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Publications

An overview of our latest publications and research activities. For a full overview, please visit Cristin.

  • Charles Patrick Martin & Henry Gardner (2019). Free-Improvised Rehearsal-as-Research for Musical HCI, In Simon Holland; Andrew McPherson; Marcelo M. Wanderley; Tom Mudd & Katie Wilkie-McKenna (ed.),  New Directions in Music and Human-Computer Interaction.  Springer.  ISBN 978-3-319-92068-9.  Chapter 17.  s 269 - 284
  • Anne Danielsen (2019). Glitched and Warped: Transformations of Rhythm in the Age of the Digital Audio Workstation, In Mads Walther-Hansen; Mark Grimshaw & Martin Knakkergaard (ed.),  The Oxford Handbook of Sound and Imagination, Volume 2.  Oxford University Press.  ISBN 9780190460242.  Chapter 29.
  • Qichao Lan; Jim Tørresen & Alexander Refsum Jensenius (2019). RaveForce: A Deep Reinforcement Learning Environment for Music Generation, In Isabel Barbancho; Lorenzo J. Tardón; Alberto Peinado & Ana M. Barbancho (ed.),  SMC 2019 Proceedings of the 16th Sound & Music Computing Conference.  Society for Sound and Music Computing.  ISBN 978-84-09-08518-7.  P2.1.  s 217 - 222
  • Olivier Lartillot & Didier Grandjean (2019). Tempo and Metrical Analysis by Tracking Multiple Metrical Levels Using Autocorrelation, In Ana M. Barbancho; Alberto Peinado; Isabel Barbancho & Lorenzo J. Tardón (ed.),  SMC 2019 Proceedings of the 16th Sound & Music Computing Conference.  Society for Sound and Music Computing.  ISBN 978-84-09-08518-7.  S2.6.  s 174 - 181
  • Olivier Lartillot (2019). Miningsuite: A Comprehensive Matlab Framework for Signal, Audio and Music Analysis, Articulating Audio and Symbolic Approaches, In Isabel Barbancho; Lorenzo J. Tardón; Ana M. Barbancho & Alberto Peinado (ed.),  SMC 2019 Proceedings of the 16th Sound & Music Computing Conference.  Society for Sound and Music Computing.  ISBN 978-84-09-08518-7.  D3.1.  s 489 - 489
  • Cagri Erdem; Katja Henriksen Schia & Alexander Refsum Jensenius (2019). Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance, In Anna Xambo Sedo & Marcelo Queiroz (ed.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Nime.
  • Cagri Erdem; Katja Henriksen Schia & Alexander Refsum Jensenius (2019). Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance, In Federico Visi (ed.),  Music Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Nime.
  • Rolf Inge Godøy (2019). Thinking Sound-Motion Objects, In Michael Filimowicz (ed.),  Foundations in Sound Design for Interactive Media.  Routledge.  ISBN 9781138093942.  8.  s 161 - 178
  • Ulf A. S. Holbrook (2019). A question of backgrounds: Sites of listening, In Simon Cummings & Monty Adkins (ed.),  Music beyond airports: Appraising ambient music.  University of Huddersfield Press.  ISBN 978-1-86218-161-8.  3.  s 51 - 66
  • Anna Xambo Sedo; Sigurd Saue; Alexander Refsum Jensenius; Robin Støckert & Øyvind Brandtsegg (2019). NIME Prototyping in Teams: A Participatory Approach to Teaching Physical Computing, In Anna Xambo Sedo & Marcelo Queiroz (ed.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Conference paper.  s 216 - 221
  • Torgrim Rudland Næss & Charles Patrick Martin (2019). A Physical Intelligent Instrument using Recurrent Neural Networks, In Marcelo Queiroz & Anna Xambo Sedo (ed.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Conference Paper.  s 79 - 82
  • Charles Patrick Martin & Jim Tørresen (2019). An Interactive Musical Prediction System with Mixture Density Recurrent Neural Networks, In Anna Xambo Sedo & Marcelo Queiroz (ed.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Conference Paper.  s 260 - 265
  • Andrei Faitas; Synne Engdahl Baumann; Torgrim Rudland Næss; Jim Tørresen & Charles Patrick Martin (2019). Generating Convincing Harmony Parts with Simple Long Short-Term Memory Networks, In Marcelo Queiroz & Anna Xambo Sedo (ed.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Conference Paper.
  • Jørgen Halvorsen Nordmoen; Tønnes Frostad Nygaard; Kai Olav Ellefsen & Kyrre Glette (2019). Evolved embodied phase coordination enables robust quadruped robot locomotion, In Manuel López-Ibáñez (ed.),  GECCO '19: Proceedings of the Genetic and Evolutionary Computation Conference.  Association for Computing Machinery (ACM).  ISBN 978-1-4503-6111-8.  Kapittel.
  • Ragnhild Brøvig-Hanssen (2019). Humor's Role in Mashups and Remixes, In Kai Arne Hansen & Nick Brae (ed.),  On Popular Music and Its Unruly Entanglements.  Palgrave Macmillan.  ISBN 978-3-030-18099-7.  Kapittel.
  • Ragnhild Brøvig-Hanssen (2019). Mixing with Quotations: Mashups and Contextual Transformation, In Sophie Stévance; Katia Isakoff; Simon Zagorski-Thomas & Serge Lacasse (ed.),  The Art of Record Production, Volume 2: Creative Practice in the Studio.  Routledge.  ISBN 978-1138205109.  Chapter 3.  s 50 - 65
  • Alexandros Kontogeorgakopoulos; George Sioros & Odysseas Klissouras (2019). Mechanical Entanglement: A Collaborative Haptic-Music Performance, In Ana M. Barbancho; Alberto Peinado; Isabel Barbancho & Lorenzo J. Tardón (ed.),  SMC 2019 Proceedings of the 16th Sound & Music Computing Conference.  Society for Sound and Music Computing.  ISBN 978-84-09-08518-7.  P.3.  s 20 - 25
  • Aline Weber; Lucas N. Alegre; Jim Tørresen & Bruno Castro da Silva (2019). Parameterized Melody Generation with Autoencoders and Temporally-Consistent Noise, In Federico Visi (ed.),  Music Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Artikkel.  s 174 - 179
  • Artur Becker; Henrik Herrebrøden; Victor Evaristo Gonzalez Sanchez; Kristian Nymoen; Carla Maria Dal Sasso Freitas; Jim Tørresen & Alexander Refsum Jensenius (2019). Functional Data Analysis of Rowing Technique Using Motion Capture Data, In Grisha Coleman (ed.),  Proceedings of the 6th International Conference on Movement and Computing.  ACM Publications.  ISBN 978-1-4503-7654-9.  Article 12.
  • Anne Danielsen (2018). Time and Time Again: Repetition and Difference in Repetitive Music, In Olivier Julien & Christophe Levaux (ed.),  Over and Over. Exploring Repetition in Popular Music.  Bloomsbury Academic.  ISBN 9781501324888.  kapittel 2.
  • Rolf Inge Godøy (2018). Motormimetic features in musical experience, In Patrizia Veroli & Gianfranco Vinay (ed.),  Music-dance: sound and motion in contemporary discourse.  Routledge.  ISBN 9781138280519.  12.  s 207 - 221
  • Ragnhild Brøvig-Hanssen (2018). Listening To or Through Technology: Opaque and Transparent Mediation, In Samantha Bennett & Eliot Bates (ed.),  Critical Approaches to the Production of Music and Sound.  Bloomsbury Academic.  ISBN 9781501332.  Chapter 11.  s 195 - 210
  • Anne Danielsen (2018). Novel, expressive and skilled!, In Øyvind Prytz; Jan Fredrik Hovden & Knut Ove Eliassen (ed.),  Contested qualities: negotiating value in arts and culture.  Fagbokforlaget.  ISBN 9788245023770.  kapittel.  s 187 - 202
  • Alexander Refsum Jensenius (2018). Methods for Studying Music-Related Body Motion, In Rolf Bader (ed.),  Springer Handbook of Systematic Musicology.  Springer Nature.  ISBN 978-3-662-55002-1.  38.  s 805 - 818
  • Rolf Inge Godøy (2018). Sonic Object Cognition, In Rolf Bader (ed.),  Springer Handbook of Systematic Musicology.  Springer Nature.  ISBN 978-3-662-55002-1.  35.  s 761 - 777
  • Victor Evaristo Gonzalez Sanchez; Charles Patrick Martin; Agata Zelechowska; Kari Anne Vadstensvik Bjerkestrand; Victoria Kristine Å Johnson & Alexander Refsum Jensenius (2018). Bela-based augmented acoustic guitars for sonic microinteraction, In Luke Dahl; Tom Martin & Doug Bowman (ed.),  Proceedings of the International Conference On New Interfaces For Musical Expression.  Virginia Tech.  Chapter.  s 324 - 327
  • Charles Patrick Martin; Alexander Refsum Jensenius & Jim Tørresen (2018). Composing an ensemble standstill work for Myo and Bela, In Doug Bowman; Luke Dahl & Tom Martin (ed.),  Proceedings of the International Conference On New Interfaces For Musical Expression.  Virginia Tech.  KAPITTEL.  s 196 - 197
  • Stefania Serafin; Sofia Dahl; Roberto Bresin; Alexander Refsum Jensenius; Runar Unnthorsson & Vesa Välimäki (2018). NordicSMC: A Nordic University Hub on Sound and Music Computing, In Anastasia Georgaki (ed.),  Proceedings of the Sound and Music Computing Conference.  Cyprus University of Technology.  KAPITTEL.
  • Pritty Patel-Grosz; Patrick Georg Grosz; Tejaswinee Kelkar & Alexander Refsum Jensenius (2018). Coreference and disjoint reference in the semantics of narrative dance, In Stephanie Solt & Uli Sauerland (ed.),  Proceedings of Sinn und Bedeutung 22, vol. 2, ZASPiL 61.  Leibniz-Zentrum Allgemeine Sprachwissenschaft (ZAS).  Chapter in Vol. 2.  s 199 - 216
  • Jørgen Halvorsen Nordmoen; Eivind Samuelsen; Kai Olav Ellefsen & Kyrre Glette (2018). Dynamic mutation in MAP-Elites for robotic repertoire generation, In  The 2018 Conference on Artificial Life.  MIT Press.  ISBN 9780262355766.  Konferanseartikkel.  s 598 - 605
  • Alexander Refsum Jensenius (2018). The Musical Gestures Toolbox for Matlab, In Emilia Gómez; Emmanouil Benetos; Eric Humphrey & Xiao Hu (ed.),  Proceedings of the 19th International Society for Music Information Retrieval Conference.  Institut de Recherche et Coordination Acoustique/Musique.  ISBN 978-2-9540351-2-3.  Demo.
  • Guilherme Schmidt Câmara & Anne Danielsen (2018). Groove, In Rehding Alexander & Rings Steven (ed.),  The Oxford Handbook of Critical Concepts in Music Theory.  Oxford University Press.  ISBN 9780190454746.  Groove.
  • Tejaswinee Kelkar; Udit Roy & Alexander Refsum Jensenius (2018). Evaluating a collection of Sound-Tracing Data of Melodic Phrases, In Xiao Hu; Emilia Gómez; Eric Humphrey & Emmanouil Benetos (ed.),  Proceedings of the 19th International Society for Music Information Retrieval Conference.  Institut de Recherche et Coordination Acoustique/Musique.  ISBN 978-2-9540351-2-3.  KAPITTEL.
  • Olivier Lartillot; Hans-Hinrich Thedens & Alexander Refsum Jensenius (2018). Computational model of pitch detection, perceptive foundations, and application to Norwegian fiddle music, In Richard Parncutt & Sabrina Sattmann (ed.),  Proceedings of ICMPC15/ESCOM10.  Centre for Systematic Musicology, University of Graz.  ISBN 978-3-200-05771-5.  article.  s 252 - 255
  • Anne Danielsen (2018). Pulse as Dynamic Attending: Analysing Beat Bin Metre in Neo Soul Grooves, In Ciro Scotto; John Brackett & Kenneth M. Smith (ed.),  The Routledge Companion to Popular Music Analysis: Expanding Approaches.  Routledge.  ISBN 9781138683112.  Chapter 12.
  • Victor Evaristo Gonzalez Sanchez; Agata Zelechowska & Alexander Refsum Jensenius (2018). Muscle activity response of the audience during an experimental music performance, In Stuart Cunningham (ed.),  Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion.  Association for Computing Machinery (ACM).  ISBN 978-1-4503-5373-1.  Sound and Immersion. Article 11.
  • Rolf Inge Godøy (2018). Sound-Motion Bonding in Body and Mind, In Sander L. Gilman & Youn Kim (ed.),  The Oxford Handbook of Music and the Body.  Oxford University Press.  ISBN 9780190636234.  Chapter.
  • Merve Akca (2018). Time course of selective attention for instrumental timbres and human voice, In Tom Ziemke; Mattias Arvola; Nils Dahlbäck & Erik Billing (ed.),  PROCEEDINGS OF THE 14TH SWEDISH COGNITIVE SCIENCE SOCIETY CONFERENCE.  The University of Skövde.  ISBN 978-91-983667-3-0.  Paper published at the proceedings.  s 10 - 11
  • Ulf A. S. Holbrook (2018). An Approach to Stochastic Spatialisation: A Case of Hot Pocket, In Doug Bowman; Luke Dahl & Tom Martin (ed.),  Proceedings of the International Conference On New Interfaces For Musical Expression.  Virginia Tech.  1.  s 31 - 32
  • Sofia Dahl & George Sioros (2018). Rhythmic recurrency in dance to music with ambiguous meter, In Antonio Camurri & Gualtiero Volpe (ed.),  Proceedings of the 5th International Conference on Movement and Computing.  ACM Publications.  ISBN 978-1-4503-6504-8.  Article No. 38.

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  • Simon Høffding (2019). A Phenomenology of Musical Absorption. Palgrave Macmillan.  ISBN 978-3-030-00659-4.  300 s.

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  • Jonna Katariina Vuoskoski & Tuomas Eerola (2020). Personality and musicians, In  The Science and Psychology of Music: From Beethoven at the Office to Beyoncé at the Gym.  ABC-CLIO.  ISBN 978-1-4408-5771-3.  Chapter 7b.
  • Tuomas Eerola & Jonna Katariina Vuoskoski (2020). Personality and listeners, In  The Science and Psychology of Music: From Beethoven at the Office to Beyoncé at the Gym.  ABC-CLIO.  ISBN 978-1-4408-5771-3.  Chapter 7a.
  • Bruno Laeng & Dag Alnæs (2019). Pupillometry, In Ulrich Ettinger & Christoph Klein (ed.),  Eye Movement Research.  Springer Nature.  ISBN 978-3-030-20083-1.  Chapter 11.  s 449 - 502
  • Kjell Andreas Oddekalv (2019). Rap Flows PhD Thesis.
  • Ximena Alarcón Diaz (2019). Seminario Transdisciplinar: voz, memoria, violencia, comunidad, prácticas artísticas.
  • Ragnhild Brøvig-Hanssen (2019). Presentation of the MASHED-project.
  • Ragnhild Brøvig-Hanssen; Ellis Nathaniel Jones; Alan Hui & Josh Perrett (2019). Mashup Music, Copyright, and Platform Regulation: A promo video.
  • Alexander Refsum Jensenius (2019). Tutorial: Musical Gestures Toolbox.
  • Alexander Refsum Jensenius; Andrew McPherson; Anna Xambo Sedo; Dan Overholt; Guillaume Pellerin; Ivica Ico Bukvic; Rebecca Fiebrink & Rodrigo Schramm (2019). Open Research Strategies and Tools in the NIME Community.
  • Alexander Refsum Jensenius; Rodrigo Schramm; Lamberto Coccioli; Clara Mancini & Michael J. Lyons (2019). Ethics at NIME.
  • Simon Høffding (2019). Hvad er musikalsk fordybelse?.
  • Alan Hui (2019). Platform regulation of mashup makers in a post-Brexit UK.
  • Yngvar Kjus; Ragnhild Brøvig-Hanssen; Eirik Askerøi; Mike Hartung; Magnus Wergeland Juell & Sara Karoliussen (2019). Musikkprodusentens rolle.
  • Ragnhild Brøvig-Hanssen (2019). Presentation of MASHED; TIME; and MusFrag.
  • Jim Tørresen (2019). Ethics and artificial intelligence in healthcare.
  • Alexander Refsum Jensenius (2019). Hvordan fremme tverrfaglighet?.
  • Alexander Refsum Jensenius (2019). Scientific Computing Use Case: RITMO.
  • Solveig Isis Sørbø; Matthew Good & Alexander Refsum Jensenius (2019). RITMO + UB = MusicLab.
  • Anne Danielsen (2019). Erfaringer fra SFF IV..
  • Anne Danielsen (2019). Classic Album Sundays: Aretha Franklin (paneldeltakelse).
  • Kyrre Glette (2019). Kunstig intelligens for tilpasningsdyktige roboter.
  • Jim Tørresen (2019). Kunstig intelligens – hvem, hva og hvor. (Eng. Artificial Intelligence – who, what and where).
  • Kristian Nymoen (2019). Musikalske maskiner.
  • Alexander Refsum Jensenius (2019). The RITMO Centre at University of Oslo.
  • Alexander Refsum Jensenius (2019). Developing the self-playing guitars.
  • Alan Hui; Ragnhild Brøvig-Hanssen & Ellis Nathaniel Jones (2019). Grey Tuesday (Musikk I gråsonen).
  • Kyrre Glette (2019). Kunstig intelligens for tilpasningsdyktige roboter.
  • Charles Patrick Martin; Torgrim Rudland Næss; Andrei Faitas & Synne Engdahl Baumann (2019). Session on Musical Prediction and Generation with Deep Learning.
  • Alexander Refsum Jensenius (2018). The importance of "nothing": studying human music-related micromotion.
  • Alexander Refsum Jensenius (2018). Studying "nothing": complexities of human music-related micromotion.
  • Alexander Refsum Jensenius; Michael Francis Duch; Jørgen Langdalen; Tone Åse; Edvine Larsen & Tone Pernille Østern (2018). Kunsten å forske.
  • Anne Danielsen (2018). RITMO - a center for interdisciplinary research into rhythm, time and motion.
  • Anne Danielsen (2018). Veien til RITMO: Fra musikkestetikk til tverrfaglig rytmeforskning.
  • Anne Danielsen; Mats Sigvard Johansson & Mari Romarheim Haugen (2018). Presentasjon av TIME-prosjektet.
  • Alexander Refsum Jensenius (2018). Kunnskapsledelse av et Senter for fremragende forskning.
  • Charles Patrick Martin (2018). Deep Predictive Models in Interactive Music.
  • Alexander Refsum Jensenius (2018). Introduction to Musical Gestures Toolbox for Matlab.
  • Alexander Refsum Jensenius (2018). Hvilken type IKT-kompetanse trenger humanister og samfunnsvitere?.
  • Kristian Nymoen (2018). Music Information Retrieval.
  • Kristian Nymoen (2018). Soundtracer - Et innblikk i innholdsbasert arkivsøk.
  • Alexander Refsum Jensenius (2018). Comments on Open Science - Do we need a national action plan?.
  • Alexander Refsum Jensenius (2018). Evaluering, merittering og forskningsvurdering.
  • Alexander Refsum Jensenius (2018). The recording and use of videos from music events – how to balance ethical requirements and FAIR principles using data from live concerts, music performances and the like?.
  • Alexander Refsum Jensenius (2018). Åpen forskning - et humanistisk-teknologisk perspektiv.
  • Alexander Refsum Jensenius (2018). How I try to do it FAIR.
  • Tejaswinee Kelkar (2018). Python Toolboxes for Mocap Analysis.
  • Anne Danielsen (2018). Hvordan legge til rette for nytt tverrfaglig samarbeid mellom institutter og fakulteter? RITMO Senter for tverrfaglig forskning på rytme, tid og bevegelse..
  • Tejaswinee Kelkar (2018). Data visualization in Python.
  • Jim Tørresen (2018). Artificial Intelligence Applied for Real-World Systems.
  • Ragnhild Brøvig-Hanssen (2018). Panel ved boklansering av Yngvar Kjus bok "Live and Recorded: Music Experience in the Digital Millennuim".
  • Alexander Refsum Jensenius (2018). RITMO - et nytt senter for fremragende forskning.
  • Anne Danielsen & Alexander Refsum Jensenius (2018). The Norwegian Centre of Excellence RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion.
  • Alexander Refsum Jensenius; Njål Sparbo; Sagar Sen & Elisabeth Edvardsen (2018). Breath, breathing and the sensing of breathing.
  • Alexander Refsum Jensenius (2017). Åpen forskning - et humanistisk-teknologisk perspektiv.
  • Victor Evaristo Gonzalez Sanchez; Agata Zelechowska & Alexander Refsum Jensenius (2017). The influence of music in people's standstill.
  • Jim Tørresen (2017). Brazilian Student Exchange Opportunities to University of Oslo.
  • Alexander Refsum Jensenius (2017). Quantitative Video analysis for Qualitative Research.
  • Kyrre Glette (2017). ROBIN: Robotics, Intelligent Systems and Evolutionary Computation.
  • Kyrre Glette (2017). Robotikk og kunstig intelligens.

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Published Feb. 15, 2018 9:36 AM - Last modified July 30, 2019 1:14 PM