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Publikasjoner

Her kan du se en oversikt over våre siste publikasjoner, registrert i Cristin.

  • Anne Danielsen (2020). Desktop production and groove, I: Simon Zagorski-Thomas & Andrew Bourbon (red.),  The Bloomsbury Handbook of Music Production.  Bloomsbury Academic.  ISBN 9781501334047.  chapter 17.
  • Ragnhild Brøvig-Hanssen & Aram Sinnreich (2020). Do You Wanna Build a Wall? Remix Tactics in the Age of Trump. Popular music and society.  ISSN 0300-7766.  43
  • Morten Øvervoll; Ilaria Schettino; Hikaru Suzuki; Matia Okubo & Bruno Laeng (2020). Filtered beauty in Oslo and Tokyo: A spatial frequency analysis of facial attractiveness. PLOS ONE.  ISSN 1932-6203.  15
  • Charles Patrick Martin & Henry Gardner (2019). Free-Improvised Rehearsal-as-Research for Musical HCI, I: Katie Wilkie-McKenna; Tom Mudd; Andrew McPherson; Marcelo M. Wanderley & Simon Holland (red.),  New Directions in Music and Human-Computer Interaction.  Springer.  ISBN 978-3-319-92068-9.  Chapter 17.  s 269 - 284
  • Anne Danielsen (2019). Glitched and Warped: Transformations of Rhythm in the Age of the Digital Audio Workstation, I: Mark Grimshaw; Martin Knakkergaard & Mads Walther-Hansen (red.),  The Oxford Handbook of Sound and Imagination, Volume 2.  Oxford University Press.  ISBN 9780190460242.  Chapter 29.
  • Qichao Lan; Jim Tørresen & Alexander Refsum Jensenius (2019). RaveForce: A Deep Reinforcement Learning Environment for Music Generation, I: Lorenzo J. Tardón; Alberto Peinado; Ana M. Barbancho & Isabel Barbancho (red.),  SMC 2019 Proceedings of the 16th Sound & Music Computing Conference.  Society for Sound and Music Computing.  ISBN 978-84-09-08518-7.  P2.1.  s 217 - 222
  • Olivier Lartillot & Didier Grandjean (2019). Tempo and Metrical Analysis by Tracking Multiple Metrical Levels Using Autocorrelation, I: Lorenzo J. Tardón; Ana M. Barbancho; Isabel Barbancho & Alberto Peinado (red.),  SMC 2019 Proceedings of the 16th Sound & Music Computing Conference.  Society for Sound and Music Computing.  ISBN 978-84-09-08518-7.  S2.6.  s 174 - 181
  • Olivier Lartillot (2019). Miningsuite: A Comprehensive Matlab Framework for Signal, Audio and Music Analysis, Articulating Audio and Symbolic Approaches, I: Lorenzo J. Tardón; Alberto Peinado; Ana M. Barbancho & Isabel Barbancho (red.),  SMC 2019 Proceedings of the 16th Sound & Music Computing Conference.  Society for Sound and Music Computing.  ISBN 978-84-09-08518-7.  D3.1.  s 489 - 489
  • Cagri Erdem; Katja Henriksen Schia & Alexander Refsum Jensenius (2019). Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance, I: Marcelo Queiroz & Anna Xambo Sedo (red.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Nime.
  • Cagri Erdem; Katja Henriksen Schia & Alexander Refsum Jensenius (2019). Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance, I: Federico Visi (red.),  Music Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Nime.
  • Rolf Inge Godøy (2019). Thinking Sound-Motion Objects, I: Michael Filimowicz (red.),  Foundations in Sound Design for Interactive Media.  Routledge.  ISBN 9781138093942.  8.  s 161 - 178
  • Ulf A. S. Holbrook (2019). A question of backgrounds: Sites of listening, I: Monty Adkins & Simon Cummings (red.),  Music beyond airports: Appraising ambient music.  University of Huddersfield Press.  ISBN 978-1-86218-161-8.  3.  s 51 - 66
  • Anna Xambo Sedo; Sigurd Saue; Alexander Refsum Jensenius; Robin Støckert & Øyvind Brandtsegg (2019). NIME Prototyping in Teams: A Participatory Approach to Teaching Physical Computing, I: Marcelo Queiroz & Anna Xambo Sedo (red.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Conference paper.  s 216 - 221
  • Torgrim Rudland Næss & Charles Patrick Martin (2019). A Physical Intelligent Instrument using Recurrent Neural Networks, I: Marcelo Queiroz & Anna Xambo Sedo (red.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Conference Paper.  s 79 - 82
  • Charles Patrick Martin & Jim Tørresen (2019). An Interactive Musical Prediction System with Mixture Density Recurrent Neural Networks, I: Anna Xambo Sedo & Marcelo Queiroz (red.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Conference Paper.  s 260 - 265
  • Andrei Faitas; Synne Engdahl Baumann; Torgrim Rudland Næss; Jim Tørresen & Charles Patrick Martin (2019). Generating Convincing Harmony Parts with Simple Long Short-Term Memory Networks, I: Anna Xambo Sedo & Marcelo Queiroz (red.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Conference Paper.
  • Jørgen Halvorsen Nordmoen; Tønnes Frostad Nygaard; Kai Olav Ellefsen & Kyrre Glette (2019). Evolved embodied phase coordination enables robust quadruped robot locomotion, I: Manuel López-Ibáñez (red.),  GECCO '19: Proceedings of the Genetic and Evolutionary Computation Conference.  Association for Computing Machinery (ACM).  ISBN 978-1-4503-6111-8.  Kapittel.
  • Bjørn Ivar Teigen; Kai Olav Ellefsen & Jim Tørresen (2019). A Categorization of Reinforcement Learning Exploration Techniques Which Facilitates Combination of Different Methods, I:  Proceedings of the 9th Joint IEEE International Conference on Development and Learning and on Epigenetic Robotics.  2019 Joint IEEE 9th International Conference on Development and Learning and Epigenetic Robotics (ICDL-EpiRob).  ISBN 9781538681299.  Kapittel.  s 189 - 194
  • Ragnhild Brøvig-Hanssen (2019). Humor's Role in Mashups and Remixes, I: Kai Arne Hansen & Nick Braae (red.),  On Popular Music and Its Unruly Entanglements.  Palgrave Macmillan.  ISBN 978-3-030-18099-7.  Kapittel.
  • Ragnhild Brøvig-Hanssen (2019). Mixing with Quotations: Mashups and Contextual Transformation, I: Serge Lacasse; Simon Zagorski-Thomas; Katia Isakoff & Sophie Stévance (red.),  The Art of Record Production, Volume 2: Creative Practice in the Studio.  Routledge.  ISBN 978-1138205109.  Chapter 3.  s 50 - 65
  • Alexandros Kontogeorgakopoulos; George Sioros & Odysseas Klissouras (2019). Mechanical Entanglement: A Collaborative Haptic-Music Performance, I: Isabel Barbancho; Ana M. Barbancho; Alberto Peinado & Lorenzo J. Tardón (red.),  SMC 2019 Proceedings of the 16th Sound & Music Computing Conference.  Society for Sound and Music Computing.  ISBN 978-84-09-08518-7.  P.3.  s 20 - 25
  • Aline Weber; Lucas N. Alegre; Jim Tørresen & Bruno Castro da Silva (2019). Parameterized Melody Generation with Autoencoders and Temporally-Consistent Noise, I: Federico Visi (red.),  Music Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Artikkel.  s 174 - 179
  • Artur Becker; Henrik Herrebrøden; Victor Evaristo Gonzalez Sanchez; Kristian Nymoen; Carla Maria Dal Sasso Freitas; Jim Tørresen & Alexander Refsum Jensenius (2019). Functional Data Analysis of Rowing Technique Using Motion Capture Data, I: Grisha Coleman (red.),  Proceedings of the 6th International Conference on Movement and Computing.  ACM Publications.  ISBN 978-1-4503-7654-9.  Article 12.
  • George Sioros; Guilherme Schmidt Câmara & Anne Danielsen (2019). Mapping Timing Strategies in Drum Performance, I: Geoffroy Peeters; Julián Urbano; Anja Volk & Arthur Flexer (red.),  Proceedings of the 20th International Society for Music Information Retrieval Conference, ISMIR 2019.  International Society for Music Information Retrieval.  ISBN 9781732729919.  F-17.
  • Gary Bromham; David Moffat; Mathieu Barthet; Anne Danielsen & György Fazekas (2019). The Impact of Audio Effects Processing on the Perception of Brightness and Warmth, I:  AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound on ZZZ.  Association for Computing Machinery (ACM).  ISBN 9781450372978.  Research article.  s 183 - 190
  • Benedikte Wallace; Kristian Nymoen & Charles Patrick Martin (2019). Tracing from Sound to Movement with Mixture Density Recurrent Neural Networks, I: Grisha Coleman (red.),  Proceedings of the 6th International Conference on Movement and Computing.  ACM Publications.  ISBN 978-1-4503-7654-9.  Artikkel.
  • Anna Xambo Sedo; Robin Støckert; Alexander Refsum Jensenius & Sigurd Saue (2019). Facilitating Team-Based Programming Learning with Web Audio, I: Sara R. Martin; Gerard Roma & Anna Xambo Sedo (red.),  Proceedings of the International Web Audio Conference.  NTNU.  Paper.
  • Qichao Lan & Alexander Refsum Jensenius (2019). QuaverSeries: A Live Coding Environment for Music Performance Using Web Technologies, I: Sara R. Martin; Anna Xambo Sedo & Gerard Roma (red.),  Proceedings of the International Web Audio Conference.  NTNU.  1.
  • Victor Evaristo Gonzalez Sanchez; Sofia Dahl; Johannes Lunde Hatfield & Rolf Inge Godøy (2019). Characterizing movement fluency in musical performance: Toward a generic measure for technology enhanced learning. Frontiers in Psychology.  ISSN 1664-1078.  10
  • Sepideh Sadaghiani; Pascasie L. Dombert; Marianne Løvstad; Ingrid Funderud; Torstein Ragnar Meling; Tor Endestad; Robert T. Knight; Anne-Kristin Solbakk & Mark D'Esposito (2019). Lesions to the fronto-parietal network impact alpha-band phase synchrony and cognitive control. Cerebral Cortex.  ISSN 1047-3211.  29, s 4143- 4153
  • Milan Jelisavcic; Kyrre Glette; Evert Haasdijk & AE Eiben (2019). Lamarckian Evolution of Simulated Modular Robots. Frontiers in Robotics and AI.  ISSN 2296-9144.  6
  • Anne Danielsen; Kristian Nymoen; Evan Anderson; Guilherme Schmidt Câmara; Martin Torvik Langerød; Marc R. Thompson & Justin London (2019). Where is the beat in that note? Effects of attack, duration, and frequency on the perceived timing of musical and quasi-musical sounds. Journal of Experimental Psychology: Human Perception and Performance.  ISSN 0096-1523.  45, s 402- 418
  • Ximena Alarcón Diaz (2019). Conceptual design for INTIMAL: a physical/virtual embodied system for Relational Listening. The Journal of Somaesthetics (JS).  ISSN 2445-6837.  4, s 6- 24
  • Jonna Katariina Vuoskoski & Dee Reynolds (2019). Music, rowing, and the aesthetics of rhythm. The Senses & Society.  ISSN 1745-8927.  14, s 1- 14
  • Simon Høffding & Andrea Schiavio (2019). Exploratory Expertise and the Dual Intentionality of Music-Making. Phenomenology and the Cognitive Sciences.  ISSN 1568-7759.
  • Simon Høffding & Barbara Montero (2019). Not Being There: An Analysis of Expertise Induced Amnesia. Mind & Language.  ISSN 0268-1064.
  • Justin London; Kristian Nymoen; Martin Torvik Langerød; Marc Richard Thompson; David Løberg Code & Anne Danielsen (2019). A comparison of methods for investigating the perceptual center of musical sounds. Attention, Perception & Psychophysics.  ISSN 1943-3921.  81, s 2088- 2101
  • Ulf A. S. Holbrook (2019). Sound Objects and Spatial Morphologies. Organised Sound.  ISSN 1355-7718.  24, s 20- 29
  • Ulysse Côté-Allard; Cheikh Latyr Fall; Alexandre Drouin; Alexandre Campeau-Lecours; Clément Gosselin; Kyrre Glette; Francois Laviolette & Benoit Gosselin (2019). Deep Learning for Electromyographic Hand Gesture Signal Classification Using Transfer Learning. IEEE transactions on neural systems and rehabilitation engineering.  ISSN 1534-4320.  27, s 760- 771
  • Benedikte Wallace & Charles Patrick Martin (2019). Comparing models for harmony prediction in an interactive audio looper. Lecture Notes in Computer Science (LNCS).  ISSN 0302-9743.  11453 LNCS, s 173- 187
  • Farzan Majeed Noori; Benedikte Wallace; Md Zia Uddin & Jim Torresen (2019). A Robust Human Activity Recognition Approach Using OpenPose, Motion Features, and Deep Recurrent Neural Network. Lecture Notes in Computer Science (LNCS).  ISSN 0302-9743.  11482 LNCS, s 299- 310
  • Ximena Alarcón Diaz; Victor Evaristo Gonzalez Sanchez & Cagri Erdem (2019). INTIMAL: Walking to feel place, breathing to feel presence. Proceedings of the International Conference on New Interfaces for Musical Expression.  ISSN 2220-4792.
  • Simon Høffding & Glenda Satne (2019). Interactive expertise in solo and joint musical performance. Synthese.  ISSN 0039-7857.  s 1- 19
  • Ximena Alarcón Diaz; Lucia Nikolaia Lopez Bojórquez; Olivier Lartillot & Helga Flamtermesky (2019). From collecting an archive to artistic practice in the INTIMAL project: lessons learned from listening to a Colombian migrant women’s oral history archive. Acervo. Revista do Arquivo Nacional.  ISSN 0102-700X.  32, s 48- 63
  • Tønnes Frostad Nygaard; Charles Patrick Martin; Jim Tørresen & Kyrre Glette (2019). Self-Modifying Morphology Experiments with DyRET: Dynamic Robot for Embodied Testing. IEEE International Conference on Robotics and Automation.  ISSN 2152-4092.  2019-May, s 9446- 9452
  • Justinas Miseikis; Inka Brijacak; Saeed Yahyanejad; Kyrre Glette; Ole Jacob Elle & Jim Tørresen (2019). Two-Stage Transfer Learning for Heterogeneous Robot Detection and 3D Joint Position Estimation in a 2D Camera Image Using CNN. IEEE International Conference on Robotics and Automation.  ISSN 2152-4092.  2019-May, s 8883- 8889
  • Ellis Nathaniel Jones (2019). What does Facebook ‘afford’ do-it-yourself musicians? Considering social media affordances as sites of contestation. Media Culture and Society.  ISSN 0163-4437.
  • Ellis Nathaniel Jones (2019). DIY and popular music: mapping an ambivalent relationship across three historical case studies. Popular music and society.  ISSN 0300-7766.
  • David Hesmondhalgh; Ellis Nathaniel Jones & Andreas Rauh (2019). SoundCloud and Bandcamp as Alternative Music Platforms. Social Media + Society.  ISSN 2056-3051.  5
  • Simon Høffding; Tone Roald & Houlberg Mette (2019). Participation and Receptivity in the Art Museum –a Phenomenological Exposition. Curator: The Museum Journal.  ISSN 0011-3069.
  • David St-Onge; Ulysse Côté-Allard; Kyrre Harald Glette; Gosselin Benoit & Giovanni Beltrame (2019). Engaging with Robotic Swarms: Commands from Expressive Motion. ACM Transactions on Human-Robot Interaction.  ISSN 2573-9522.  8
  • Victor Evaristo Gonzalez Sanchez; Agata Zelechowska & Alexander Refsum Jensenius (2019). Analysis of the Movement-Inducing Effects of Music through the Fractality of Head Sway during Standstill. Journal of Motor Behavior.  ISSN 0022-2895.
  • Olivier Lartillot & Didier Grandjean (2019). Tempo and Metrical Analysis by Tracking Multiple Metrical Levels Using Autocorrelation. Applied Sciences.  ISSN 2076-3417.  9
  • Bruno Laeng & Anders Hofseth (2019). Where Are the Months? Mental Images of Circular Time in a Large Online Sample. Frontiers in Psychology.  ISSN 1664-1078.  10
  • Jo Fougner Skaansar; Bruno Laeng & Anne Danielsen (2019). Microtiming and Mental Effort. Onset Asynchronies in Musical Rhythm Modulate Pupil Size. Music Perception.  ISSN 0730-7829.  37, s 111- 133
  • Christopher Stover (2019). A música como pesquisa nômade (Music as nomad research). Atos de pesquisa em educação.  ISSN 1809-0354.  14
  • Christopher Stover (2019). Contextual Theory, or Theorizing Between the Discursive and the Material. Analytical Approaches to World Music.  ISSN 2158-5296.  7
  • Anne Danielsen (2018). Time and Time Again: Repetition and Difference in Repetitive Music, I: Olivier Julien & Christophe Levaux (red.),  Over and Over. Exploring Repetition in Popular Music.  Bloomsbury Academic.  ISBN 9781501324888.  kapittel 2.
  • Rolf Inge Godøy (2018). Motormimetic features in musical experience, I: Gianfranco Vinay & Patrizia Veroli (red.),  Music-dance: sound and motion in contemporary discourse.  Routledge.  ISBN 9781138280519.  12.  s 207 - 221
  • Ragnhild Brøvig-Hanssen (2018). Listening To or Through Technology: Opaque and Transparent Mediation, I: Eliot Bates & Samantha Bennett (red.),  Critical Approaches to the Production of Music and Sound.  Bloomsbury Academic.  ISBN 9781501332.  Chapter 11.  s 195 - 210
  • Anne Danielsen (2018). Novel, expressive and skilled!, I: Øyvind Prytz; Jan Fredrik Hovden & Knut Ove Eliassen (red.),  Contested qualities: negotiating value in arts and culture.  Fagbokforlaget.  ISBN 9788245023770.  kapittel.  s 187 - 202
  • Alexander Refsum Jensenius (2018). Methods for Studying Music-Related Body Motion, I: Rolf Bader (red.),  Springer Handbook of Systematic Musicology.  Springer Nature.  ISBN 978-3-662-55002-1.  38.  s 805 - 818
  • Rolf Inge Godøy (2018). Sonic Object Cognition, I: Rolf Bader (red.),  Springer Handbook of Systematic Musicology.  Springer Nature.  ISBN 978-3-662-55002-1.  35.  s 761 - 777
  • Victor Evaristo Gonzalez Sanchez; Charles Patrick Martin; Agata Zelechowska; Kari Anne Vadstensvik Bjerkestrand; Victoria Kristine Å Johnson & Alexander Refsum Jensenius (2018). Bela-based augmented acoustic guitars for sonic microinteraction, I: Doug Bowman; Luke Dahl & Tom Martin (red.),  Proceedings of the International Conference On New Interfaces For Musical Expression.  Virginia Tech.  Chapter.  s 324 - 327
  • Charles Patrick Martin; Alexander Refsum Jensenius & Jim Tørresen (2018). Composing an ensemble standstill work for Myo and Bela, I: Tom Martin; Luke Dahl & Doug Bowman (red.),  Proceedings of the International Conference On New Interfaces For Musical Expression.  Virginia Tech.  KAPITTEL.  s 196 - 197
  • Stefania Serafin; Sofia Dahl; Roberto Bresin; Alexander Refsum Jensenius; Runar Unnthorsson & Vesa Välimäki (2018). NordicSMC: A Nordic University Hub on Sound and Music Computing, I: Anastasia Georgaki (red.),  Proceedings of the Sound and Music Computing Conference.  Cyprus University of Technology.  KAPITTEL.
  • Pritty Patel-Grosz; Patrick Georg Grosz; Tejaswinee Kelkar & Alexander Refsum Jensenius (2018). Coreference and disjoint reference in the semantics of narrative dance, I: Stephanie Solt & Uli Sauerland (red.),  Proceedings of Sinn und Bedeutung 22, vol. 2, ZASPiL 61.  Leibniz-Zentrum Allgemeine Sprachwissenschaft (ZAS).  Chapter in Vol. 2.  s 199 - 216
  • Jørgen Halvorsen Nordmoen; Eivind Samuelsen; Kai Olav Ellefsen & Kyrre Glette (2018). Dynamic mutation in MAP-Elites for robotic repertoire generation, I:  The 2018 Conference on Artificial Life.  MIT Press.  ISBN 9780262355766.  Konferanseartikkel.  s 598 - 605
  • Alexander Refsum Jensenius (2018). The Musical Gestures Toolbox for Matlab, I: Emilia Gómez; Emmanouil Benetos; Eric Humphrey & Xiao Hu (red.),  Proceedings of the 19th International Society for Music Information Retrieval Conference.  Institut de Recherche et Coordination Acoustique/Musique.  ISBN 978-2-9540351-2-3.  Demo.
  • Guilherme Schmidt Câmara & Anne Danielsen (2018). Groove, I: Rehding Alexander & Rings Steven (red.),  The Oxford Handbook of Critical Concepts in Music Theory.  Oxford University Press.  ISBN 9780190454746.  Groove.
  • Tejaswinee Kelkar; Udit Roy & Alexander Refsum Jensenius (2018). Evaluating a collection of Sound-Tracing Data of Melodic Phrases, I: Emilia Gómez; Emmanouil Benetos; Eric Humphrey & Xiao Hu (red.),  Proceedings of the 19th International Society for Music Information Retrieval Conference.  Institut de Recherche et Coordination Acoustique/Musique.  ISBN 978-2-9540351-2-3.  KAPITTEL.
  • Olivier Lartillot; Hans-Hinrich Thedens & Alexander Refsum Jensenius (2018). Computational model of pitch detection, perceptive foundations, and application to Norwegian fiddle music, I: Richard Parncutt & Sabrina Sattmann (red.),  Proceedings of ICMPC15/ESCOM10.  Centre for Systematic Musicology, University of Graz.  ISBN 978-3-200-05771-5.  article.  s 252 - 255
  • Anne Danielsen (2018). Pulse as Dynamic Attending: Analysing Beat Bin Metre in Neo Soul Grooves, I: Ciro Scotto; John Brackett & Kenneth M. Smith (red.),  The Routledge Companion to Popular Music Analysis: Expanding Approaches.  Routledge.  ISBN 9781138683112.  Chapter 12.
  • Victor Evaristo Gonzalez Sanchez; Agata Zelechowska & Alexander Refsum Jensenius (2018). Muscle activity response of the audience during an experimental music performance, I: Stuart Cunningham (red.),  Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion.  Association for Computing Machinery (ACM).  ISBN 978-1-4503-5373-1.  Sound and Immersion. Article 11.
  • Rolf Inge Godøy (2018). Sound-Motion Bonding in Body and Mind, I: Sander L. Gilman & Youn Kim (red.),  The Oxford Handbook of Music and the Body.  Oxford University Press.  ISBN 9780190636234.  Chapter.
  • Merve Akca (2018). Time course of selective attention for instrumental timbres and human voice, I: Tom Ziemke; Mattias Arvola; Nils Dahlbäck & Erik Billing (red.),  PROCEEDINGS OF THE 14TH SWEDISH COGNITIVE SCIENCE SOCIETY CONFERENCE.  The University of Skövde.  ISBN 978-91-983667-3-0.  Paper published at the proceedings.  s 10 - 11
  • Ulf A. S. Holbrook (2018). An Approach to Stochastic Spatialisation: A Case of Hot Pocket, I: Doug Bowman; Luke Dahl & Tom Martin (red.),  Proceedings of the International Conference On New Interfaces For Musical Expression.  Virginia Tech.  1.  s 31 - 32
  • Sofia Dahl & George Sioros (2018). Rhythmic recurrency in dance to music with ambiguous meter, I: Antonio Camurri & Gualtiero Volpe (red.),  Proceedings of the 5th International Conference on Movement and Computing.  ACM Publications.  ISBN 978-1-4503-6504-8.  Article No. 38.
  • Tejaswinee Kelkar & Alexander Refsum Jensenius (2018). Analyzing Free-Hand Sound-Tracings of Melodic Phrases. Applied Sciences.  ISSN 2076-3417.  8, s 1- 21
  • Anne Danielsen (2018). Music, media and technological creativity in the digital age. Nordisk musikkpedagogisk forskning : Årbok.  ISSN 1504-5021.  18, s 9- 22
  • Elizabeth L. Johnson; Jenna N. Adams; Anne-Kristin Solbakk; Tor Endestad; Pål Gunnar Larsson; Jugoslav Ivanovic; Torstein Ragnar Meling; Jack J. Lin & Robert T. Knight (2018). Dynamic frontotemporal systems process space and time in working memory. PLoS Biology.  ISSN 1544-9173.  16
  • Julia W.Y. Kam; Anne-Kristin Solbakk; Tor Endestad; Torstein Ragnar Meling & Robert Thomas Knight (2018). Lateral prefrontal cortex lesion impairs regulation of internally and externally directed attention. NeuroImage.  ISSN 1053-8119.  175, s 91- 99
  • Tuomas Eerola; Jonna Katariina Vuoskoski; Henna-Riikka Peltola; Vesa Putkinen & Katharina Schäfer (2018). Towards a more explicit account of the transformation: Reply to comments on "An integrative review of the enjoyment of sadness associated with music". Physics of Life Reviews.  ISSN 1571-0645.  s 156- 166
  • Charles Patrick Martin & Jim Tørresen (2018). RoboJam: A musical mixture density network for collaborative touchscreen interaction. Lecture Notes in Computer Science (LNCS).  ISSN 0302-9743.  10783 LNCS, s 161- 176
  • Victor Evaristo Gonzalez Sanchez; Agata Zelechowska & Alexander Refsum Jensenius (2018). Correspondences Between Music and Involuntary Human Micromotion During Standstill. Frontiers in Psychology.  ISSN 1664-1078.  9
  • Rolf Inge Godøy (2018). Motor constraints shaping musical experence. Music Theory Online.  ISSN 1067-3040.  24
  • Andreas Borregaard; Jonna Katariina Vuoskoski & Roddy Hawkins (2018). Music, complexity, and embodiment in performance: a conversation with accordionist Andreas Borregaard. The Senses & Society.  ISSN 1745-8927.  13, s 335- 345
  • Åshild Watne & Kristian Nymoen (2018). Der æ so vent å vestoheio. Intonasjon i et gammelstev fra Setesdal.. Musikk og tradisjon.  ISSN 1892-0772.  32, s 7- 30
  • Anat Perry; Samantha N. Saunders; Jennifer Stiso; Callum Dewar; James Lubell; Torstein Ragnar Meling; Anne-Kristin Solbakk; Tor Endestad & Robert T Knight (2017). Effects of prefrontal cortex damage on emotion understanding: EEG and behavioural evidence. Brain.  ISSN 0006-8950.  140, s 1086- 1099
  • Kjersti Mæhlum Walle; Hillary Lynn Kyler; Jan Egil Nordvik; Frank Becker & Bruno Laeng (2017). Binocular rivalry after right-hemisphere stroke: Effects of attention impairment on perceptual dominance patterns. Brain and Cognition.  ISSN 0278-2626.  117, s 84- 96
  • Elizabeth L. Johnson; Callum Dewar; Anne-Kristin Solbakk; Tor Endestad; Torstein Ragnar Meling & Robert T Knight (2017). Bidirectional Frontoparietal Oscillatory Systems Support Working Memory. Current Biology.  ISSN 0960-9822.  27, s 1829- 1835
  • Anne Danielsen (2017). Struktur og performativitet: mikrorytmikk i afroamerikansk populærmusikk. Svensk tidskrift för musikforskning.  ISSN 2002-021X.  99, s 3- 19

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  • Simon Høffding (2019). A Phenomenology of Musical Absorption. Palgrave Macmillan.  ISBN 978-3-030-00659-4.  300 s.

Se alle arbeider i Cristin

  • Jonna Katariina Vuoskoski & Tuomas Eerola (2020). Personality and musicians, I:  The Science and Psychology of Music: From Beethoven at the Office to Beyoncé at the Gym.  ABC-CLIO.  ISBN 978-1-4408-5771-3.  Chapter 7b.
  • Tuomas Eerola & Jonna Katariina Vuoskoski (2020). Personality and listeners, I:  The Science and Psychology of Music: From Beethoven at the Office to Beyoncé at the Gym.  ABC-CLIO.  ISBN 978-1-4408-5771-3.  Chapter 7a.
  •  (2020). Musikkverdenen voksne ikke forstår.
  •  (2020). NTT: Noen forsker på musikk helt på ekte - Jazznytt.
  •  (2020). Kunst og Kunstig Intelligens.
  • Ellis Nathaniel Jones (2020). Book review: Popular Music in the Post-Digital Age. Popular Music.  ISSN 0261-1430.
  • Bruno Laeng & Dag Alnæs (2019). Pupillometry, I: Ulrich Ettinger & Christoph Klein (red.),  Eye Movement Research.  Springer Nature.  ISBN 978-3-030-20083-1.  Chapter 11.  s 449 - 502
  • Kjell Andreas Oddekalv (2019). Rap Flows PhD Thesis.
  • Ximena Alarcón Diaz (2019). Seminario Transdisciplinar: voz, memoria, violencia, comunidad, prácticas artísticas.
  • Ragnhild Brøvig-Hanssen (2019). Presentation of the MASHED-project.
  • Ragnhild Brøvig-Hanssen; Ellis Nathaniel Jones; Alan Hui & Josh Perrett (2019). Mashup Music, Copyright, and Platform Regulation: A promo video.
  • Alexander Refsum Jensenius (2019). Tutorial: Musical Gestures Toolbox.
  • Alexander Refsum Jensenius; Andrew McPherson; Anna Xambo Sedo; Dan Overholt; Guillaume Pellerin; Ivica Ico Bukvic; Rebecca Fiebrink & Rodrigo Schramm (2019). Open Research Strategies and Tools in the NIME Community.
  • Alexander Refsum Jensenius; Rodrigo Schramm; Lamberto Coccioli; Clara Mancini & Michael J. Lyons (2019). Ethics at NIME.
  • Simon Høffding (2019). Hvad er musikalsk fordybelse?.
  • Alan Hui (2019). Platform regulation of mashup makers in a post-Brexit UK.
  • Yngvar Kjus; Ragnhild Brøvig-Hanssen; Eirik Askerøi; Mike Hartung; Magnus Wergeland Juell & Sara Karoliussen (2019). Musikkprodusentens rolle.
  • Ragnhild Brøvig-Hanssen (2019). Presentation of MASHED; TIME; and MusFrag.
  • Jim Tørresen (2019). Ethics and artificial intelligence in healthcare.
  • Alexander Refsum Jensenius (2019). Hvordan fremme tverrfaglighet?.
  • Alexander Refsum Jensenius (2019). Scientific Computing Use Case: RITMO.
  • Solveig Isis Sørbø; Matthew Good & Alexander Refsum Jensenius (2019). RITMO + UB = MusicLab.
  • Anne Danielsen (2019). Erfaringer fra SFF IV..
  • Alexander Refsum Jensenius (2019). Experimenting with Open Research Experiments.
  • Alexander Refsum Jensenius (2019). Musikkteknologi som døråpner til bedre forståelse.
  • Anne Danielsen (2019). Classic Album Sundays: Aretha Franklin (paneldeltakelse).
  • Kyrre Glette (2019). Kunstig intelligens for tilpasningsdyktige roboter.
  • Jim Tørresen (2019). Kunstig intelligens – hvem, hva og hvor. (Eng. Artificial Intelligence – who, what and where).
  • Kristian Nymoen (2019). Musikalske maskiner.
  • Alexander Refsum Jensenius (2019). The RITMO Centre at University of Oslo.
  • Alexander Refsum Jensenius (2019). Developing the self-playing guitars.
  • Alan Hui; Ragnhild Brøvig-Hanssen & Ellis Nathaniel Jones (2019). Grey Tuesday (Musikk I gråsonen).
  • Kyrre Glette (2019). Kunstig intelligens for tilpasningsdyktige roboter.
  • Charles Patrick Martin; Torgrim Rudland Næss; Andrei Faitas & Synne Engdahl Baumann (2019). Session on Musical Prediction and Generation with Deep Learning.
  • Qichao Lan; Jim Tørresen & Alexander Refsum Jensenius (2019). RaveForce: A Deep Reinforcement Learning Environment for Music.
  • Olivier Lartillot (2019). Miningsuite: A Comprehensive Matlab Framework for Signal, Audio and Music Analysis, Articulating Audio and Symbolic Approaches.
  • Alexandros Kontogeorgakopoulos; George Sioros & Odysseas Klissouras (2019). Mechanical Entanglement: A Collaborative Haptic-Music Performance.
  • Ximena Alarcón Diaz; Victor Evaristo Gonzalez Sanchez & Cagri Erdem (2019). INTIMAL: Walking to find place, breathing to feel presence.
  • Mari Romarheim Haugen; Mats Sigvard Johansson & Olivier Lartillot (2019). Investigating rhythm production and perception in traditional scandinavian dance music in non-isochronous meter: A case study of norwegian telespringar.
  • Tønnes Frostad Nygaard; Charles Patrick Martin; Jim Tørresen & Kyrre Glette (2019). Self-Modifying Morphology Experiments with DyRET: Dynamic Robot for Embodied Testing.
  • Tønnes Frostad Nygaard; Jørgen Halvorsen Nordmoen; Charles Patrick Martin; Jim Tørresen & Kyrre Glette (2019). Lessons Learned from Real-World Experiments with DyRET: the Dynamic Robot for Embodied Testing.
  • Torgrim Rudland Næss; Jim Tørresen & Charles Patrick Martin (2019). A Physical Intelligent Instrument using Recurrent Neural Networks.
  • Justinas Miseikis; Inka Brijacak; Saeed Yahyanejad; Kyrre Glette; Ole Jacob Elle & Jim Tørresen (2019). Two-Stage Transfer Learning for Heterogeneous Robot Detection and 3D Joint Position Estimation in a 2D Camera Image Using CNN.
  • Guilherme Schmidt Câmara; Kristian Nymoen; Olivier Lartillot & Anne Danielsen (2019). Timing is Everything... Or is it? Part I: Effects of Instructed Timing and Reference on Guitar and Bass Sound in Groove Performance.
  • George Sioros; Guy Madison; Diogo Cocharro; Anne Danielsen & Fabien Gouyon (2019). Does moderate syncopation increase groove? The answer depends on the syncopation pattern.
  • George Sioros; Guilherme Schmidt Câmara; Anne Danielsen & Kristian Nymoen (2019). Timing and drummers’ movement: A novel methodology for performance analysis.
  • Sabine Liliana Leske; James Lubell; Alejandro Omar Blenkmann; Anaïs Llorens; Ingrid Funderud; Maja Dyhre Foldal; Pål Gunnar Larsson; Jugoslav Ivanovic; Torstein Ragnar Meling; Robert Thomas Knight; Anne Danielsen; Tor Endestad & Anne-Kristin Solbakk (2019). Action-based auditory predictions.
  • Sabine Liliana Leske; James Isaac Lubell; Alejandro Omar Blenkmann; Anaïs Llorens; Ingrid Funderud; Maja Dyhre Foldal; Pål Gunnar Larsson; Jugoslav Ivanovic; Torstein Ragnar Meling; Robert Thomas Knight; Anne Danielsen; Tor Endestad & Anne-Kristin Solbakk (2019). Auditory prediction and prediction error in self-generated tones.
  • Jonna Katariina Vuoskoski (2019). Being moved by music: A prosocial emotional response?.
  • Olivier Lartillot (2019). The MIRAGE project.
  • Simon Høffding (2019). In the phenomenological workshop with “The Danish String Quartet":coping, mind-wandering and Amnesia.
  • Simon Høffding (2019). The Phenomenological Interview and the Skeptic Philosopher.
  • Simon Høffding (2019). Thinking in movement: An enactive account of improvisation.
  • Jim Tørresen (2019). Making Robots Adaptive and Preferable to Humans.
  • Anne Danielsen (2019). Roundtable: Translating, transferring (and maybe transcending) musical knowledge. Chair and respondent, session 3: Practices..
  • Ragnhild Brøvig-Hanssen & Jon Marius Aareskjold (2019). Vocal Chops and its Aesthetics.
  • Ragnhild Brøvig-Hanssen; Paul Théberge; Nyssim Lefford; Catherine Provenzano & Alan Williams (2019). Methodology Panel.
  • Ragnhild Brøvig-Hanssen & Aram Sinnreich (2019). Paper on the Panel Resist, Rebel, Remix: Politics and Practice in Digital Culture.
  • Ximena Alarcón Diaz (2019). Keynote Speaker: "INTIMAL: un espacio de escucha relacional para fluir entre fragmentos de memoria, migración y conflicto".
  • Ximena Alarcón Diaz (2019). Talk in Mixtur Festival, Barcelona: INTIMAL: Interfaces for Relational Listening. Body, Memory, Migration, Telematics.
  • Alexander Refsum Jensenius (2019). Exploring the Spatiotemporal Matrix in Music-Dance Performance.
  • Alexander Refsum Jensenius (2019). Technology and the voice.
  • Olivier Lartillot & Didier Grandjean (2019). Tempo and Metrical Analysis by Tracking Multiple Metrical Levels Using Autocorrelation.
  • Ximena Alarcón Diaz (2019). Talk about INTIMAL project in online Seminar.
  • Kjell Andreas Oddekalv (2019). The urge to «clean up» the rap: rhythm and plasticity in rap music.
  • Kjell Andreas Oddekalv (2019). Surrender to the flow – rhyme as the defining structural element in rap.
  • Cagri Erdem; Katja Henriksen Schia & Alexander Refsum Jensenius (2019). Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance.
  • Simon Høffding (2019). Kvalitativ forskning og fænomenologi tur-retur.
  • Ragnhild Brøvig-Hanssen (2019). Humor, Parody and Mashups.
  • Victor Evaristo Gonzalez Sanchez; Henrik Herrebrøden; Jostein Olimstad & Alexander Refsum Jensenius (2019). Effects of acoustic pacing on the smoothness of rowing movements.
  • Anne Danielsen; Kristian Nymoen & Justin London (2019). Noise in the click or click in the noise: Investigating probe-stimulus order in P-center estimation tasks.
  • Gary Bromham; David Moffat; Anne Danielsen & György Fazekas (2019). Digital Warmth: The Retro in Digital.
  • David Huron & Jonna Katariina Vuoskoski (2019). On the enjoyment of sad music: Pleasurable compassion theory and the role of trait empathy.
  • Jonna Katariina Vuoskoski & Marc Richard Thompson (2019). The contribution of visual and auditory cues to the perception of emotion in musical performance.
  • Marc Richard Thompson & Jonna Katariina Vuoskoski (2019). Everything but the sound: Investigating the relationships between movement features and perceptual ratings of silent music performances.
  • Jonna Katariina Vuoskoski & Tuomas Eerola (2019). Trait empathy contributes to the intensity of music-induced emotions: Evidence from self-reports and psychophysiology.
  • Jørgen Halvorsen Nordmoen; Tønnes Frostad Nygaard; Kai Olav Ellefsen & Kyrre Glette (2019). Evolved embodied phase coordination enables robust quadruped robot locomotion.
  • Tønnes Frostad Nygaard; Jørgen Halvorsen Nordmoen; Kai Olav Ellefsen; Charles Patrick Martin; Jim Tørresen & Kyrre Glette (2019). Experiences from Real-World Evolution with DyRET: Dynamic Robot for Embodied Testing.
  • Ximena Alarcón Diaz & Alexander Refsum Jensenius (2019). "Ellos no están entendiendo nada" ("They are not understanding anything"): Listening to Embodied Memories of Colombian Migrant Women Reflecting on Conflict and Migration.
  • Charles Patrick Martin & Jim Tørresen (2019). An Interactive Musical Prediction System with Mixture Density Recurrent Neural Networks.
  • Andrei Faitas; Synne Engdahl Baumann; Jim Torresen & Charles Patrick Martin (2019). Generating Convincing Harmony Parts with Simple Long Short-Term Memory Networks.
  • Charles Patrick Martin & Jim Torresen (2019). An Interactive Music Prediction System with Mixture Density Recurrent Neural Networks.
  • Anne Danielsen (2019). Hvor er egentlig beatet? Rytme og timing i rytmisk musikk.
  • Olivier Lartillot (2019). Computational analysis of tempo and metre: from signal processing to cognitive musicology.
  • Guilherme Schmidt Câmara; Kristian Nymoen & Anne Danielsen (2019). Timing is Everything... Or is it? Part II: Effects of Instructed Timing Style and Timing Reference on Drum-Kit Sound in Groove Performance.
  • George Sioros; Guy Madison; Diogo Cocharro; Anne Danielsen & Fabien Gouyon (2019). The relation between groove and syncopation is intricate – not any pattern will do.
  • Ragnhild Brøvig-Hanssen (2019). Musical Fragmentation and Pleasure.
  • Ragnhild Brøvig-Hanssen & Jon Marius Aareskjold (2019). Vocal chops and Rhythm.
  • Ragnhild Brøvig-Hanssen (2019). Mashup and Parody.
  • Ragnhild Brøvig-Hanssen (2019). Musical Fragmentation and Dual-Planed Temporality.
  • Jim Tørresen (2019). Intelligent and Adaptive Robots in Real-World Environment.
  • Ellis Nathaniel Jones; David Hesmondhalgh & Andreas Rauh (2019). Bandcamp and SoundCloud as alternative music platforms.
  • Ellis Nathaniel Jones & Patrick Hyland (2019). Negotiating conceptions of “lo-fi” authenticity in collaborative work.
  • Jim Tørresen (2019). Introduction to Different Challenges in Ethical AI and Possible Ways of Addressing Them.
  • Jim Tørresen (2019). Design and Control of Robots for Real-World Environment.
  • Jim Tørresen (2019). Sensing Human State with Application in Older People Care and Mental Health Treatment.
  • Jim Tørresen (2019). Supporting Older People with Robots for Independent Living.
  • Alexander Refsum Jensenius (2019). Hva kan kroppslig stillstand si om opplevelsen av musikk?.
  • George Sioros & Anne Danielsen (2019). How do Rhythmic Features Affect our Movement?.
  • Jonna Katariina Vuoskoski (2019). Accounting for inter-individual variance in perceived and felt emotions.
  • Jonna Katariina Vuoskoski (2019). Parallels between the cognition of rhythm in sports and music.
  • Ulf A. S. Holbrook & Emil Kraugerud (2019). Distances and proximities in acousmatic spatiality.
  • Ingrid Funderud & Anne-Kristin Solbakk (2019). Event Related Potentials and their functional relevance and Experimental design issues in ERP studies.
  • Alejandro Omar Blenkmann (2019). Origins of the EEG signal and Technical setup of EEG.
  • Sabine Liliana Leske (2019). Oscillations and their functional relevance and Experimental design issues in EEG studies investigating oscillations.
  • Britta Westner; Lau Møller Andersen; Alejandro Omar Blenkmann & Sabine Liliana Leske (2019). RITMO International EEG FieldTrip workshop, Lectures and Hands-on sessions.
  • Simon Høffding (2019). Musical Empathy and expert automaticity: Applying phenomenology to Music performance.
  • Simon Høffding (2019). Informing phenomenology through interviews: Dreyfus’ experts and musical virtuosos.
  • Simon Høffding (2019). Phenomenological interviews.
  • Simon Høffding; Sebastian Wallot & Andreas Roepstorff (2019). The Danish String Quartet: Absorption and Interaction.
  • Simon Høffding (2019). What do expert musicians perceive when they perform? Phenomenological Explorations.
  • Alexander Refsum Jensenius (2019). Sound actions: An embodied approach to a digital organology.
  • Alexander Refsum Jensenius (2019). Sound actions: An embodied approach to a digital organology.
  • Alexander Refsum Jensenius (2019). Lecture-demo: Music-Related Micromotion.
  • Simon Høffding (2019). At a distance from myself – on the phenomenology of hyper reflection and ex-static musical absorption.
  • Simon Høffding (2019). Sammen i Musikken: Fri improvisation som unik social begivenhed.
  • Jim Tørresen; Kyrre Glette & Kai Olav Ellefsen (2019). Adaptive Robot Body and Control for Real-World Environments.
  • Jim Tørresen; Kyrre Glette & Kai Olav Ellefsen (2019). Intelligent, Adaptive Robots in Real-World Scenarios.
  • Victor Evaristo Gonzalez Sanchez (2019). Characterizing Movement Fluency in Musical Performance.
  • Victor Evaristo Gonzalez Sanchez (2019). MICRO: Human Bodily Micromotion in Music Perception and Interaction.
  • Victor Evaristo Gonzalez Sanchez (2019). Toward a Generic Measure of Fluency.
  • Artur Becker; Henrik Herrebrøden; Victor Evaristo Gonzalez Sanchez; Kristian Nymoen; Carla Maria Dal Sasso Freitas; Jim Tørresen & Alexander Refsum Jensenius (2019). Functional Data Analysis of Rowing Technique Using Motion Capture Data.
  • Anne Danielsen (2019). Glitched and Warped: Shaping the “Beat Bin” in Contemporary African-American Popular Music.
  • Ximena Alarcón Diaz; Paul Boddie; Cagri Erdem; Eigil Aandahl; Elias Sukken Andersen; Eirik Dahl; Mari Lesteberg & Alexander Refsum Jensenius (2019). Sensing Place and Presence in an INTIMAL Long-Distance Improvisation.
  • Kjell Andreas Oddekalv (2019). Likeins, likeins, men annleis – ulike språk/rytme-interaksjonar i rap.
  • Rolf Inge Godøy (2019). Constraint-based musical expression - John Blacking Memorial Lecture, European Seminar of Ethnomusicology (ESEM), Durham University, September 5, 2019.
  • Olivier Lartillot (2019). A comprehensive framework for computational music analysis.
  • Simon Høffding (2019). Not being there: an analysis of expertise induced amnesia.
  • George Sioros; Guilherme Schmidt Câmara & Anne Danielsen (2019). Mapping Timing Strategies in Drum Performance.
  • Jim Tørresen (2019). Intelligent Robots and Systems in Real-World Environment.
  • Sophie Bishop & Ellis Nathaniel Jones (2019). Just a folk theory? User understandings of algorithms as media critique.
  • Ellis Nathaniel Jones (2019). The historical role of ‘mashups’ in envisioning a democratic media environment.
  • Benedikte Wallace; Kristian Nymoen & Charles Patrick Martin (2019). Tracing from Sound to Movement with Mixture Density Recurrent Neural Networks.
  • Anna Xambo Sedo; Robin Støckert; Alexander Refsum Jensenius & Sigurd Saue (2019). Facilitating Team-Based Programming Learning with Web Audio.
  • Qichao Lan (2019). QuaverSeries: A Live Coding Environment for Music Performance Using Web Technologies.
  • Christopher Stover (2019). Musical interaction—between desire and enunciation.
  • Chris Stover (2019). 'As gesture jazz became…': the genealogical role of Cecil Taylor’s standards.
  • Chris Stover (2019). Jazz and the Constitution of Social Identity.
  •  (2019). IPTrollet blog: After the Kraftwerk ruling: Narrower limitations and exceptions for EU and EEA?.
  •  (2019). INTIMAL Multimedia Fanzine Vol. 1/2019.
  •  (2019). Aether Trouble.
  •  (2019). Konsert med Sinsenfist.
  •  (2019). Konsert med Sinsenfist - Rockeklubben i Porsgrunn.
  •  (2019). Entraining Guitars.
  •  (2019). The Telephone.
  •  (2019). Sinsenfist Sommerfest // Rockefeller // Legendiske gjester.
  •  (2019). Sinsenfist på Rokken.
  •  (2019). Sinsenfist på Verksøya 2019.
  •  (2019). Sinsenfist på Byfest Kongsvinger 2019.
  •  (2019). Sinsenfist på Samfunnet Bislet 2019.
  •  (2019). Utopia.
  •  (2019). Sinsenfist fister julen inn 2019.
  •  (2019). Footprints of Creatures.
  •  (2019). Performing with QuaverSeries Live Coding Environment.
  •  (2019). Four Assemblages for Improvising Chamber Quartet.
  •  (2019). Unit Structures.
  •  (2019). Sinsenfist på x2.
  •  (2019). Tessellation Rift.
  •  (2019). Forest Glade.
  •  (2019). Four Assemblages for Improvising Chamber Quartet.
  •  (2019). INTIMAL Long Distance Improvisation (Telematic Sonic Improvisatory Performance). Oslo-Barcelona-London.
  •  (2019). Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance.
  •  (2019). City Dwellers II.
  •  (2019). Sound Field (producer: PBS Digital Studios), Episode 2: Why Does Sarah McLachlan’s “Angel” Sound So Sad?.
  •  (2019). Hvem er den egentlige artisten bak mashups og sample-musikk?.
  •  (2019). Reflections from a Carpentries Train the Trainer Workshop.
  •  (2019). Hautaa ystäväsi – Me kuuntelemme kuolemaa ja surkeutta romantisoivia kappaleita ymmärtämättä, että ne voivat vahingoittaa meitä syvästi.
  •  (2019). Ein hest og ei landeplage.
  •  (2019). Med opphavsrett på studieplanen.
  •  (2019). Saturday Breakfast: There is a reason you get pleasure from sad songs.
  •  (2019). #26 Music Research.
  •  (2019). Å studere dei små detaljane. Kva kan teknologi for rørslesporing bidra med i skildring av folkedansen?.
  •  (2019). Ekspørt: Alexander Refsum Jensenius.
  •  (2019). Kulturstripa: Musikken som beveger.
  •  (2019). Rapkjefta - episode 1.
  •  (2019). Rapkjefta - episode 2.
  •  (2019). Rapkjefta - Episode 3.
  •  (2019). Rapkjefta - Episode 4.
  •  (2019). Rapkjefta - Episode 5.
  •  (2019). Å stå stille.
  •  (2019). Promo video of the research project MASHED: Mashup Music, Copyright, and Platform Regulation.
  •  (2019). Invitation video for survey participation related to the research project MASHED: Mashup Music, Copyright, and Platform Regulation.
  •  (2019). Vet du aller helst.
  •  (2019). Parkour.
  • Simon Høffding (2019). Grounding Enactivism - Review of Dan Hutto and Erik Myin, Evolving Enactivism (2017, MIT press); Shaun Gallagher, Enactivist Interventions (2017, Oxford University Press); Ezequiel Di Paolo, Thomas Buhrmann, and Xabier E. Barandiaran, Sensorimotor Life (2017, Oxford University Press). Philosophy.  ISSN 0031-8191.
  • Ellis Nathaniel Jones (2019). Book Review: Spotify Teardown: Inside the Black Box of Streaming Music. Convergence. The International Journal of Research into New Media Technologies.  ISSN 1354-8565.  25, s 782- 785
  • Alexander Refsum Jensenius (2019). Towards Convergence in Research Assessment. EARMA Link Magazine.  s 14- 14
  • Alexander Refsum Jensenius (2019). Dagens system tar ikke høyde for at folk skal kunne ta kurs på 0,2 studiepoeng. Men hvorfor ikke?. Khrono.no.  ISSN 1894-8995.
  •  (2019). Taller INTIMAL Barcelona.
  •  (2019). Taller INTIMAL Oslo.
  •  (2019). Taller INTIMAL London.
  •  (2019). Self-playing Guitars.
  •  (2019). Superimposed Landscape (Lista).
  • Alexander Refsum Jensenius (2018). The importance of "nothing": studying human music-related micromotion.
  • Alexander Refsum Jensenius (2018). Studying "nothing": complexities of human music-related micromotion.
  • Alexander Refsum Jensenius; Michael Francis Duch; Jørgen Langdalen; Tone Åse; Edvine Larsen & Tone Pernille Østern (2018). Kunsten å forske.
  • Anne Danielsen (2018). RITMO - a center for interdisciplinary research into rhythm, time and motion.
  • Anne Danielsen (2018). Veien til RITMO: Fra musikkestetikk til tverrfaglig rytmeforskning.
  • Anne Danielsen; Mats Sigvard Johansson & Mari Romarheim Haugen (2018). Presentasjon av TIME-prosjektet.
  • Alexander Refsum Jensenius (2018). Kunnskapsledelse av et Senter for fremragende forskning.
  • Charles Patrick Martin (2018). Deep Predictive Models in Interactive Music.
  • Alexander Refsum Jensenius (2018). Introduction to Musical Gestures Toolbox for Matlab.
  • Alexander Refsum Jensenius (2018). Hvilken type IKT-kompetanse trenger humanister og samfunnsvitere?.
  • Kristian Nymoen (2018). Music Information Retrieval.
  • Kristian Nymoen (2018). Soundtracer - Et innblikk i innholdsbasert arkivsøk.
  • Alexander Refsum Jensenius (2018). Comments on Open Science - Do we need a national action plan?.
  • Alexander Refsum Jensenius (2018). Evaluering, merittering og forskningsvurdering.
  • Alexander Refsum Jensenius (2018). The recording and use of videos from music events – how to balance ethical requirements and FAIR principles using data from live concerts, music performances and the like?.
  • Alexander Refsum Jensenius (2018). Åpen forskning - et humanistisk-teknologisk perspektiv.
  • Alexander Refsum Jensenius (2018). How I try to do it FAIR.
  • Tejaswinee Kelkar (2018). Python Toolboxes for Mocap Analysis.
  • Anne Danielsen (2018). Hvordan legge til rette for nytt tverrfaglig samarbeid mellom institutter og fakulteter? RITMO Senter for tverrfaglig forskning på rytme, tid og bevegelse..
  • Tejaswinee Kelkar (2018). Data visualization in Python.
  • Jim Tørresen (2018). Artificial Intelligence Applied for Real-World Systems.
  • Ragnhild Brøvig-Hanssen (2018). Panel ved boklansering av Yngvar Kjus bok "Live and Recorded: Music Experience in the Digital Millennuim".
  • Alexander Refsum Jensenius (2018). RITMO - et nytt senter for fremragende forskning.
  • Anne Danielsen & Alexander Refsum Jensenius (2018). The Norwegian Centre of Excellence RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion.
  • Alexander Refsum Jensenius; Njål Sparbo; Sagar Sen & Elisabeth Edvardsen (2018). Breath, breathing and the sensing of breathing.
  • Jim Tørresen (2018). Artificial Intelligence – State-of-the-art.
  • Jim Tørresen (2018). Roboter kommer nærmere – skal vi glede eller grue oss?.
  • Anne Danielsen & Alexander Refsum Jensenius (2018). Rytme i tid og rom.
  • Charles Patrick Martin (2018). Creative Prediction with Neural Networks.
  • Alexander Refsum Jensenius (2018). Sophus Bugges Salong: Rytmer og følelser.
  • Alexander Refsum Jensenius; Anne Danielsen; Justin London; Katja Henriksen Schia & Filip Abramczyk (2018). Intellectual warm-up: "Rhythm".
  • Alexander Refsum Jensenius (2018). Motion Capture in Music Performance, Perception and Interaction.
  • Ximena Alarcón Diaz (2018). Fieldwork: Deep Listening Intensive-MOCAP Lab sessions.
  • Ximena Alarcón Diaz (2018). INTIMAL Listening in Dreams online sessions, reflecting on four spheres of migratory memory..
  • Jim Tørresen (2018). Kunstig intelligens – hvem, hva og hvor.
  • Jim Tørresen (2018). Remote Lab and Applications for High Performance and Embedded Architectures.
  • Charles Patrick Martin; Alexander Refsum Jensenius & Jim Tørresen (2018). Composing an ensemble standstill work for Myo and Bela.
  • Stefania Serafin; Sofia Dahl; Roberto Bresin; Alexander Refsum Jensenius; Runar Unnthorsson & Vesa Välimäki (2018). NordicSMC: A Nordic University Hub on Sound and Music Computing.
  • Yuta Suzuki; Tetsuto Minami; Bruno Laeng & Shigeki Nakauchi (2018). The differential effect of glowing appearance in the glare illusion: evidence from pupillometry.
  • Fumiyaki Sato; Bruno Laeng; Shigeki Nakauchi & Tetsuto Minami (2018). Pupil dilation reflects "Viewing from above bias" in the effort to control perception.
  • Alexander Refsum Jensenius (2018). The Musical Gestures Toolbox for Matlab.
  • Charles Patrick Martin & Jim Tørresen (2018). Predictive Musical Interaction with MDRNNs.
  • Alejandro Omar Blenkmann; James Lubell; Anais Llorens; Ingrid Funderud; Santiago Collavini; PG Larsson; Jugoslav Ivanovic; Torstein Ragnar Meling; Tristan Bekinschtein; Silvia Kochen; Tor Endestad; Robert T Knight & Anne-Kristin Solbakk (2018). Human insula response to auditory deviants: Evidence from intracranial EEG recordings.
  • Alexander Refsum Jensenius (2018). Dans i musikkfaget i skolen.
  • Alexander Refsum Jensenius (2018). Introduction to the SoundTracer Project.
  • Olivier Lartillot (2018). Sound analysis for gestural interactions with large music datasets.
  • Tejaswinee Kelkar; Udit Roy & Alexander Refsum Jensenius (2018). Evaluating a collection of Sound-Tracing Data of Melodic Phrases.
  • Agata Zelechowska; Victor Evaristo Gonzalez Sanchez & Alexander Refsum Jensenius (2018). How music moves us? Studying human body micromotion in music perception.
  • Victor Evaristo Gonzalez Sanchez; Charles Patrick Martin; Agata Zelechowska; Kari Anne Vadstensvik Bjerkestrand; Victoria Johnson & Alexander Refsum Jensenius (2018). Bela-based augmented acoustic guitars for sonic microinteraction.
  • Anne Danielsen (2018). Analysing Popular Music in the Digital Age.
  • John MacCallum:; Teoma Naccarato; Baptiste Caramiaux; Victor Evaristo Gonzalez Sanchez; Sarah Fdili Alaoui; Amy LaViers; Jean-Marc Matos; Jessica Rajko; Adam Russell & Sha Xin Wei (2018). Panel: What Escapes Computation in Interactive Performance?.
  • Victor Evaristo Gonzalez Sanchez & Alexander Refsum Jensenius (2018). Analysing the synchronisation of COM motion with music in human standing.
  • Jonna Katariina Vuoskoski (2018). Moved by music: The role of empathy and social cognition in music-induced emotions (keynote lecture).
  • Jonna Katariina Vuoskoski; Eric F. Clarke & Paul Elvers (2018). Comparing the effects of music and images on implicit cultural attitudes.
  • Charles Patrick Martin (2018). Predictive Music Systems for Interactive Performance.
  • Mari Romarheim Haugen (2018). The Effect of Tempo on Non-Isochronous Subdivisions in Performed Samba Groove.
  • Olivier Lartillot; Hans-Hinrich Thedens & Alexander Refsum Jensenius (2018). Computational model of pitch detection, perceptive foundations, and application to Norwegian fiddle music.
  • Anne Danielsen (2018). Microrhythms and Microsounds: The impact of digitization on African-American popular music.
  • Jonna Katariina Vuoskoski; Janis Heinrich Zickfeld; Vinoo Alluri & Beate Seibt (2018). Moved by music: Investigating continuous ratings and contributing musical features.
  • Alexander Refsum Jensenius (2018). Fremtiden er analog - perspektiver på humaniora og teknologi.
  • Kyrre Glette (2018). Automatic design of bodies and behaviors for real-world robots.
  • Justin London; Anne Danielsen & Kristian Nymoen (2018). Where is the beat in that note? Effects of attack, frequency, and duration on the p-centers of musical and quasi-musical sounds.
  • Ragnhild Brøvig-Hanssen & Aram Sinnreich (2018). Do You Wanna Build a Wall? Remix Tactics in the Age of Trump.
  • Ragnhild Brøvig-Hanssen; Jon Marius Aareskjold & Bjørnar Sandvik (2018). EDM Producers' Reflections on Groove.
  • Victor Evaristo Gonzalez Sanchez; Agata Zelechowska & Alexander Refsum Jensenius (2018). Muscle activity response of the audience during an experimental music performance.
  • Einar Duenger Bøhn; Anna Colette Smajdor & Alexander Refsum Jensenius (2018). Humaniora og teknologi.
  • Jim Tørresen (2018). Intelligent Systems for Medical and Healthcare Applications.
  • Jim Tørresen & Bruno Laeng (2018). UiO/ROBIN – Toyohashi University of Technology/Japan seminar.
  • Mari Romarheim Haugen (2018). Meter i Skandinavisk folkemusikk.
  • Sofia Dahl & George Sioros (2018). Rhythmic recurrency in dance to music with ambiguous meter.
  • Georgios Sioros (2018). What we do when we move to music v.2.
  • Ximena Alarcón Diaz (2018). INTIMAL: Migrant Women's Sonic Statements of Presence.
  • Olivier Lartillot (2018). Computational musicological analysis of notated music: a brief overview.
  • Ellis Nathaniel Jones (2018). Imagining an audience in DIY music.
  • Ellis Nathaniel Jones (2018). DIY as the new default.
  • Ellis Nathaniel Jones (2018). Are platforms 'deskilling' musicians?.
  • Ulf A. S. Holbrook (2018). The Map(ping) as a Morphological Experiment.
  • Ulf A. S. Holbrook (2018). Textures of Performances in Spatial Composition.
  • Ulf A. S. Holbrook (2018). A Question of Background.
  • Rolf Inge Godøy (2018). Impulse-driven sound-motion objects in musical imagery.
  • Kyrre Glette (2018). Automatic design of shapes and behaviors for robots.
  • Kyrre Glette (2018). Robotics, Intelligent Systems and Evolutionary Computation.
  • Mari Romarheim Haugen (2018). Investigating Rhythm Structures in Music and Dance Using Motion Capture.
  • Olivier Lartillot (2018). The MiningSuite - a Matlab toolbox for signal, audio and music analysis.
  • Olivier Lartillot (2018). MIRToolbox and MiningSuite.
  • Olivier Lartillot (2018). Analyse musicologique par ordinateur d'enregistrements audio et de partitions informatisées.
  • Olivier Lartillot (2018). Music and Voice Analysis using Matlab: MIRtoolbox and the MiningSuite.
  • Julia W.Y. Kam; Jack J. Lin; Anne-Kristin Solbakk; Tor Endestad; Pål Gunnar Larsson & Robert T. Knight (2018). Functional coupling between default network and fronto-parietal control network supports internally directed attention..
  • Rolf Inge Godøy (2018). Presentation of RITMO.
  • Guilherme Schmidt Câmara (2018). Presentation of Mocap Component of Performance Experiments from the Timing and Sound in Musical Microrhythm (TIME) project.
  • Guilherme Schmidt Câmara (2018). Presentation of preliminary findings: Effects of Instructed Timing on Guitar and Bass Sound in Groove Performance.
  • Ximena Alarcón Diaz (2018). Relational Listening: in-between body, memory, migration and telematics.
  • Ximena Alarcón Diaz (2018). Telematic Sonic Performance: On Dis-location.
  • Olivier Lartillot (2018). Cookbook 1: Sound analysis in Matlab.
  • Olivier Lartillot (2018). Computational sound/music/gesture analysis and application to gesture-based query in music catalogue.
  • Olivier Lartillot (2018). MoCap Toolbox in the MiningSuite.
  • Olivier Lartillot; Kristian Nymoen & Anne Danielsen (2018). Prediction of P-centers from audio recordings.
  • Jim Tørresen (2018). UiO Visit to UFRJ – An overview of research.
  • Anne-Kristin Solbakk; Tor Endestad & Robert T. Knight (2018). Neural oscillations and human behavior.
  •  (2018). Interactive Opening Animation.
  •  (2018). Interactive Animation of the RITMO Logo.
  •  (2018). Sverm-Pluck.
  •  (2018). Konsert med Sinsenfist.
  •  (2018). Stillness under Tension.
  •  (2018). Stillness under Tension.
  •  (2018). Music-Dance Performance: "Rhythm".
  •  (2018). Julekonsert med Sinsenfist (Belleville).
  •  (2018). Droplets.
  •  (2018). Ice Feathers.
  •  (2018). Disembodied Voice.
  •  (2018). MAM - Nepal / Avatar.
  •  (2018). Jazz in Khartoum - ft Tejaswinee Kelkar #2.
  •  (2018). Jazz in Khartoum - ft. Sudeshna Bhattacharya.
  •  (2018). Oslo Jazzfestivalen - ft Jazz in Khartoum ft Agbalagba Dada.
  •  (2018). Musikkprogram kan avsløre cerebral parese.
  •  (2018). Sverm-Resonans: interactive installation with resonating guitars and Bela.
  •  (2018). Står mot hverandre om hva som er best for å sikre topp forskning.
  •  (2018). Finner musikk ved å bevege hånden.
  •  (2018). #89: Alexander Jensenius: Slik danser du din egen musikk.
  •  (2018). Forskningsmøte mellom musikk og medisin.
  •  (2018). Mobilen finner musikk når du beveger hånden.
  •  (2018). Busca música dibujándo en el aire.
  •  (2018). UiOs innovasjonspris til RITMO ved Anne Danielsen og Alexander Refsum Jensenius.
  •  (2018). På sporet av rytmen.
  •  (2018). Forskerbloggen: Hvorfor får man lyst til å danse til musikk?.
  •  (2018). Rytmen er en danser.
  •  (2018). MusicLab - et nytt konsept for forskning og forskningsformidling.
  •  (2018). Hva er en sommerhit?.
  •  (2018). Intervju om Aretha Franklin i Dagsnytt, NRK 2.
  •  (2018). Intervju om Aretha Franklin til NTB.
  •  (2018). Spillerom søndag: Om språk og musikk.
  •  (2018). MicroJam.
  •  (2018). Musical Gestures Toolbox for Matlab.
  •  (2018). SoundTracer.
  •  (2018). MIRtoolbox 1.7.1.
  •  (2018). The MiningSuite 0.10 (first beta version).
  • Olivier Lartillot (2018). mirtempo 1.8: Tempo Estimation By Tracking a Complete Metrical Structure.
  • Alexander Refsum Jensenius (2018). Kan musikk påvirke stillstanden din?. Forskning.no.  ISSN 1891-635X.
  • Kjell Andreas Oddekalv (2018). Masteroppgåva: Kjell Andreas Oddekalv Betre flows enn Akerselva. Mål og makt.  ISSN 0332-7744.  48, s 33- 41
  • Julia W.Y. Kam; Anne-Kristin Solbakk; Ingrid Funderud; Tor Endestad; Torstein Ragnar Meling & Robert Thomas Knight (2018). Orbitofrontal damage reduces auditory sensory response in humans. Cortex.  ISSN 0010-9452.  101, s 309- 312
  •  (2018). Workshop: Listening to Migration.
  •  (2018). DEPOT. DEPOSITORY. RAYS EN UTSTILLING AV PETRINE VINJE.
  • Alexander Refsum Jensenius (2017). Åpen forskning - et humanistisk-teknologisk perspektiv.
  • Victor Evaristo Gonzalez Sanchez; Agata Zelechowska & Alexander Refsum Jensenius (2017). The influence of music in people's standstill.
  • Jim Tørresen (2017). Brazilian Student Exchange Opportunities to University of Oslo.
  • Alexander Refsum Jensenius (2017). Quantitative Video analysis for Qualitative Research.
  • Kyrre Glette (2017). ROBIN: Robotics, Intelligent Systems and Evolutionary Computation.
  • Kyrre Glette (2017). Robotikk og kunstig intelligens.
  • Alexander Refsum Jensenius (2017). Kognisjon, musikk og teknologi.
  • Alexander Refsum Jensenius (2017). Musikk og bevegelse.
  • Alexander Refsum Jensenius; Kari Anne Vadstensvik Bjerkestrand; Marco Donnarumma; Are Brean & Jo C. Bruusgaard (2017). Panel: Biophysical Music.
  • Anne Danielsen (2017). Paneldeltakelse i serien Musikklære på Nasjonalbiblioteket, tema "Rytme".
  • Alexander Refsum Jensenius (2017). Musikk og bevegelses-laben ved Institutt for musikkvitenskap.
  • Alexander Refsum Jensenius (2017). Status musikkteknologi ved UiO: forskning og undervisning.
  • Anne Danielsen (2017). Paneldeltakelse i serien Musikklære på Nasjonalbiblioteket, tema "Låten".
  • J.W.Y. Kam; J.J. Lin; Tor Endestad; Anne-Kristin Solbakk; P.G. Larsson; S. Griffin & Robert T. Knight (2017). Contributions of medial prefrontal cortex to internally directed attention.
  • S.J.K. Slama; Anne-Kristin Solbakk; Tor Endestad; P.G. Larsson; Jack J. Lin; D. King-Stephens; K.D. Laxer; P.B. Weber & Robert T. Knight (2017). Intracranial recordings define a cortical-mesial temporal network in top-down and bottom-up attention.
  • Anne Danielsen; Justin London & Kristian Nymoen (2017). Mapping the Beat Bin: The Effects of Rise Time, Duration, and Frequency Range on the Perceived Timing of Musical Sounds.
  • Skaansar Jo; Bruno Laeng & Danielsen Anne (2017). Pupil response reflects processing of microtiming in musical grooves: a study of musicians and non-musicians.
  • Fumiyaki Sato; Bruno Laeng; Shigeki Nakauchi & Tetsuto Minami (2017). Pupil dilation during perception of the Necker cube reflects the viewing-from-above bias.
  • Alexander Refsum Jensenius (2017). RITMO - Centre for Interdisciplinary Studies in Rhythm, Time and Motion.
  • Elizabeth L. Johnson; J.N. Adams; S.M. Griffin; Anne-Kristin Solbakk; Tor Endestad; P.G. Larsson; J. Parvizi; J.J. Lin & Robert T. Knight (2017). Dynamic frontotemporal systems for episodic working memory.
  • Elizabeth L. Johnson; C. Dewar; Anne-Kristin Solbakk; Tor Endestad; Torstein Ragnar Meling & Robert T. Knight (2017). Causal evidence that bidirectional frontoparietal rhythms support working memory.
  • Alexander Refsum Jensenius (2017). From resonating strings to autonomous electronic instruments - towards a new organology.
  • Anne Danielsen (2017). Timing and Sound in Musical Microrhythm: Theoretical, Aesthetic and Empirical Aspects.
  • Alexander Refsum Jensenius (2017). Touching the digital: acoustic resonances in an electronic world.
  • Jim Tørresen (2017). Artificial Intelligence and Examples of Real-world Applications.
  • Jim Tørresen (2017). Intelligent Machines – Opportunities and Challenges.
  • Alexander Refsum Jensenius; Tellef Kvifte; Kjell Tore Innervik; Charles Patrick Martin; Ragnhild Brøvig-Hanssen; Trond Lossius & Ximena Alarcón Diaz (2017). Panel: New Interfaces for Musical Expression.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Does Compression Influence Timing? A Case Study in EDM Music.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Dynamic Range Compression’s Influence on Perceived Timing in EDM Music.
  • Alexander Refsum Jensenius (2017). Humanities and technology - with a musicological twist.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Dynamic Range Processing’s Influence on Perceived Timing.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Dynamic Range Compression’s Influence on Perceived Timing.
  • Kyrre Glette (2017). Evolutionary computation and robotics.
  • Anne Danielsen (2017). The perception, aesthetics, and cultural values of 'glitched' grooves.
  • Anne Danielsen (2017). P-centres and beat bins - an introduction to the TIME project.
  • Anne Danielsen (2017). Methodologies in Record Production Research (Panel).
  • Bruno Laeng (2017). The pupil as a window to music's soul.
  • Alexander Refsum Jensenius (2017). Introduction to the SoundTracer Project.
  • George Sioros (2017). What we do when we move to music.
  •  (2017). Sverm-Resonans.
  •  (2017). Sverm-Muscle.
  •  (2017). Centre for Interdisciplinary Studies in Rhythm, Time and Motion får status som Senter for fremragende forskning.
  •  (2017). Tar roboter over musikken?.
  •  (2017). European Open Data Champions.
  •  (2017). Forsker på musikk - ved å stå stille.
  •  (2017). Video invitation to MSCA prospective candidates Colombia.
  •  (2017). Featured in the Facebook portal of MSCA as Marie Sklodowska Curie Individual Fellow of the week.
  •  (2017). Sverm-Resonans.
  •  (2017). Sverm-Puls.
  •  (2017). Sverm-Resonans.
  •  (2017). Sverm-resonans.

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Publisert 15. feb. 2018 09:38 - Sist endret 6. jan. 2020 20:45