Litteratur:
Clarke, Graham : The Photograph, Oxford History of Art, 1997. (246 s. Ill.).
Liz Wells (ed.): Photography, A Critical introduction, Routledge, 1997, 2002, (384 s. Ill.). 2nd. ed.:.
Wells, Liz (ed): The Photography Reader , Routledge, 2003.
Kompendium (292 s. Ill.):
B.New hall (ed.): Photography: Essays&Images, The Museum of Modern Art, New York 1980, (I alt 65 s.).
Charles Baudelaire: Photography, 1859, Newhall, 1980, s. 112-113. (2.s.); .
Henry Peach Robinson: Oscar Gustav Rejlander, Anthony´s Photographic Bulletin 21, February 22, 1890, s. 107-110, Newhall 1980, s. 105-107. (3 s. ).
Peter Henry Emerson: Photography, a Pictorial Art, The Amateur Photographer 3, March 19, 1886, s. 138-39. (4 s. ).
Alfred Stieglitz: Pictorial photography, Scribner´s Magazine 26, november 1899, s. 528-37, Newhall1980 , s. 163-166. (4s. ); .
Ernst Juhl: Eduard Steichen, Die Photographiche Rundschau 16, Juli 1902. s. 127-29, transl. Baumont Newhall, Newhall 1980, s. 173-176. (4 s. ).
Frederick H. Evans, on Pure Photography: The Photographic Journal 59, april 30, 1900, s. 236-41, Newhall, 1980, s. 177-184. (8s. ).
Sadakichi Hartmann: A Plea for Straight Photography, American Amateur Photographer 16, March 1904, s. 101-109, Newhall 1980, s. 185-188. (4s. ).
Alvin Langdon Coburn: The Future of Pictorial Photography, Photograms of the Year 1916, s. 23-34, Newhall 1980, s. 205-207. (3 s.).
Paul Rosenfeld: Stieglitz, The Dial 70, April 1921, s. 397-409, Newhall 1980, s. 209-218. (10s.).
Paul Strand: Photography, Seven Arts 2, August 1917, s. 524-25, Newhall 1980, s. 219-220. (2 s. ).
Edward Weston: Random Notes on Photography, Newhall 1980, s. 223-227. (5 s. ).
Robert Desnos: The Work of Man Ray, 1929, s. 228-230. (3 s.).
Laszlo Moholo-Nagy: The Future of the Photographic Process, 1929, s. 239-241. (3 s.); .
Nancy Newhall: Brassaï: ”I Invent Nothing, i Imagine Everything”, 1952, s. 277-281. (5 s.).
Beaumont Newhall: Vision Plus the Camera: Henri Cartier-Bresson , 1946, s. 283-287. (5 s.).
Aron Scharf: Art and Photography, Allan Lane The Penguin Press, London 1968. Manet, s.40-49, Delacroix and Photography, s. 89-94, The dilemma of Realism, s. 95-107 (23 s.).
Walter Benjamin: "Liten fotografihistorie" til norsk og trykt i T. Karlsen ed.: WalterBenjamin, Gyldendals Fakkel bøker, 1975, s. 65-79. (15s.).
Peter Galassi: Before Photography, Painting and the Invention of Photography, The Museum of Modern Art, New york, 1981, s. 11-31 (21 s.).
Craig Owens: Phtography en abyme, Beyond Recognition, Representation, Power,and Culture, University of California Press, 1992, s. 16-30. (15s.).
Abigail Solomon-Godeau:"Photography After Art Photograpy", i Art after Modernism: ed. B. Wallis,: Rethinking Representation, The New Museum of Contemporary Art, New York, 1984, s. 75-85. (11s.). .
Douglas Crimp: "Photographs at the end of Modernism; The Museum´s Old, the Library´s New Subject": On the Museum´s Ruins, The MIT Press, 1993, s. ; 66-83.
Rosalind E. Krauss: "The Photographic Conditions of Surrealism; Photography´s Discursive Space" : The Originality of the Avant-Garde and Other Modernist Myths, The MIT Press, 1985, s. 87-118; 131-150. (52s.) .
Wilém Flusser: Für eine Philosophie der Fotografie, 183, kap. VIII; Das fotografische Universum. (6.s.).
André Bazin: Ontologie des Fotografischen Bildes, 1945.
Siegfried Kracauer: Die Fotografie, 1927, (12 s.); Das Ästhetische Grundprinzip der Fotografie (1960), (8 s.):
Rudolf Arnheim: Über die natur der Fotografie , 1974. (10 s.).
Fra L. Wells (ed): the Photgraphy Reader, Routledge, 2003. (42 s.): Roland Barhtes: Extracts from Camera Lucida, s. 19-30 (12 s. ); Roland Barthes: Rhetoric of the image, s. 114-125 (12 s.); Victor Burgin: Looking at Photographs, s. 130-37 (8 s.); Allan Sekula: reading an Archive; Photography between labour and capital, s. 443-452 (10 s.).