Bekinschtein; Silvia Kochen; Robert T. Knight & Tor Endestad (2019). Human brain network involved in auditory deviance detection: Evidence from intracranial EEG recordings.
  • Alejandro Omar Blenkmann; Anne-Kristin Solbakk; James Lubell; Sabine Liliana Leske; Anaïs Llorens; Ingrid Funderud; Santiago Collavini; Pål Gunnar Larsson; Jugoslav Ivanovic; Torstein Ragnar Meling; Tristan Bekinschtein; Silvia Kochen; Robert T Knight & Tor Endestad (2019). Human brain network involved in auditory deviance detection: Evidence from intracranial EEG recordings.
  • Tor Endestad; Anne-Kristin Solbakk; Jugoslav Ivanovic; Pål Gunnar Larsson; Robert T. Knight & Alejandro Omar Blenkmann (2019). A robust intracranial electrode localization algorithm.
  • Maja Dyhre Foldal; Alejandro Omar Blenkmann; Anaïs Llorens; Robert Thomas Knight; Anne-Kristin Solbakk & Tor Endestad (2019). The brain tracks global temporal regularity in auditory patterns.
  • Jonna Katariina Vuoskoski (2019). Being moved by music: A prosocial emotional response?.
  • Olivier Lartillot (2019). The MIRAGE project.
  • Simon Høffding (2019). In the phenomenological workshop with “The Danish String Quartet":coping, mind-wandering and Amnesia.
  • Simon Høffding (2019). The Phenomenological Interview and the Skeptic Philosopher.
  • Simon Høffding (2019). Thinking in movement: An enactive account of improvisation.
  • Jim Tørresen (2019). Making Robots Adaptive and Preferable to Humans.
  • Anne Danielsen (2019). Roundtable: Translating, transferring (and maybe transcending) musical knowledge. Chair and respondent, session 3: Practices..
  • Ragnhild Brøvig-Hanssen & Jon Marius Aareskjold (2019). Vocal Chops and its Aesthetics.
  • Ragnhild Brøvig-Hanssen; Paul Théberge; Nyssim Lefford; Catherine Provenzano & Alan Williams (2019). Methodology Panel.
  • Ragnhild Brøvig-Hanssen & Aram Sinnreich (2019). Paper on the Panel Resist, Rebel, Remix: Politics and Practice in Digital Culture.
  • Ximena Alarcón Diaz (2019). Keynote Speaker: "INTIMAL: un espacio de escucha relacional para fluir entre fragmentos de memoria, migración y conflicto".
  • Ximena Alarcón Diaz (2019). Talk in Mixtur Festival, Barcelona: INTIMAL: Interfaces for Relational Listening. Body, Memory, Migration, Telematics.
  • Alexander Refsum Jensenius (2019). Exploring the Spatiotemporal Matrix in Music-Dance Performance.
  • Alexander Refsum Jensenius (2019). Technology and the voice.
  • Olivier Lartillot & Didier Grandjean (2019). Tempo and Metrical Analysis by Tracking Multiple Metrical Levels Using Autocorrelation.
  • Ximena Alarcón Diaz (2019). Talk about INTIMAL project in online Seminar.
  • Kjell Andreas Oddekalv (2019). The urge to «clean up» the rap: rhythm and plasticity in rap music.
  • Kjell Andreas Oddekalv (2019). Surrender to the flow – rhyme as the defining structural element in rap.
  • Cagri Erdem; Katja Henriksen Schia & Alexander Refsum Jensenius (2019). Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance.
  • Simon Høffding (2019). Kvalitativ forskning og fænomenologi tur-retur.
  • Ragnhild Brøvig-Hanssen (2019). Humor, Parody and Mashups.
  • Victor Evaristo Gonzalez Sanchez; Henrik Herrebrøden; Jostein Olimstad & Alexander Refsum Jensenius (2019). Effects of acoustic pacing on the smoothness of rowing movements.
  • Anne Danielsen; Kristian Nymoen & Justin London (2019). Noise in the click or click in the noise: Investigating probe-stimulus order in P-center estimation tasks.
  • Gary Bromham; David Moffat; Anne Danielsen & György Fazekas (2019). Digital Warmth: The Retro in Digital.
  • Rolf Inge Godøy (2019). Music and Body Motion.
  • David Huron & Jonna Katariina Vuoskoski (2019). On the enjoyment of sad music: Pleasurable compassion theory and the role of trait empathy.
  • Jonna Katariina Vuoskoski & Marc Richard Thompson (2019). The contribution of visual and auditory cues to the perception of emotion in musical performance.
  • Marc Richard Thompson & Jonna Katariina Vuoskoski (2019). Everything but the sound: Investigating the relationships between movement features and perceptual ratings of silent music performances.
  • Jonna Katariina Vuoskoski & Tuomas Eerola (2019). Trait empathy contributes to the intensity of music-induced emotions: Evidence from self-reports and psychophysiology.
  • Jørgen Halvorsen Nordmoen; Tønnes Frostad Nygaard; Kai Olav Ellefsen & Kyrre Glette (2019). Evolved embodied phase coordination enables robust quadruped robot locomotion.
  • Tønnes Frostad Nygaard; Jørgen Halvorsen Nordmoen; Kai Olav Ellefsen; Charles Patrick Martin; Jim Tørresen & Kyrre Glette (2019). Experiences from Real-World Evolution with DyRET: Dynamic Robot for Embodied Testing.
  • Ximena Alarcón Diaz & Alexander Refsum Jensenius (2019). "Ellos no están entendiendo nada" ("They are not understanding anything"): Listening to Embodied Memories of Colombian Migrant Women Reflecting on Conflict and Migration.
  • Charles Patrick Martin & Jim Tørresen (2019). An Interactive Musical Prediction System with Mixture Density Recurrent Neural Networks.
  • Andrei Faitas; Synne Engdahl Baumann; Jim Torresen & Charles Patrick Martin (2019). Generating Convincing Harmony Parts with Simple Long Short-Term Memory Networks.
  • Charles Patrick Martin & Jim Torresen (2019). An Interactive Music Prediction System with Mixture Density Recurrent Neural Networks.
  • Anne Danielsen (2019). Hvor er egentlig beatet? Rytme og timing i rytmisk musikk.
  • Olivier Lartillot (2019). Computational analysis of tempo and metre: from signal processing to cognitive musicology.
  • Guilherme Schmidt Câmara; Kristian Nymoen & Anne Danielsen (2019). Timing is Everything... Or is it? Part II: Effects of Instructed Timing Style and Timing Reference on Drum-Kit Sound in Groove Performance.
  • George Sioros; Guy Madison; Diogo Cocharro; Anne Danielsen & Fabien Gouyon (2019). The relation between groove and syncopation is intricate – not any pattern will do.
  • Ragnhild Brøvig-Hanssen (2019). Musical Fragmentation and Pleasure.
  • Ragnhild Brøvig-Hanssen & Jon Marius Aareskjold (2019). Vocal chops and Rhythm.
  • Ragnhild Brøvig-Hanssen (2019). Mashup and Parody.
  • Ragnhild Brøvig-Hanssen (2019). Musical Fragmentation and Dual-Planed Temporality.
  • Jim Tørresen (2019). Intelligent and Adaptive Robots in Real-World Environment.
  • Ellis Nathaniel Jones; David Hesmondhalgh & Andreas Rauh (2019). Bandcamp and SoundCloud as alternative music platforms.
  • Ellis Nathaniel Jones & Patrick Hyland (2019). Negotiating conceptions of “lo-fi” authenticity in collaborative work.
  • Jim Tørresen (2019). Introduction to Different Challenges in Ethical AI and Possible Ways of Addressing Them.
  • Jim Tørresen (2019). Design and Control of Robots for Real-World Environment.
  • Jim Tørresen (2019). Sensing Human State with Application in Older People Care and Mental Health Treatment.
  • Jim Tørresen (2019). Supporting Older People with Robots for Independent Living.
  • Alexander Refsum Jensenius (2019). Hva kan kroppslig stillstand si om opplevelsen av musikk?.
  • George Sioros & Anne Danielsen (2019). How do Rhythmic Features Affect our Movement?.
  • Jonna Katariina Vuoskoski (2019). Accounting for inter-individual variance in perceived and felt emotions.
  • Jonna Katariina Vuoskoski (2019). Parallels between the cognition of rhythm in sports and music.
  • Ulf A. S. Holbrook & Emil Kraugerud (2019). Distances and proximities in acousmatic spatiality.
  • Ingrid Funderud & Anne-Kristin Solbakk (2019). Event Related Potentials and their functional relevance and Experimental design issues in ERP studies.
  • Alejandro Omar Blenkmann (2019). Origins of the EEG signal and Technical setup of EEG.
  • Sabine Liliana Leske (2019). Oscillations and their functional relevance and Experimental design issues in EEG studies investigating oscillations.
  • Britta Westner; Lau Møller Andersen; Alejandro Omar Blenkmann & Sabine Liliana Leske (2019). RITMO International EEG FieldTrip workshop, Lectures and Hands-on sessions.
  • Simon Høffding (2019). Musical Empathy and expert automaticity: Applying phenomenology to Music performance.
  • Simon Høffding (2019). Informing phenomenology through interviews: Dreyfus’ experts and musical virtuosos.
  • Simon Høffding (2019). Phenomenological interviews.
  • Simon Høffding; Sebastian Wallot & Andreas Roepstorff (2019). The Danish String Quartet: Absorption and Interaction.
  • Simon Høffding (2019). What do expert musicians perceive when they perform? Phenomenological Explorations.
  • Alexander Refsum Jensenius (2019). Sound actions: An embodied approach to a digital organology.
  • Alexander Refsum Jensenius (2019). Sound actions: An embodied approach to a digital organology.
  • Alexander Refsum Jensenius (2019). Lecture-demo: Music-Related Micromotion.
  • Simon Høffding (2019). At a distance from myself – on the phenomenology of hyper reflection and ex-static musical absorption.
  • Simon Høffding (2019). Sammen i Musikken: Fri improvisation som unik social begivenhed.
  • Jim Tørresen; Kyrre Glette & Kai Olav Ellefsen (2019). Adaptive Robot Body and Control for Real-World Environments.
  • Jim Tørresen; Kyrre Glette & Kai Olav Ellefsen (2019). Intelligent, Adaptive Robots in Real-World Scenarios.
  • Victor Evaristo Gonzalez Sanchez (2019). Characterizing Movement Fluency in Musical Performance.
  • Victor Evaristo Gonzalez Sanchez (2019). MICRO: Human Bodily Micromotion in Music Perception and Interaction.
  • Victor Evaristo Gonzalez Sanchez (2019). Toward a Generic Measure of Fluency.
  • Artur Becker; Henrik Herrebrøden; Victor Evaristo Gonzalez Sanchez; Kristian Nymoen; Carla Maria Dal Sasso Freitas; Jim Tørresen & Alexander Refsum Jensenius (2019). Functional Data Analysis of Rowing Technique Using Motion Capture Data.
  • Anne Danielsen (2019). Glitched and Warped: Shaping the “Beat Bin” in Contemporary African-American Popular Music.
  • Ximena Alarcón Diaz; Paul Boddie; Cagri Erdem; Eigil Aandahl; Elias Sukken Andersen; Eirik Dahl; Mari Lesteberg & Alexander Refsum Jensenius (2019). Sensing Place and Presence in an INTIMAL Long-Distance Improvisation.
  • Kjell Andreas Oddekalv (2019). Likeins, likeins, men annleis – ulike språk/rytme-interaksjonar i rap.
  • Rolf Inge Godøy (2019). Constraint-based musical expression - John Blacking Memorial Lecture, European Seminar of Ethnomusicology (ESEM), Durham University, September 5, 2019.
  • Olivier Lartillot (2019). A comprehensive framework for computational music analysis.
  • Simon Høffding (2019). Not being there: an analysis of expertise induced amnesia.
  • George Sioros; Guilherme Schmidt Câmara & Anne Danielsen (2019). Mapping Timing Strategies in Drum Performance.
  • Jim Tørresen (2019). Intelligent Robots and Systems in Real-World Environment.
  • Alan Hui (2019). Norwegian copyright limitations and exceptions following Pelham v Hütter.
  • Sophie Bishop & Ellis Nathaniel Jones (2019). Just a folk theory? User understandings of algorithms as media critique.
  • Ellis Nathaniel Jones (2019). The historical role of ‘mashups’ in envisioning a democratic media environment.
  • Benedikte Wallace; Kristian Nymoen & Charles Patrick Martin (2019). Tracing from Sound to Movement with Mixture Density Recurrent Neural Networks.
  • Qichao Lan (2019). QuaverSeries: A Live Coding Environment for Music Performance Using Web Technologies.
  • Christopher Stover (2019). Musical interaction—between desire and enunciation.
  • Chris Stover (2019). 'As gesture jazz became…': the genealogical role of Cecil Taylor’s standards.
  • Chris Stover (2019). Jazz and the Constitution of Social Identity.
  • Bjørnar Ersland Sandvik (2019). Grids, Waveforms, and “Blocks” of Sound: On the Increased Segmentation of Musical Content in Digital Music Production.
  • Erling E. Guldbrandsen (2019). Pierre Boulez I: Music and text. Pli selon pli - portrait de Mallarmé.
  • Erling E. Guldbrandsen (2019). Pierre Boulez II: Post-War Modernism and Tradition. Theory and practice.
  • Anne Danielsen (2019). Workshop on microrhythmic analysis and groove.
  • Anne Danielsen (2019). The impact of digitization on rhythm and groove in African-American popular music.
  • Anne Danielsen & Kristian Nymoen (2019). Where is the beat in that note?.
  • Anne Danielsen (2019). The Expanding Present (panel member).
  • Nanette Nielsen & Simon Høffding (2019). A Musical Matter of Mind.
  • Nanette Nielsen & Simon Høffding (2019). Absorption in Schizophrenia, Music and Mystical Experience.
  • Ragnhild Brøvig-Hanssen (2019). Music Listening - Meso time.
  •  (2019). Restless Legs Syndrome. Presented at Oslo Brain Council Conference 2019, 01.07.2019, Lillestrøm.
  •  (2019). IPTrollet blog: After the Kraftwerk ruling: Narrower limitations and exceptions for EU and EEA?.
  •  (2019). INTIMAL Multimedia Fanzine Vol. 1/2019.
  •  (2019). Aether Trouble.
  •  (2019). Konsert med Sinsenfist.
  •  (2019). Konsert med Sinsenfist - Rockeklubben i Porsgrunn.
  •  (2019). Entraining Guitars.
  •  (2019). The Telephone.
  •  (2019). Sinsenfist Sommerfest // Rockefeller // Legendiske gjester.
  •  (2019). Sinsenfist på Strynefestivalen 2019.
  •  (2019). Sinsenfist på Rokken.
  •  (2019). Sinsenfist på Verksøya 2019.
  •  (2019). Sinsenfist på Byfest Kongsvinger 2019.
  •  (2019). Sinsenfist på Samfunnet Bislet 2019.
  •  (2019). Utopia.
  •  (2019). Sinsenfist fister julen inn 2019.
  •  (2019). Footprints of Creatures.
  •  (2019). Performing with QuaverSeries Live Coding Environment.
  •  (2019). Four Assemblages for Improvising Chamber Quartet.
  •  (2019). Unit Structures.
  •  (2019). Sinsenfist på x2.
  •  (2019). Tessellation Rift.
  •  (2019). Forest Glade.
  •  (2019). Four Assemblages for Improvising Chamber Quartet.
  •  (2019). INTIMAL Long Distance Improvisation (Telematic Sonic Improvisatory Performance). Oslo-Barcelona-London.
  •  (2019). Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance.
  •  (2019). City Dwellers II.
  •  (2019). Sound Field (producer: PBS Digital Studios), Episode 2: Why Does Sarah McLachlan’s “Angel” Sound So Sad?.
  •  (2019). Hvem er den egentlige artisten bak mashups og sample-musikk?.
  •  (2019). Musikkverdenen voksne ikke forstår.
  •  (2019). Reflections from a Carpentries Train the Trainer Workshop.
  •  (2019). Hautaa ystäväsi – Me kuuntelemme kuolemaa ja surkeutta romantisoivia kappaleita ymmärtämättä, että ne voivat vahingoittaa meitä syvästi.
  •  (2019). Ein hest og ei landeplage.
  •  (2019). Med opphavsrett på studieplanen.
  •  (2019). A new method to enable robust locomotion in a quadruped robot.
  •  (2019). Saturday Breakfast: There is a reason you get pleasure from sad songs.
  •  (2019). Her er universitetets mest avanserte, selvlærende robot.
  •  (2019). #26 Music Research.
  •  (2019). Å studere dei små detaljane. Kva kan teknologi for rørslesporing bidra med i skildring av folkedansen?.
  •  (2019). Vi er konstant absorbert i en annen verden.
  •  (2019). https://www.nettavisen.no/livsstil/erling-har-rastlose-bein---du-kan-ikke-tenke-deg-hvor-desperat-du-blir/3423595201.html.
  •  (2019). Her er universitetets nest selvlærende robot.
  •  (2019). Ekspørt: Alexander Refsum Jensenius.
  •  (2019). Kulturstripa: Musikken som beveger.
  •  (2019). Rapkjefta - episode 1.
  •  (2019). Rapkjefta - episode 2.
  •  (2019). Rapkjefta - Episode 3.
  •  (2019). Rapkjefta - Episode 4.
  •  (2019). Rapkjefta - Episode 5.
  •  (2019). Om språk og musikk. Spillerom søndag (NRK).
  •  (2019). Å stå stille.
  •  (2019). Promo video of the research project MASHED: Mashup Music, Copyright, and Platform Regulation.
  •  (2019). Invitation video for survey participation related to the research project MASHED: Mashup Music, Copyright, and Platform Regulation.
  •  (2019). Vet du aller helst.
  •  (2019). Parkour.
  • Tejaswinee Kelkar (2019). Computational Analysis of Melodic Contour and Body Movement.
  • Alexander Refsum Jensenius (2018). The importance of "nothing": studying human music-related micromotion.
  • Alexander Refsum Jensenius (2018). Studying "nothing": complexities of human music-related micromotion.
  • Alexander Refsum Jensenius; Michael Francis Duch; Jørgen Langdalen; Tone Åse; Edvine Larsen & Tone Pernille Østern (2018). Kunsten å forske.
  • Anne Danielsen (2018). RITMO - a center for interdisciplinary research into rhythm, time and motion.
  • Anne Danielsen (2018). Veien til RITMO: Fra musikkestetikk til tverrfaglig rytmeforskning.
  • Anne Danielsen; Mats Sigvard Johansson & Mari Romarheim Haugen (2018). Presentasjon av TIME-prosjektet.
  • Alexander Refsum Jensenius (2018). Kunnskapsledelse av et Senter for fremragende forskning.
  • Charles Patrick Martin (2018). Deep Predictive Models in Interactive Music.
  • Alexander Refsum Jensenius (2018). Introduction to Musical Gestures Toolbox for Matlab.
  • Alexander Refsum Jensenius (2018). Hvilken type IKT-kompetanse trenger humanister og samfunnsvitere?.
  • Kristian Nymoen (2018). Music Information Retrieval.
  • Kristian Nymoen (2018). Soundtracer - Et innblikk i innholdsbasert arkivsøk.
  • Alexander Refsum Jensenius (2018). Comments on Open Science - Do we need a national action plan?.
  • Alexander Refsum Jensenius (2018). Evaluering, merittering og forskningsvurdering.
  • Alexander Refsum Jensenius (2018). The recording and use of videos from music events – how to balance ethical requirements and FAIR principles using data from live concerts, music performances and the like?.
  • Alexander Refsum Jensenius (2018). Åpen forskning - et humanistisk-teknologisk perspektiv.
  • Alexander Refsum Jensenius (2018). How I try to do it FAIR.
  • Tejaswinee Kelkar (2018). Python Toolboxes for Mocap Analysis.
  • Anne Danielsen (2018). Hvordan legge til rette for nytt tverrfaglig samarbeid mellom institutter og fakulteter? RITMO Senter for tverrfaglig forskning på rytme, tid og bevegelse..
  • Tejaswinee Kelkar (2018). Data visualization in Python.
  • Jim Tørresen (2018). Artificial Intelligence Applied for Real-World Systems.
  • Ragnhild Brøvig-Hanssen (2018). Panel ved boklansering av Yngvar Kjus bok "Live and Recorded: Music Experience in the Digital Millennuim".
  • Alexander Refsum Jensenius (2018). RITMO - et nytt senter for fremragende forskning.
  • Anne Danielsen & Alexander Refsum Jensenius (2018). The Norwegian Centre of Excellence RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion.
  • Alexander Refsum Jensenius; Njål Sparbo; Sagar Sen & Elisabeth Edvardsen (2018). Breath, breathing and the sensing of breathing.
  • Jim Tørresen (2018). Artificial Intelligence – State-of-the-art.
  • Jim Tørresen (2018). Roboter kommer nærmere – skal vi glede eller grue oss?.
  • Anne Danielsen & Alexander Refsum Jensenius (2018). Rytme i tid og rom.
  • Charles Patrick Martin (2018). Creative Prediction with Neural Networks.
  • Alexander Refsum Jensenius (2018). Sophus Bugges Salong: Rytmer og følelser.
  • Alexander Refsum Jensenius; Anne Danielsen; Justin London; Katja Henriksen Schia & Filip Abramczyk (2018). Intellectual warm-up: "Rhythm".
  • Alexander Refsum Jensenius (2018). Motion Capture in Music Performance, Perception and Interaction.
  • Ximena Alarcón Diaz (2018). Fieldwork: Deep Listening Intensive-MOCAP Lab sessions.
  • Ximena Alarcón Diaz (2018). INTIMAL Listening in Dreams online sessions, reflecting on four spheres of migratory memory..
  • Jim Tørresen (2018). Kunstig intelligens – hvem, hva og hvor.
  • Jim Tørresen (2018). Remote Lab and Applications for High Performance and Embedded Architectures.
  • Charles Patrick Martin; Alexander Refsum Jensenius & Jim Tørresen (2018). Composing an ensemble standstill work for Myo and Bela.
  • Stefania Serafin; Sofia Dahl; Roberto Bresin; Alexander Refsum Jensenius; Runar Unnthorsson & Vesa Välimäki (2018). NordicSMC: A Nordic University Hub on Sound and Music Computing.
  • Yuta Suzuki; Tetsuto Minami; Bruno Laeng & Shigeki Nakauchi (2018). The differential effect of glowing appearance in the glare illusion: evidence from pupillometry.
  • Fumiyaki Sato; Bruno Laeng; Shigeki Nakauchi & Tetsuto Minami (2018). Pupil dilation reflects "Viewing from above bias" in the effort to control perception.
  • Alexander Refsum Jensenius (2018). The Musical Gestures Toolbox for Matlab.
  • Charles Patrick Martin & Jim Tørresen (2018). Predictive Musical Interaction with MDRNNs.
  • Alejandro Omar Blenkmann; James Lubell; Anais Llorens; Ingrid Funderud; Santiago Collavini; PG Larsson; Jugoslav Ivanovic; Torstein Ragnar Meling; Tristan Bekinschtein; Silvia Kochen; Tor Endestad; Robert T Knight & Anne-Kristin Solbakk (2018). Human insula response to auditory deviants: Evidence from intracranial EEG recordings.
  • Alexander Refsum Jensenius (2018). Dans i musikkfaget i skolen.
  • Alexander Refsum Jensenius (2018). Introduction to the SoundTracer Project.
  • Olivier Lartillot (2018). Sound analysis for gestural interactions with large music datasets.
  • Tejaswinee Kelkar; Udit Roy & Alexander Refsum Jensenius (2018). Evaluating a collection of Sound-Tracing Data of Melodic Phrases.
  • Agata Zelechowska; Victor Evaristo Gonzalez Sanchez & Alexander Refsum Jensenius (2018). How music moves us? Studying human body micromotion in music perception.
  • Victor Evaristo Gonzalez Sanchez; Charles Patrick Martin; Agata Zelechowska; Kari Anne Vadstensvik Bjerkestrand; Victoria Johnson & Alexander Refsum Jensenius (2018). Bela-based augmented acoustic guitars for sonic microinteraction.
  • Anne Danielsen (2018). Analysing Popular Music in the Digital Age.
  • John MacCallum:; Teoma Naccarato; Baptiste Caramiaux; Victor Evaristo Gonzalez Sanchez; Sarah Fdili Alaoui; Amy LaViers; Jean-Marc Matos; Jessica Rajko; Adam Russell & Sha Xin Wei (2018). Panel: What Escapes Computation in Interactive Performance?.
  • Victor Evaristo Gonzalez Sanchez & Alexander Refsum Jensenius (2018). Analysing the synchronisation of COM motion with music in human standing.
  • Jonna Katariina Vuoskoski (2018). Moved by music: The role of empathy and social cognition in music-induced emotions (keynote lecture).
  • Jonna Katariina Vuoskoski; Eric F. Clarke & Paul Elvers (2018). Comparing the effects of music and images on implicit cultural attitudes.
  • Charles Patrick Martin (2018). Predictive Music Systems for Interactive Performance.
  • Mari Romarheim Haugen (2018). The Effect of Tempo on Non-Isochronous Subdivisions in Performed Samba Groove.
  • Olivier Lartillot; Hans-Hinrich Thedens & Alexander Refsum Jensenius (2018). Computational model of pitch detection, perceptive foundations, and application to Norwegian fiddle music.
  • Anne Danielsen (2018). Microrhythms and Microsounds: The impact of digitization on African-American popular music.
  • Jonna Katariina Vuoskoski; Janis Heinrich Zickfeld; Vinoo Alluri & Beate Seibt (2018). Moved by music: Investigating continuous ratings and contributing musical features.
  • Alexander Refsum Jensenius (2018). Fremtiden er analog - perspektiver på humaniora og teknologi.
  • Kyrre Glette (2018). Automatic design of bodies and behaviors for real-world robots.
  • Justin London; Anne Danielsen & Kristian Nymoen (2018). Where is the beat in that note? Effects of attack, frequency, and duration on the p-centers of musical and quasi-musical sounds.
  • Ragnhild Brøvig-Hanssen & Aram Sinnreich (2018). Do You Wanna Build a Wall? Remix Tactics in the Age of Trump.
  • Ragnhild Brøvig-Hanssen; Jon Marius Aareskjold & Bjørnar Sandvik (2018). EDM Producers' Reflections on Groove.
  • Victor Evaristo Gonzalez Sanchez; Agata Zelechowska & Alexander Refsum Jensenius (2018). Muscle activity response of the audience during an experimental music performance.
  • Einar Duenger Bøhn; Anna Colette Smajdor & Alexander Refsum Jensenius (2018). Humaniora og teknologi.
  • Jim Tørresen (2018). Intelligent Systems for Medical and Healthcare Applications.
  • Jim Tørresen & Bruno Laeng (2018). UiO/ROBIN – Toyohashi University of Technology/Japan seminar.
  • Mari Romarheim Haugen (2018). Meter i Skandinavisk folkemusikk.
  • Sofia Dahl & George Sioros (2018). Rhythmic recurrency in dance to music with ambiguous meter.
  • Georgios Sioros (2018). What we do when we move to music v.2.
  • Ximena Alarcón Diaz (2018). INTIMAL: Migrant Women's Sonic Statements of Presence.
  • Olivier Lartillot (2018). Computational musicological analysis of notated music: a brief overview.
  • Ellis Nathaniel Jones (2018). Imagining an audience in DIY music.
  • Ellis Nathaniel Jones (2018). DIY as the new default.
  • Ellis Nathaniel Jones (2018). Are platforms 'deskilling' musicians?.
  • Ulf A. S. Holbrook (2018). The Map(ping) as a Morphological Experiment.
  • Ulf A. S. Holbrook (2018). Textures of Performances in Spatial Composition.
  • Ulf A. S. Holbrook (2018). A Question of Background.
  • Rolf Inge Godøy (2018). Impulse-driven sound-motion objects in musical imagery.
  • Kyrre Glette (2018). Automatic design of shapes and behaviors for robots.
  • Kyrre Glette (2018). Robotics, Intelligent Systems and Evolutionary Computation.
  • Mari Romarheim Haugen (2018). Investigating Rhythm Structures in Music and Dance Using Motion Capture.
  • Olivier Lartillot (2018). The MiningSuite - a Matlab toolbox for signal, audio and music analysis.
  • Olivier Lartillot (2018). MIRToolbox and MiningSuite.
  • Olivier Lartillot (2018). Analyse musicologique par ordinateur d'enregistrements audio et de partitions informatisées.
  • Olivier Lartillot (2018). Music and Voice Analysis using Matlab: MIRtoolbox and the MiningSuite.
  • Julia W.Y. Kam; Jack J. Lin; Anne-Kristin Solbakk; Tor Endestad; Pål Gunnar Larsson & Robert T. Knight (2018). Functional coupling between default network and fronto-parietal control network supports internally directed attention..
  • Rolf Inge Godøy (2018). Presentation of RITMO.
  • Guilherme Schmidt Câmara (2018). Presentation of Mocap Component of Performance Experiments from the Timing and Sound in Musical Microrhythm (TIME) project.
  • Guilherme Schmidt Câmara (2018). Presentation of preliminary findings: Effects of Instructed Timing on Guitar and Bass Sound in Groove Performance.
  • Ximena Alarcón Diaz (2018). Relational Listening: in-between body, memory, migration and telematics.
  • Ximena Alarcón Diaz (2018). Telematic Sonic Performance: On Dis-location.
  • Olivier Lartillot (2018). Cookbook 1: Sound analysis in Matlab.
  • Olivier Lartillot (2018). Computational sound/music/gesture analysis and application to gesture-based query in music catalogue.
  • Olivier Lartillot (2018). MoCap Toolbox in the MiningSuite.
  • Olivier Lartillot; Kristian Nymoen & Anne Danielsen (2018). Prediction of P-centers from audio recordings.
  • Jim Tørresen (2018). UiO Visit to UFRJ – An overview of research.
  • Anne-Kristin Solbakk; Tor Endestad & Robert T. Knight (2018). Neural oscillations and human behavior.
  •  (2018). Interactive Opening Animation.
  •  (2018). Interactive Animation of the RITMO Logo.
  •  (2018). Sverm-Pluck.
  •  (2018). Konsert med Sinsenfist.
  •  (2018). Stillness under Tension.
  •  (2018). Stillness under Tension.
  •  (2018). Music-Dance Performance: "Rhythm".
  •  (2018). Julekonsert med Sinsenfist (Belleville).
  •  (2018). Droplets.
  •  (2018). Ice Feathers.
  •  (2018). Disembodied Voice.
  •  (2018). MAM - Nepal / Avatar.
  •  (2018). Jazz in Khartoum - ft Tejaswinee Kelkar #2.
  •  (2018). Jazz in Khartoum - ft. Sudeshna Bhattacharya.
  •  (2018). Oslo Jazzfestivalen - ft Jazz in Khartoum ft Agbalagba Dada.
  •  (2018). Musikkprogram kan avsløre cerebral parese.
  •  (2018). Sverm-Resonans: interactive installation with resonating guitars and Bela.
  •  (2018). Står mot hverandre om hva som er best for å sikre topp forskning.
  •  (2018). Finner musikk ved å bevege hånden.
  •  (2018). #89: Alexander Jensenius: Slik danser du din egen musikk.
  •  (2018). Forskningsmøte mellom musikk og medisin.
  •  (2018). Mobilen finner musikk når du beveger hånden.
  •  (2018). Busca música dibujándo en el aire.
  •  (2018). UiOs innovasjonspris til RITMO ved Anne Danielsen og Alexander Refsum Jensenius.
  •  (2018). På sporet av rytmen.
  •  (2018). Forskerbloggen: Hvorfor får man lyst til å danse til musikk?.
  •  (2018). Rytmen er en danser.
  •  (2018). MusicLab - et nytt konsept for forskning og forskningsformidling.
  •  (2018). Hva er en sommerhit?.
  •  (2018). Intervju om Aretha Franklin i Dagsnytt, NRK 2.
  •  (2018). Intervju om Aretha Franklin til NTB.
  •  (2018). Spillerom søndag: Om språk og musikk.
  •  (2018). MicroJam.
  •  (2018). Musical Gestures Toolbox for Matlab.
  •  (2018). SoundTracer.
  •  (2018). MIRtoolbox 1.7.1.
  •  (2018). The MiningSuite 0.10 (first beta version).
  • Olivier Lartillot (2018). mirtempo 1.8: Tempo Estimation By Tracking a Complete Metrical Structure.
  • Alexander Refsum Jensenius (2017). Åpen forskning - et humanistisk-teknologisk perspektiv.
  • Victor Evaristo Gonzalez Sanchez; Agata Zelechowska & Alexander Refsum Jensenius (2017). The influence of music in people's standstill.
  • Jim Tørresen (2017). Brazilian Student Exchange Opportunities to University of Oslo.
  • Alexander Refsum Jensenius (2017). Quantitative Video analysis for Qualitative Research.
  • Kyrre Glette (2017). ROBIN: Robotics, Intelligent Systems and Evolutionary Computation.
  • Kyrre Glette (2017). Robotikk og kunstig intelligens.
  • Alexander Refsum Jensenius (2017). Kognisjon, musikk og teknologi.
  • Alexander Refsum Jensenius (2017). Musikk og bevegelse.
  • Alexander Refsum Jensenius; Kari Anne Vadstensvik Bjerkestrand; Marco Donnarumma; Are Brean & Jo C. Bruusgaard (2017). Panel: Biophysical Music.
  • Anne Danielsen (2017). Paneldeltakelse i serien Musikklære på Nasjonalbiblioteket, tema "Rytme".
  • Alexander Refsum Jensenius (2017). Musikk og bevegelses-laben ved Institutt for musikkvitenskap.
  • Alexander Refsum Jensenius (2017). Status musikkteknologi ved UiO: forskning og undervisning.
  • Anne Danielsen (2017). Paneldeltakelse i serien Musikklære på Nasjonalbiblioteket, tema "Låten".
  • J.W.Y. Kam; J.J. Lin; Tor Endestad; Anne-Kristin Solbakk; P.G. Larsson; S. Griffin & Robert T. Knight (2017). Contributions of medial prefrontal cortex to internally directed attention.
  • S.J.K. Slama; Anne-Kristin Solbakk; Tor Endestad; P.G. Larsson; Jack J. Lin; D. King-Stephens; K.D. Laxer; P.B. Weber & Robert T. Knight (2017). Intracranial recordings define a cortical-mesial temporal network in top-down and bottom-up attention.
  • Anne Danielsen; Justin London & Kristian Nymoen (2017). Mapping the Beat Bin: The Effects of Rise Time, Duration, and Frequency Range on the Perceived Timing of Musical Sounds.
  • Skaansar Jo; Bruno Laeng & Danielsen Anne (2017). Pupil response reflects processing of microtiming in musical grooves: a study of musicians and non-musicians.
  • Fumiyaki Sato; Bruno Laeng; Shigeki Nakauchi & Tetsuto Minami (2017). Pupil dilation during perception of the Necker cube reflects the viewing-from-above bias.
  • Alexander Refsum Jensenius (2017). RITMO - Centre for Interdisciplinary Studies in Rhythm, Time and Motion.
  • Elizabeth L. Johnson; J.N. Adams; S.M. Griffin; Anne-Kristin Solbakk; Tor Endestad; P.G. Larsson; J. Parvizi; J.J. Lin & Robert T. Knight (2017). Dynamic frontotemporal systems for episodic working memory.
  • Elizabeth L. Johnson; C. Dewar; Anne-Kristin Solbakk; Tor Endestad; Torstein Ragnar Meling & Robert T. Knight (2017). Causal evidence that bidirectional frontoparietal rhythms support working memory.
  • Alexander Refsum Jensenius (2017). From resonating strings to autonomous electronic instruments - towards a new organology.
  • Anne Danielsen (2017). Timing and Sound in Musical Microrhythm: Theoretical, Aesthetic and Empirical Aspects.
  • Alexander Refsum Jensenius (2017). Touching the digital: acoustic resonances in an electronic world.
  • Jim Tørresen (2017). Artificial Intelligence and Examples of Real-world Applications.
  • Jim Tørresen (2017). Intelligent Machines – Opportunities and Challenges.
  • Alexander Refsum Jensenius; Tellef Kvifte; Kjell Tore Innervik; Charles Patrick Martin; Ragnhild Brøvig-Hanssen; Trond Lossius & Ximena Alarcón Diaz (2017). Panel: New Interfaces for Musical Expression.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Does Compression Influence Timing? A Case Study in EDM Music.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Dynamic Range Compression’s Influence on Perceived Timing in EDM Music.
  • Alexander Refsum Jensenius (2017). Humanities and technology - with a musicological twist.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Dynamic Range Processing’s Influence on Perceived Timing.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Dynamic Range Compression’s Influence on Perceived Timing.
  • Kyrre Glette (2017). Evolutionary computation and robotics.
  • Anne Danielsen (2017). The perception, aesthetics, and cultural values of 'glitched' grooves.
  • Anne Danielsen (2017). P-centres and beat bins - an introduction to the TIME project.
  • Anne Danielsen (2017). Methodologies in Record Production Research (Panel).
  • Bruno Laeng (2017). The pupil as a window to music's soul.
  • Alexander Refsum Jensenius (2017). Introduction to the SoundTracer Project.
  • George Sioros (2017). What we do when we move to music.
  •  (2017). Sverm-Resonans.
  •  (2017). Sverm-Muscle.
  •  (2017). Centre for Interdisciplinary Studies in Rhythm, Time and Motion får status som Senter for fremragende forskning.
  •  (2017). Tar roboter over musikken?.
  •  (2017). European Open Data Champions.
  •  (2017). Forsker på musikk - ved å stå stille.
  •  (2017). Video invitation to MSCA prospective candidates Colombia.
  •  (2017). Featured in the Facebook portal of MSCA as Marie Sklodowska Curie Individual Fellow of the week.

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Published Feb. 15, 2018 9:36 AM - Last modified Mar. 29, 2020 9:32 PM