Books:
Gustafsson, Tommy and Pietari Kääpä (eds) (2018, paperback): Nordic Genre Film: Small Nation Film Cultures in the Global Marketplace. Edinburgh: Edinburgh University Press. (introduction found here: http://www.euppublishing.com/userimages/ContentEditor/1434029230382/Nordic%20Film%20Genre.pdf)
Lindqvist, Ursula (2016): Roy Andersson’s “Songs From the Second Floor”: Contemplating the Art of Existence. University of Washington Press.
Handout:
Eskil Vogt and Joachim Trier (2014) Louder than Bombs (manuscript)
Online articles:
Vilde Schanke Sundet "From secret online teen drama to international cult phenomenon: The global expansion of SKAM and its public service mission", in R. McCulloch & W. Proctor (eds.) The Scandinavian Invasion: The Nordic Noir Phenomenon and Beyond (tentative title). Oxford: Peter Lang.
Steffen Krüger and Gry C. Rustad "Coping with Shame in a Media-saturated Society: Norwegian Web-series Skam as Transitional Object" Television & New Media
Anne Marit Waade: ”Nordic Noir Production Values. The Killing and The Bridge”. In akademisk kvarter/academic quarter
Anne Marit Waade: ”Melancholy in Nordic Noir: Characters, landscapes, light and music”. In Critical Studies in Television
Jakob Stougaard-Nielsen: ”Nordic Noir in the UK: the allure of accessible difference”. In Journal of Aesthetics & Culture
Kristín Loftsdóttir, Katla Kjartansdóttir & Katrín Anna Lund: ”Trapped in clichés: masculinity, films and tourism in Iceland” In Gender, Place & Culture
Susanne Eichner & Lotar Mikos: ”The Export of Nordic Stories. The International Success of Scandinavian TV Drama Series". In Nordiciom Information
In Journal of Scandinavian Cinema:
Moffat, Kate “From imperfect strangers to new citizens: Screening race and ethnicity in Nordic film history”
Audun Engelstad: ”Dealing with crime: cyclic changes in Norwegian crime films”
Brodén, Daniel “Old-school modernism? On the cinema of Roy Andersson”
Brunow, Dagmar “The language of the complex image: Roy Andersson’s political aesthetics”
Iversen, Gunnar “An alternative digital film culture: The new independent Norwegian film production”
Hansen, Kim Toft “Creativity, protest, training: Three modes of independent film-making in Denmark”
Larsson, Mariah “Ingmar Bergman, Swedish sexploitation and early Swedish porn”
Schaefer, Eric “Hardcore education: The case of Sexual Freedom in Denmark”
Grodal, Torben “Two Nordic existential comedies: Smiles of a Summer Night and The Kingdom”
Badley, Linda “Antichrist, misogyny and witch burning: The Nordic cultural contexts”
Grodal, Torben “Frozen style and strong emotions of panic and separation: Trier's prologues to Antichrist and Melancholia”
Donnar, Glen “Male anxiety, inadequacy and victimhood: Insecure and immature men in recent Norwegian cinema”
Stigsdotter, Ingrid “‘When to push stop or play’: The Swedish reception of Ruben Östlund’s Play (2011)”
Iversen, Gunnar “From trauma to heroism: Cultural memory and remembrance in Norwegian occupation dramas, 1946–2009”
Solum, Ove “The municipal cinema system in Norway and the digital turn”
Seppälä, Jaakko “Doing a lot with little: The camera’s minimalist point of view in the films of Aki Kaurismäki”
Schepelern, Peter “The element of crime and punishment: Aki Kaurismäki, Lars von Trier and the traditions of Nordic cinema”
Elsaesser, Thomas “Hitting bottom: Aki Kaurismäki and the abject subject”
Wright, Rochelle “Vampire in the Stockholm suburbs: Let the Right One In and genre hybridity”