Kerman, Joseph: "How We Got Into Analysis, and How to Get Out" i Critical Inquiry, Winter 1980. s. 311–331.
McClary, Susan: "Narrative Agendas in «Absolute» Music: Identity and Difference in Brahms’s Third Symphony" i Ruth A. Solie (red.): Musicology and Difference, 1992. Berkeley: University of California Press. s. 326–344.
Cook, Nicholas: "Analysing Performance and Performing Analysis" i Nicholas Cook and Mark Everist (red.): Rethinking Music, 1999. Oxford: Oxford University Press. s. 239–261.
Guldbrandsen, Erling E.: "Modernist Composer and Mahler Conductor. Changing Conceptions of Performativity in Boulez" i Stan Hawkins (red.): Studia Musicologica Norvegica 32, 2006. Universitetsforlaget. s. 140–168.
Middleton, Richard : Studying Popular Music, 1990. Philadelphia: Open University Press. Kapittel 4, s. 103–126 .
Moore, Allan F. : Rock: The Primary Text – Developing a Musicology of Rock, 2001. Hants: Ashgate. Kapittel 4, s. 119–180 .
Walser, Robert : "Out of Notes: Signification, Interpretation, and the Problem of Miles Davis" i Krin Gabbard (red.): Jazz Among the Discourses, 1995. Durham/London: Duke University Press. s. 165–188.
Danielsen, Anne: Musical Rhythm in the Age of Digital Reproduction, 2010. Farnham, Surrey: Ashgate. Kapittel 2.
Kjeldstadli, Knut: ""Historiografi - Fra myte til vitenskap" (s. 51–62); "Kildegransking", "Å tolke tekster - kvalitative teknikker", "Tegn og tale - nytt materiale tatt i bruk", "Å rekonstruere fortida" (s. 169–227)" i Kjeldstadli, Knut: Fortida er ikke hva den en gang var - en innføring i historiefaget, 1999. Oslo: Universitetsforlaget.
Bruns, Gerald L.: "Hermeneutics" i Encyclopedia of Aesthetics, 1998. Oxford: Oxford University Press. 5 spalter.
Adorno, Theodor W.: "Vakre steder (39 sider) og Fragment om musikk og språk (8 sider)" i Adorno, Theodor W.: Musikkfilosofi, 2003. Oslo: Pax.
Barthes, Roland: "Rasch" i Barthes, Roland: I tegnets tid. Utvalgte artikler og essays, 1994. Oslo: Pax. s. 106–116.
Dahlhaus, Carl: "Kapittel 2: The Significance of Art: Historical or Aesthetic?" i Dahlhaus, Carl: Foundations of Music History, 1993. Cambridge: Cambridge University Press. s. 19–33.
Goehr, Lydia: The Imaginary Museum of Musical Works. An Essay in the Philosophy of Music, 2007. Oxford: Oxford University Press. NB: Tekstutvalg.
Treitler, Leo: "The Present as History" i Treitler, Leo: Music and the Historical Imagination, 1989. Harvard University Press. s. 95–156.
Treitler, Leo: "Hermeneutics, Exegetics, or What?" i Thomas Holme Hansen (red.): 13th Nordic Musicological Congress - Papers and Abstracts, Aarhus 2000. Department of Musicology, University of Aarhus. ca. 25 sider.
Deveaux, Scott: "Constructing the Jazz Tradition" i Gabbard, Krin (red.): Jazz Among the Discourses, 1995. Durham and London: Duke University Press. s. 483–512.