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TIME - Timing and Sound in Musical Microrhythm

When does a beat actually happen in time? What part of the beat’s sound constitutes its temporal position, and how does this perception or judgment depend upon a listener’s music-cultural background?

Musicians in a street parade

About the project

The project Timing and Sound in Musical Microrhythm (TIME) will conduct comparative investigations of four different rhythmic genres – jazz, electronic dance music, R&B/hip-hop and Scandinavian fiddle music – in order to gain new insights into the relationship between temporal and sound-related aspects of musical perception and performance.

Objectives

The aim of the project is to understand the micro level of auditory perception and the role of cultural background and/or training in music in this regard.
 

Photo: Håkon Høgemo & Judith Vestreim, by David Zadig, (CC BY-SA 2.0)

Publications

  • Sioros, Georgios; Madison, Guy; Cocharro, Diogo; Danielsen, Anne & Gouyon, Fabien (2022). Syncopation and Groove in Polyphonic Music: Patterns Matter. Music Perception. ISSN 0730-7829. 39(5), p. 503–531. doi: 10.1525/mp.2022.39.5.503.
  • Lartillot, Olivier; Nymoen, Kristian; Câmara, Guilherme Schmidt & Danielsen, Anne (2021). Computational localization of attack regions through a direct observation of the audio waveform. Journal of the Acoustical Society of America. ISSN 0001-4966. 149(1), p. 723–736. doi: 10.1121/10.0003374.
  • Brøvig-Hanssen, Ragnhild; Sandvik, Bjørnar; Aareskjold-Drecker, Jon Marius & Danielsen, Anne (2021). A Grid in Flux: Sound and Timing in Electronic Dance Music. Music Theory Spectrum. ISSN 0195-6167. 44(1). doi: 10.1093/mts/mtab013. Full text in Research Archive
  • Sioros, Georgios & Nymoen, Kristian (2021). Accurate shape and phase averaging of time series through Dynamic Time Warping. arXiv.
  • Danielsen, Anne (2021). Rhythm, time, and presence. In Doffman, Mark; Payne, Emily & Young, Toby (Ed.), The Oxford Handbook of Time in Music. Oxford University Press. ISSN 9780190947279. doi: 10.1093/oxfordhb/9780190947279.013.8.
  • Danielsen, Anne; Nymoen, Kristian; Langerød, Martin Torvik; Jacobsen, Eirik; Johansson, Mats Sigvard & London, Justin (2021). Sounds familiar(?): Expertise with specific musical genres modulates timing perception and micro-level synchronization to auditory stimuli. Attention, Perception & Psychophysics. ISSN 1943-3921. doi: 10.3758/s13414-021-02393-z. Full text in Research Archive
  • Danielsen, Anne (2020). Desktop production and groove. In Zagorski-Thomas, Simon & Bourbon, Andrew (Ed.), The Bloomsbury Handbook of Music Production. Bloomsbury Academic. ISSN 9781501334047.
  • Haugen, Mari Romarheim & Danielsen, Anne (2020). Effect of tempo on relative note durations in a performed samba groove. Journal of New Music Research. ISSN 0929-8215. doi: 10.1080/09298215.2020.1767655. Full text in Research Archive
  • Brøvig-Hanssen, Ragnhild; Sandvik, Bjørnar Ersland & Aareskjold-Drecker, Jon Marius (2020). Dynamic range processing and its influence on perceived timing in electronic dance music. Music Theory Online. ISSN 1067-3040. 26(2), p. 1–13. doi: 10.30535/MTO.26.2.3. Full text in Research Archive
  • Senn, Olivier; Amadeus Bechtold, Toni; Rose, Dawn; Câmara, Guilherme Schmidt; Du Vel, Nina & Jerjen, Rafael [Show all 10 contributors for this article] (2020). Experience of Groove Questionnaire: Instrument Development and Initial Validation. Music Perception. ISSN 0730-7829. 38(1), p. 46–65. doi: 10.1525/MP.2020.38.1.46.
  • Câmara, Guilherme Schmidt; Nymoen, Kristian; Lartillot, Olivier & Danielsen, Anne (2020). Effects of instructed timing on electric guitar and bass sound in groove performance. Journal of the Acoustical Society of America. ISSN 0001-4966. 147(2), p. 1028–1041. doi: 10.1121/10.0000724.
  • Danielsen, Anne & Hawkins, Edgar Stanley (2020). “The Right Amount of Odd”: Vocal Compulsion, Structure, and Groove in Two Love Songs from Around the World in a Day. Popular music and society. ISSN 0300-7766. 43(3). doi: 10.1080/03007766.2020.1757814. Full text in Research Archive
  • Danielsen, Anne & Hawkins, Stan (2020). The Quest of Princian Research. Popular music and society. ISSN 0300-7766. 43(3), p. 231–236. doi: 10.1080/03007766.2020.1757811.
  • Danielsen, Anne (2020). 'Keeping it real', 'Keeping it dandy'? Male blackness and the popular music mainstream. In Hansen, Kai Arne; Jarman, Freya & Askerøi, Eirik (Ed.), Popular Musicology and Identity: Essays in Honour of Stan Hawkins. Routledge. ISSN 9781138322882.
  • Câmara, Guilherme Schmidt; Nymoen, Kristian; Lartillot, Olivier & Danielsen, Anne (2020). Timing Is Everything... Or Is It? Effects of Instructed Timing Style, Reference and Pattern on Drum Kit Sound in Groove-Based Performance. Music Perception. ISSN 0730-7829. 38(1), p. 1–26. doi: 10.1525/mp.2020.38.1.1. Full text in Research Archive
  • Bruford, Fred & Lartillot, Olivier (2020). Multidimensional similarity modelling of complex drum loops using the GrooveToolbox, Proceedings of the 21st International Society for Music Information Retrieval (ISMIR) Conference. McGill-Queen's University Press. ISSN 978-0-9813537-0-8. p. 263–270. Full text in Research Archive
  • Lartillot, Olivier & Bruford, Fred (2020). Bistate reduction and comparison of drum patterns, Proceedings of the 21st International Society for Music Information Retrieval (ISMIR) Conference. McGill-Queen's University Press. ISSN 978-0-9813537-0-8. p. 318–324. Full text in Research Archive
  • Lartillot, Olivier & Grandjean, Didier (2019). Tempo and Metrical Analysis by Tracking Multiple Metrical Levels Using Autocorrelation. In Barbancho, Isabel; Tardón, Lorenzo J.; Peinado, Alberto & Barbancho, Ana M. (Ed.), SMC 2019 Proceedings of the 16th Sound & Music Computing Conference. Society for Sound and Music Computing. ISSN 978-84-09-08518-7. p. 174–181. doi: 10.3390/app9235121. Full text in Research Archive
  • Kontogeorgakopoulos, Alexandros; Sioros, George & Klissouras, Odysseas (2019). Mechanical Entanglement: A Collaborative Haptic-Music Performance. In Barbancho, Isabel; Tardón, Lorenzo J.; Peinado, Alberto & Barbancho, Ana M. (Ed.), SMC 2019 Proceedings of the 16th Sound & Music Computing Conference. Society for Sound and Music Computing. ISSN 978-84-09-08518-7. p. 20–25.
  • Skaansar, Jo Fougner; Laeng, Bruno & Danielsen, Anne (2019). Microtiming and mental effort: Onset asynchronies in musical rhythm modulate pupil size. Music Perception. ISSN 0730-7829. 37(2), p. 111–133. doi: 10.1525/mp.2019.37.2.111. Full text in Research Archive
  • Bromham, Gary; Moffat, David; Barthet, Mathieu; Danielsen, Anne & Fazekas, György (2019). The Impact of Audio Effects Processing on the Perception of Brightness and Warmth, AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound on ZZZ. Association for Computing Machinery (ACM). ISSN 9781450372978. p. 183–190. doi: 10.1145/3356590.3356618.
  • London, Justin; Nymoen, Kristian; Langerød, Martin Torvik; Thompson, Marc Richard; Code, David Løberg & Danielsen, Anne (2019). A comparison of methods for investigating the perceptual center of musical sounds. Attention, Perception & Psychophysics. ISSN 1943-3921. 81(6), p. 2088–2101. doi: 10.3758/s13414-019-01747-y. Full text in Research Archive
  • Danielsen, Anne (2019). Glitched and Warped: Transformations of Rhythm in the Age of the Digital Audio Workstation. In Grimshaw, Mark; Walther-Hansen, Mads & Knakkergaard, Martin (Ed.), The Oxford Handbook of Sound and Imagination, Volume 2. Oxford University Press. ISSN 9780190460242. doi: 10.1093/oxfordhb/9780190460242.013.27. Full text in Research Archive
  • Lartillot, Olivier & Grandjean, Didier (2019). Tempo and Metrical Analysis by Tracking Multiple Metrical Levels Using Autocorrelation. Applied Sciences. ISSN 2076-3417. 9(23). doi: 10.3390/app9235121. Full text in Research Archive
  • Danielsen, Anne; Nymoen, Kristian; Anderson, Evan; Câmara, Guilherme Schmidt; Langerød, Martin Torvik & Thompson, Marc R. [Show all 7 contributors for this article] (2019). Where is the beat in that note? Effects of attack, duration, and frequency on the perceived timing of musical and quasi-musical sounds. Journal of Experimental Psychology: Human Perception and Performance. ISSN 0096-1523. 45(3), p. 402–418. doi: 10.1037/xhp0000611.
  • Sioros, George; Câmara, Guilherme Schmidt & Danielsen, Anne (2019). Mapping Timing Strategies in Drum Performance. In Flexer, Arthur; Peeters, Geoffroy; Urbano, Julián & Volk, Anja (Ed.), Proceedings of the 20th International Society for Music Information Retrieval Conference, ISMIR 2019. International Society for Music Information Retrieval. ISSN 9781732729919.
  • Danielsen, Anne (2018). Time and Time Again: Repetition and Difference in Repetitive Music. In Julien, Olivier & Levaux, Christophe (Ed.), Over and Over. Exploring Repetition in Popular Music. Bloomsbury Academic. ISSN 9781501324888. doi: 10.5040/9781501324871.ch-002. Full text in Research Archive
  • Danielsen, Anne (2018). Pulse as Dynamic Attending: Analysing Beat Bin Metre in Neo Soul Grooves. In Scotto, Ciro; Smith, Kenneth M. & Brackett, John (Ed.), The Routledge Companion to Popular Music Analysis: Expanding Approaches. Routledge. ISSN 9781138683112. doi: 10.4324/9781315544700-12. Full text in Research Archive
  • Dahl, Sofia & Sioros, George (2018). Rhythmic recurrency in dance to music with ambiguous meter . In Volpe, Gualtiero & Camurri, Antonio (Ed.), Proceedings of the 5th International Conference on Movement and Computing. ACM Publications. ISSN 978-1-4503-6504-8. doi: 10.1145/3212721.3212885. Full text in Research Archive
  • Câmara, Guilherme Schmidt & Danielsen, Anne (2018). Groove. In Alexander, Rehding & Steven, Rings (Ed.), The Oxford Handbook of Critical Concepts in Music Theory. Oxford University Press. ISSN 9780190454746. doi: 10.1093/oxfordhb/9780190454746.013.17. Full text in Research Archive
  • Danielsen, Anne (2018). Music, media and technological creativity in the digital age. Nordisk musikkpedagogisk forskning : Årbok. ISSN 1504-5021. 18, p. 9–22.
  • Brøvig-Hanssen, Ragnhild (2018). Listening To or Through Technology: Opaque and Transparent Mediation. In Bennett, Samantha & Bates, Eliot (Ed.), Critical Approaches to the Production of Music and Sound. Bloomsbury Academic. ISSN 9781501332. p. 195–210. doi: 10.5040/9781501332074.0021. Full text in Research Archive
  • Danielsen, Anne (2017). Struktur og performativitet: mikrorytmikk i afroamerikansk populærmusikk. Svensk tidskrift för musikforskning. ISSN 2002-021X. 99, p. 3–19. Full text in Research Archive
  • Nymoen, Kristian; Danielsen, Anne & London, Justin (2017). Validating Attack Phase Descriptors Obtained by the Timbre Toolbox and MIRtoolbox. In Lokki, Tapio; Pätynen, Jukka & Välimäki, Vesa (Ed.), Proceedings of the 14th Sound and Music Computing Conference 2017. Aalto University. ISSN 978-952-60-3729-5. p. 214–219. Full text in Research Archive
  • Haugen, Mari Romarheim (2017). Investigating Musical Meter as Shape: Two Case Studies of Brazilian Samba and Norwegian Telespringar. In Van Dyck, Edith (Eds.), Proceedings of the 25th Anniversary Conference of the European Society for the Cognitive Sciences of Music. IPEM, University of Ghent, Belgium. p. 67–74. doi: 10.18061/emr.v11i3-4.5029. Full text in Research Archive
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2017). Music Production: Recording Technology and Acousmatic Listening. In Ashley, Richard D & Timmers, Renee (Ed.), The Routledge Companion to Music Cognition. Routledge. ISSN 9781138721050. Full text in Research Archive

View all works in Cristin

View all works in Cristin

  • Danielsen, Anne & Leske, Sabine Liliana (2022). How the brain tracks the precision of a beat bin - musical, behavioral and neurophysiological perspectives.
  • Oddekalv, Kjell Andreas (2022). Categorical perception and quantisation in hip-hop practice and discourse.
  • Oddekalv, Kjell Andreas (2022). Intervju om musikkrettigheiter - NRK Nyhetsmorgen. [TV]. NRK.
  • Oddekalv, Kjell Andreas (2022). Rap as composite auditory streams: Techniques and approaches for chimericity through layered vocal production in hip-hop, and their aesthetic implications.
  • Oddekalv, Kjell Andreas (2022). On Being a White Norwegian Analysing Rap. Dansk Musikforskning Online. ISSN 1904-237X. DMO Special Issue 2022, p. 115–122.
  • Danielsen, Anne (2022). Rytme, groove og digitale signaturer.
  • Danielsen, Anne; Câmara, Guilherme Schmidt; Lartillot, Olivier; Leske, Sabine Liliana & Spiech, Connor (2022). Musical rhythm. Behavioural, computational and neurophysiological perspectives.
  • Brøvig-Hanssen, Ragnhild; Johansson, Mats Sigvard; Sandvik, Bjørnar; Jacobsen, Eirik; Aareskjold-Drecker, Jon Marius & Danielsen, Anne (2022). Musical rhythm. Qualitative investigations.
  • Oddekalv, Kjell Andreas (2022). Public defense: Kjell Andreas Oddekalv.
  • Oddekalv, Kjell Andreas (2022). Intervju om rap flows - Studio 2, NRK P2. [Radio]. NRK P2.
  • Oddekalv, Kjell Andreas (2022). Hva gir hiphop flow? En norsk forsker mener han har funnet svaret. [Newspaper]. Morgenbladet.
  • Oddekalv, Kjell Andreas (2022). Rap music’s black cultural heritage: How does “pushing the limits” of dopeness relate to hip hop values of excellence and/as badness?
  • Oddekalv, Kjell Andreas (2022). KARPE KARPE KARPE - Aftenposten Forklart. [Internet]. Aftenposten Forklart Podcast.
  • Sørbø, Solveig Isis & Haugen, Mari Romarheim (2021). Om telespringar, samba, musikkforskning og låtskriving. [Radio]. Solveigs Speisa Musikk, RadiOrakel.
  • Sioros, George (2021). Groove, meter and syncopation: a cognitive perspective. .
  • Danielsen, Anne (2021). What is rhythm? What is micro rhythm?
  • Lartillot, Olivier & Johansson, Mats Sigvard (2021). Tracking beats in Hardanger fiddle tunes .
  • Danielsen, Anne (2021). Rhythm and Meter.
  • Danielsen, Anne (2021). Time and time again: repetition and difference in grooves.
  • Danielsen, Anne; Langerød, Martin Torvik; Nymoen, Kristian & London, Justin (2021). Genre expertise modulates timing perception and micro-level synchronization to auditory stimuli.
  • Danielsen, Anne (2021). Shaping rhythm: Timing and sound in EDM.
  • Danielsen, Anne (2021). Opening remarks, presentation of RITMO.
  • Ganis, Francesco; Dahl, Sofia; Câmara, Guilherme Schmidt & Danielsen, Anne (2021). Beat precision and perceived danceability in drum grooves.
  • Spiech, Connor; Laeng, Bruno; Sioros, George; Danielsen, Anne & Endestad, Tor (2021). More Than Meter’s The Eye: Divergent Roles of Pickups and Syncopation in Groove.
  • Câmara, Guilherme Schmidt & Pileberg, Silje (2021). New research could inspire experimental musicians.
  • Câmara, Guilherme Schmidt & Lokna, Maria (2021). Intervju i Morgenbladet - "Kan man forske på hva som er groovy?". [Newspaper]. Morgenbladet.
  • Lartillot, Olivier & Johansson, Mats Sigvard (2021). Automated beat tracking of Norwegian Hardanger fiddle music.
  • Câmara, Guilherme Schmidt; Sioros, George & Danielsen, Anne (2021). Mapping timing and intensity strategies in drum-kit performance via hierarchical clustering and phylogenetic visualizations .
  • Oddekalv, Kjell Andreas (2021). Solveigs Speisa Musikk - Kjell Andreas Oddekalv igjen. [Radio]. RadiOrakel.
  • Oddekalv, Kjell Andreas (2021). Solveigs Speisa Musikk - med Kjell Andreas Oddekalv. [Radio]. RadiOrakel.
  • Danielsen, Anne; Langerød, Martin Torvik; Nymoen, Kristian & London, Justin (2021). Genre expertise modulates timing perception and micro-level synchronization to auditory stimuli.
  • Oddekalv, Kjell Andreas (2021). Korleis vert ei rap-låt til?
  • Oddekalv, Kjell Andreas (2021). "Høge Brelle" mellom to permar.
  • Oddekalv, Kjell Andreas (2021). Skriv bok om nynorsk rap-suksess - "Høge Brelle" mellom to permar.
  • Oddekalv, Kjell Andreas (2021). Intervju med Kjell Andreas Oddekalv om Side Brok - Høge Brelle på Radio NRK Møre og Romsdal.
  • Brøvig-Hanssen, Ragnhild; Sandvik, Bjørnar & Aareskjold-Drecker, Jon Marius (2021). Slow Attacks, Peculiar Accents, and Pumping Grooves: Perceptual Interaction between Timing and Intensity in Music Production.
  • Brøvig-Hanssen, Ragnhild (2021). Rhythm, Repetition, and Expectations.
  • Solbakk, Anne-Kristin; Leske, Sabine Liliana; Lubell, James Isaac; Blenkmann, Alejandro Omar; Llorens, Anais & Funderud, Ingrid [Show all 13 contributors for this article] (2021). Auditory prediction and prediction error in self-generated tones.
  • Oddekalv, Kjell Andreas (2021). Verses in verses - convergent and divergent metrical structure in rap flows.
  • Oddekalv, Kjell Andreas (2021). Bennærn - Ei unik rytmisk røyst i det norske rap-panteonet.
  • Haugen, Mari Romarheim (2020). Musical performance.
  • Danielsen, Anne (2020). Groove studies.
  • Lartillot, Olivier & Bruford, Fred (2020). Bistate reduction and comparison of drum patterns.
  • Lartillot, Olivier & Toiviainen, Petri (2020). Read about the Matlab MIRtoolbox. Young Acousticians Network (YAN) Newsletter. p. 4–10.
  • Jemterud, Torkild; Danielsen, Anne; Brodal, Per; Løvvik, Ole Martin; Goodwin, Morten & Knudsen, Pål Moddi (2020). Abels tårn: En følsom AI tester visesang.
  • Lilleslåtten, Mari; Câmara, Guilherme Schmidt & Danielsen, Anne (2020). Hva du synes er bra musikk avgjøres på noen tusendels sekunder. [Internet]. Forskning.no.
  • Oddekalv, Kjell Andreas (2020). Food & Paper: Metre-on-metre interactions – analysing the rhythms of rap flows.
  • Bruford, Fred & Lartillot, Olivier (2020). Multidimensional similarity modelling of complex drum loops using the GrooveToolbox.
  • Danielsen, Anne (2020). Interdisciplinary music research.
  • Oddekalv, Kjell Andreas (2020). Brakkeskole: Kjell Andreas Oddekalv forskar på rapflow.
  • Oddekalv, Kjell Andreas (2020). IMV PhD Midway Assessment for Kjell Andreas Oddekalv.
  • Oddekalv, Kjell Andreas (2020). METRE MEETS METRE – HOW DO WE HEAR, ANALYSE AND LISTEN TO RAP FLOWS?
  • Oddekalv, Kjell Andreas (2020). Food & Paper: Metre on metre - a theoretical framework for rap analysis.
  • Oddekalv, Kjell Andreas (2020). When Metre meets Metre: Rhythmic Ambiguity and Flexibility in Rap Flows .
  • Danielsen, Anne (2020). Musical listening, micro-time .
  • Danielsen, Anne (2020). Does genre expertise modulate micro level synchronisation to musical sounds?
  • Sioros, George (2020). Comparing the timing of repetitive human movements.
  • Brøvig-Hanssen, Ragnhild & Sandvik, Bjørnar Ersland (2020). Timing in Electronic Dance Music.
  • Brøvig-Hanssen, Ragnhild (2020). Playful Rhythms and Mosaic Flow.
  • Haugen, Mari Romarheim (2020). "Brain in Research(ers)" Panel.
  • Haugen, Mari Romarheim & Kleppe, Synnøve Sudbø (2020). Bortebuaren. [Newspaper]. Bø Blad.
  • Brøvig-Hanssen, Ragnhild (2020). A Doubled Now: Parody Theories.
  • Oddekalv, Kjell Andreas (2020). Metre-on-metre interactions – analysing the rhythms of rap flows.
  • Oddekalv, Kjell Andreas; Bjørkheim, Terje; Walderhaug, Bendik; Hole, Erik; Sørli, Anders Ruud & Ugstad, Magnus [Show all 7 contributors for this article] (2019). Vet du aller helst.
  • Oddekalv, Kjell Andreas (2019). Surrender to the flow – rhyme as the defining structural element in rap.
  • Oddekalv, Kjell Andreas; Bjørkheim, Terje; Ugstad, Magnus; Walderhaug, Bendik; Hole, Erik & Sørli, Anders Ruud (2019). Parkour.
  • Kontogeorgakopoulos, Alexandros; Sioros, George & Klissouras, Odysseas (2019). Mechanical Entanglement: A Collaborative Haptic-Music Performance.
  • Oddekalv, Kjell Andreas; Bjørkheim, Terje; Ugstad, Magnus; Walderhaug, Bendik; Hole, Erik & Sørli, Anders Ruud (2019). Rapkjefta - episode 1. [Radio]. Ordentlig Radio.
  • Lartillot, Olivier & Grandjean, Didier (2019). Tempo and Metrical Analysis by Tracking Multiple Metrical Levels Using Autocorrelation.
  • Bromham, Gary; Moffat, David; Danielsen, Anne & Fazekas, György (2019). Digital Warmth: The Retro in Digital.
  • Danielsen, Anne; Nymoen, Kristian & London, Justin (2019). Noise in the click or click in the noise: Investigating probe-stimulus order in P-center estimation tasks.
  • Oddekalv, Kjell Andreas; Bjørkheim, Terje; Ugstad, Magnus; Hole, Erik & Sørli, Anders Ruud (2019). Rapkjefta - episode 2. [Radio]. Ordentlig Radio.
  • Brøvig-Hanssen, Ragnhild (2019). Musical Fragmentation and Dual-Planed Temporality.
  • Sioros, George; Câmara, Guilherme Schmidt & Danielsen, Anne (2019). Mapping Timing Strategies in Drum Performance.
  • Lartillot, Olivier (2019). A comprehensive framework for computational music analysis.
  • Leske, Sabine Liliana; Lubell, James; Blenkmann, Alejandro Omar; Llorens, Anaïs; Funderud, Ingrid & Foldal, Maja Dyhre [Show all 13 contributors for this article] (2019). Action-based auditory predictions.
  • Danielsen, Anne (2019). Classic Album Sundays: Aretha Franklin (paneldeltakelse).
  • Oddekalv, Kjell Andreas (2019). The urge to «clean up» the rap: rhythm and plasticity in rap music.
  • Haugen, Mari Romarheim; Johansson, Mats Sigvard & Lartillot, Olivier (2019). Investigating rhythm production and perception in traditional scandinavian dance music in non-isochronous meter: A case study of norwegian telespringar.
  • Cederkvist, Vibeke & Brøvig-Hanssen, Ragnhild (2019). Musikkverdenen voksne ikke forstår. [Internet]. NRK.no.
  • Brøvig-Hanssen, Ragnhild; Théberge, Paul; Lefford, Nyssim; Provenzano, Catherine & Williams, Alan (2019). Methodology Panel.
  • Brøvig-Hanssen, Ragnhild & Aareskjold, Jon Marius (2019). Vocal Chops and its Aesthetics.
  • Hagen, Maren Kvamme & Danielsen, Anne (2019). Ein hest og ei landeplage. [Internet]. nrk.no.
  • Oddekalv, Kjell Andreas; Bjørkheim, Terje; Ugstad, Magnus & Hole, Erik (2019). Rapkjefta - Episode 5. [Radio]. Ordentlig Radio.
  • Oddekalv, Kjell Andreas; Bjørkheim, Terje; Ugstad, Magnus; Hole, Erik; Sørli, Anders Ruud & Walderhaug, Bendik (2019). Rapkjefta - Episode 4. [Radio]. Ordentlig Radio.
  • Oddekalv, Kjell Andreas; Bjørkheim, Terje; Ugstad, Magnus; Hole, Erik; Walderhaug, Bendik & Sørli, Anders Ruud (2019). Rapkjefta - Episode 3. [Radio]. Ordentlig Radio.
  • Oddekalv, Kjell Andreas (2019). Likeins, likeins, men annleis – ulike språk/rytme-interaksjonar i rap.
  • Lartillot, Olivier (2019). Computational analysis of tempo and metre: from signal processing to cognitive musicology.
  • Câmara, Guilherme Schmidt; Nymoen, Kristian & Danielsen, Anne (2019). Timing is Everything... Or is it? Part II: Effects of Instructed Timing Style and Timing Reference on Drum-Kit Sound in Groove Performance.
  • Sioros, George & Danielsen, Anne (2019). How do Rhythmic Features Affect our Movement?
  • Brøvig-Hanssen, Ragnhild & Aareskjold, Jon Marius (2019). Vocal chops and Rhythm.
  • Brøvig-Hanssen, Ragnhild (2019). Presentation of MASHED; TIME; and MusFrag.
  • Câmara, Guilherme Schmidt; Nymoen, Kristian; Lartillot, Olivier & Danielsen, Anne (2019). Timing is Everything... Or is it? Part I: Effects of Instructed Timing and Reference on Guitar and Bass Sound in Groove Performance.
  • Sioros, George; Madison, Guy; Cocharro, Diogo; Danielsen, Anne & Gouyon, Fabien (2019). Does moderate syncopation increase groove? The answer depends on the syncopation pattern.
  • Sioros, George; Câmara, Guilherme Schmidt; Danielsen, Anne & Nymoen, Kristian (2019). Timing and drummers’ movement: A novel methodology for performance analysis .
  • Sioros, George; Madison, Guy; Cocharro, Diogo; Danielsen, Anne & Gouyon, Fabien (2019). The relation between groove and syncopation is intricate – not any pattern will do.
  • Oddekalv, Kjell Andreas (2019). Rap Flows PhD Thesis.
  • Haugen, Mari Romarheim & Habbestad, Ida (2019). Å studere dei små detaljane. Kva kan teknologi for rørslesporing bidra med i skildring av folkedansen? [Journal]. Folkemusikk. Magasinet for folkemusikk og folkedans.
  • Danielsen, Anne (2019). The Expanding Present (panel member).
  • Kverndokk, Kristin; Danielsen, Anne; Hellstenius, Jon Henrik & Orning, Tanja (2019). Om språk og musikk. Spillerom søndag (NRK). [Radio]. NRK P2.
  • Leske, Sabine Liliana; Lubell, James Isaac; Blenkmann, Alejandro Omar; Llorens, Anaïs; Funderud, Ingrid & Foldal, Maja Dyhre [Show all 13 contributors for this article] (2019). Auditory prediction and prediction error in self-generated tones.
  • Brøvig-Hanssen, Ragnhild & Aareskjold, Jon Marius (2019). Vocal Chops and it's aesthetics.
  • Danielsen, Anne & Nymoen, Kristian (2019). Where is the beat in that note?
  • Danielsen, Anne (2019). The impact of digitization on rhythm and groove in African-American popular music.
  • Danielsen, Anne (2019). Workshop on microrhythmic analysis and groove.
  • Oddekalv, Kjell Andreas (2018). Masteroppgåva: Kjell Andreas Oddekalv Betre flows enn Akerselva. Mål og makt. ISSN 0332-7744. 48(1), p. 33–41.
  • Haugen, Mari Romarheim (2018). Investigating Rhythm Structures in Music and Dance Using Motion Capture.
  • Vestre, Eskil Olaf; Danielsen, Anne; Jensenius, Alexander Refsum; London, Justin; Schia, Katja Henriksen & Abramczyk, Filip (2018). Rytmen er en danser. [Business/trade/industry journal]. Ballade.
  • Jensenius, Alexander Refsum; Danielsen, Anne; London, Justin; Schia, Katja Henriksen & Abramczyk, Filip (2018). Intellectual warm-up: "Rhythm".
  • Câmara, Guilherme Schmidt (2018). Presentation of Mocap Component of Performance Experiments from the Timing and Sound in Musical Microrhythm (TIME) project .
  • Câmara, Guilherme Schmidt (2018). Presentation of preliminary findings: Effects of Instructed Timing on Guitar and Bass Sound in Groove Performance.
  • Jære, Lisbet; Danielsen, Anne & Jensenius, Alexander Refsum (2018). På sporet av rytmen. [Internet]. Uniforum.
  • Danielsen, Anne (2018). Microrhythms and Microsounds: The impact of digitization on African-American popular music.
  • Danielsen, Anne (2018). Intervju om Aretha Franklin til NTB.
  • Danielsen, Anne (2018). Intervju om Aretha Franklin i Dagsnytt, NRK 2 .
  • Haugen, Mari Romarheim (2018). The Effect of Tempo on Non-Isochronous Subdivisions in Performed Samba Groove.
  • London, Justin; Danielsen, Anne & Nymoen, Kristian (2018). Where is the beat in that note? Effects of attack, frequency, and duration on the p-centers of musical and quasi-musical sounds.
  • Brøvig-Hanssen, Ragnhild; Aareskjold, Jon Marius & Sandvik, Bjørnar (2018). EDM Producers' Reflections on Groove.
  • Sioros, Georgios (2018). What we do when we move to music v.2.
  • Dahl, Sofia & Sioros, George (2018). Rhythmic recurrency in dance to music with ambiguous meter.
  • Haugen, Mari Romarheim (2018). Meter i Skandinavisk folkemusikk.
  • Jensenius, Alexander Refsum (2018). Sophus Bugges Salong: Rytmer og følelser.
  • Danielsen, Anne & Jensenius, Alexander Refsum (2018). Rytme i tid og rom.
  • Danielsen, Anne (2018). Analysing Popular Music in the Digital Age.
  • Danielsen, Anne (2018). Hva er en sommerhit? [Radio]. NRK P2, Studio 2.
  • Danielsen, Anne; Johansson, Mats Sigvard & Haugen, Mari Romarheim (2018). Presentasjon av TIME-prosjektet.
  • Danielsen, Anne & Jensenius, Alexander Refsum (2018). UiOs innovasjonspris til RITMO ved Anne Danielsen og Alexander Refsum Jensenius. [Business/trade/industry journal]. Ballade.
  • Danielsen, Anne (2017). Populærmusikk og mediering i den digitale tidsalder.
  • Danielsen, Anne (2017). Rhythm and Groove in African-American Popular Music.
  • Danielsen, Anne; Nymoen, Kristian; Haugen, Mari Romarheim & Câmara, Guilherme Schmidt (2017). Project presentation: Timing and Sound in Musical Microrhythm (TIME).
  • Danielsen, Anne (2017). Experimental hip-hop and the meanings of glitched grooves .
  • Danielsen, Anne (2017). Digital Signatures. The Impact of Digitization on Popular Music Sound.
  • Brøvig-Hanssen, Ragnhild & Sandvik, Bjørnar (2017). Dynamic Range Processing’s Influence on Perceived Timing.
  • Brøvig-Hanssen, Ragnhild & Sandvik, Bjørnar (2017). Dynamic Range Compression’s Influence on Perceived Timing.
  • Brøvig-Hanssen, Ragnhild & Sandvik, Bjørnar (2017). Does Compression Influence Timing? A Case Study in EDM Music.
  • Brøvig-Hanssen, Ragnhild & Sandvik, Bjørnar (2017). Dynamic Range Compression’s Influence on Perceived Timing in EDM Music.
  • Danielsen, Anne (2017). Paneldeltakelse i serien Musikklære på Nasjonalbiblioteket, tema "Rytme".
  • Danielsen, Anne; London, Justin & Nymoen, Kristian (2017). Mapping the Beat Bin: The Effects of Rise Time, Duration, and Frequency Range on the Perceived Timing of Musical Sounds.
  • Danielsen, Anne (2017). Timing and Sound in Musical Microrhythm: Theoretical, Aesthetic and Empirical Aspects.
  • Danielsen, Anne; London, Justin & Nymoen, Kristian (2017). Mapping the beat bin: Effects of rise time, duration and frequency range on the perceived timing (P-center) of musical sounds.
  • London, Justin; Nymoen, Kristian; Thompson, Marc; Code, David Loberg & Danielsen, Anne (2017). Where is the beat in that note? Comparing methods for identifying the p-center of musical sounds.
  • London, Justin; Nymoen, Kristian; Thompson, Marc; Code, David Loberg & Danielsen, Anne (2017). Where is the beat in that note? Comparing methods for identifying the p-center of musical sounds.
  • Haugen, Mari Romarheim (2017). Investigating Musical Meter as Shape: Two Case Studies of Brazilian Samba and Norwegian Telespringar.
  • Sioros, George (2017). What we do when we move to music.
  • Danielsen, Anne (2017). The perception, aesthetics, and cultural values of 'glitched' grooves.
  • Danielsen, Anne (2017). P-centres and beat bins - an introduction to the TIME project.
  • Danielsen, Anne (2017). Methodologies in Record Production Research (Panel).
  • Danielsen, Anne (2017). Paneldeltakelse i serien Musikklære på Nasjonalbiblioteket, tema "Låten".
  • Nymoen, Kristian; Danielsen, Anne & London, Justin (2017). Validating Attack Phase Descriptors Obtained by the Timbre Toolbox and MIRtoolbox.
  • Danielsen, Anne (2017). Kvalitet i rytmisk musikk.
  • Danielsen, Anne (2016). Investigating the perception of sound-timing relationships in recorded (real) music.
  • Danielsen, Anne; Stover, Chris & Oddekalv, Kjell Andreas (2022). What Makes the Shit Dope? The Techniques and Analysis of Rap Flows. Universitetet i Oslo.
  • Câmara, Guilherme Schmidt; Danielsen, Anne & Nymoen, Kristian (2021). Timing Is Everything . . . Or Is It? Investigating Timing and Sound Interactions in the Performance of Groove-Based Microrhythm. Universitetet i Oslo. Full text in Research Archive

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Tags: Rhythm and Groove, Popular Music, Music Psychology
Published Aug. 24, 2016 10:19 AM - Last modified Jan. 28, 2022 9:51 PM

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