English version of this page

Publikasjoner

Her kan du se en oversikt over våre siste publikasjoner, registrert i Cristin.

  • Charles Patrick Martin & Henry Gardner (2019). Free-Improvised Rehearsal-as-Research for Musical HCI, I: Marcelo M. Wanderley; Simon Holland; Katie Wilkie-McKenna; Tom Mudd & Andrew McPherson (red.),  New Directions in Music and Human-Computer Interaction.  Springer.  ISBN 978-3-319-92068-9.  Chapter 17.  s 269 - 284
  • Anne Danielsen (2019). Glitched and Warped: Transformations of Rhythm in the Age of the Digital Audio Workstation, I: Mark Grimshaw; Mads Walther-Hansen & Martin Knakkergaard (red.),  The Oxford Handbook of Sound and Imagination, Volume 2.  Oxford University Press.  ISBN 9780190460242.  Chapter 29.
  • Qichao Lan; Jim Tørresen & Alexander Refsum Jensenius (2019). RaveForce: A Deep Reinforcement Learning Environment for Music Generation, I: Isabel Barbancho; Lorenzo J. Tardón; Alberto Peinado & Ana M. Barbancho (red.),  SMC 2019 Proceedings of the 16th Sound & Music Computing Conference.  Society for Sound and Music Computing.  ISBN 978-84-09-08518-7.  P2.1.  s 217 - 222
  • Olivier Lartillot & Didier Grandjean (2019). Tempo and Metrical Analysis by Tracking Multiple Metrical Levels Using Autocorrelation, I: Alberto Peinado; Lorenzo J. Tardón; Ana M. Barbancho & Isabel Barbancho (red.),  SMC 2019 Proceedings of the 16th Sound & Music Computing Conference.  Society for Sound and Music Computing.  ISBN 978-84-09-08518-7.  S2.6.  s 174 - 181
  • Olivier Lartillot (2019). Miningsuite: A Comprehensive Matlab Framework for Signal, Audio and Music Analysis, Articulating Audio and Symbolic Approaches, I: Ana M. Barbancho; Alberto Peinado; Lorenzo J. Tardón & Isabel Barbancho (red.),  SMC 2019 Proceedings of the 16th Sound & Music Computing Conference.  Society for Sound and Music Computing.  ISBN 978-84-09-08518-7.  D3.1.  s 489 - 489
  • Cagri Erdem; Katja Henriksen Schia & Alexander Refsum Jensenius (2019). Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance, I: Anna Xambo Sedo & Marcelo Queiroz (red.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Nime.
  • Cagri Erdem; Katja Henriksen Schia & Alexander Refsum Jensenius (2019). Vrengt: A Shared Body–Machine Instrument for Music–Dance Performance, I: Federico Visi (red.),  Music Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Nime.
  • Rolf Inge Godøy (2019). Thinking Sound-Motion Objects, I: Michael Filimowicz (red.),  Foundations in Sound Design for Interactive Media.  Routledge.  ISBN 9781138093942.  8.  s 161 - 178
  • Ulf A. S. Holbrook (2019). A question of backgrounds: Sites of listening, I: Monty Adkins & Simon Cummings (red.),  Music beyond airports: Appraising ambient music.  University of Huddersfield Press.  ISBN 978-1-86218-161-8.  3.  s 51 - 66
  • Anna Xambo Sedo; Sigurd Saue; Alexander Refsum Jensenius; Robin Støckert & Øyvind Brandtsegg (2019). NIME Prototyping in Teams: A Participatory Approach to Teaching Physical Computing, I: Anna Xambo Sedo & Marcelo Queiroz (red.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Conference paper.  s 216 - 221
  • Torgrim Rudland Næss & Charles Patrick Martin (2019). A Physical Intelligent Instrument using Recurrent Neural Networks, I: Anna Xambo Sedo & Marcelo Queiroz (red.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Conference Paper.  s 79 - 82
  • Charles Patrick Martin & Jim Tørresen (2019). An Interactive Musical Prediction System with Mixture Density Recurrent Neural Networks, I: Anna Xambo Sedo & Marcelo Queiroz (red.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Conference Paper.  s 260 - 265
  • Andrei Faitas; Synne Engdahl Baumann; Torgrim Rudland Næss; Jim Tørresen & Charles Patrick Martin (2019). Generating Convincing Harmony Parts with Simple Long Short-Term Memory Networks, I: Anna Xambo Sedo & Marcelo Queiroz (red.),  Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Conference Paper.
  • Jørgen Halvorsen Nordmoen; Tønnes Frostad Nygaard; Kai Olav Ellefsen & Kyrre Glette (2019). Evolved embodied phase coordination enables robust quadruped robot locomotion, I: Manuel López-Ibáñez (red.),  GECCO '19: Proceedings of the Genetic and Evolutionary Computation Conference.  Association for Computing Machinery (ACM).  ISBN 978-1-4503-6111-8.  Kapittel.
  • Ragnhild Brøvig-Hanssen (2019). Humor's Role in Mashups and Remixes, I: Kai Arne Hansen & Nick Brae (red.),  On Popular Music and Its Unruly Entanglements.  Palgrave Macmillan.  ISBN 978-3-030-18099-7.  Kapittel.
  • Ragnhild Brøvig-Hanssen (2019). Mixing with Quotations: Mashups and Contextual Transformation, I: Katia Isakoff; Sophie Stévance; Serge Lacasse & Simon Zagorski-Thomas (red.),  The Art of Record Production, Volume 2: Creative Practice in the Studio.  Routledge.  ISBN 978-1138205109.  Chapter 3.  s 50 - 65
  • Alexandros Kontogeorgakopoulos; George Sioros & Odysseas Klissouras (2019). Mechanical Entanglement: A Collaborative Haptic-Music Performance, I: Alberto Peinado; Lorenzo J. Tardón; Isabel Barbancho & Ana M. Barbancho (red.),  SMC 2019 Proceedings of the 16th Sound & Music Computing Conference.  Society for Sound and Music Computing.  ISBN 978-84-09-08518-7.  P.3.  s 20 - 25
  • Aline Weber; Lucas N. Alegre; Jim Tørresen & Bruno Castro da Silva (2019). Parameterized Melody Generation with Autoencoders and Temporally-Consistent Noise, I: Federico Visi (red.),  Music Proceedings of the International Conference on New Interfaces for Musical Expression.  Universidade Federal do Rio Grande do Sul.  Artikkel.  s 174 - 179
  • Anne Danielsen (2018). Time and Time Again: Repetition and Difference in Repetitive Music, I: Olivier Julien & Christophe Levaux (red.),  Over and Over. Exploring Repetition in Popular Music.  Bloomsbury Academic.  ISBN 9781501324888.  kapittel 2.
  • Rolf Inge Godøy (2018). Motormimetic features in musical experience, I: Patrizia Veroli & Gianfranco Vinay (red.),  Music-dance: sound and motion in contemporary discourse.  Routledge.  ISBN 9781138280519.  12.  s 207 - 221
  • Ragnhild Brøvig-Hanssen (2018). Listening To or Through Technology: Opaque and Transparent Mediation, I: Samantha Bennett & Eliot Bates (red.),  Critical Approaches to the Production of Music and Sound.  Bloomsbury Academic.  ISBN 9781501332.  Chapter 11.  s 195 - 210
  • Anne Danielsen (2018). Novel, expressive and skilled!, I: Øyvind Prytz; Knut Ove Eliassen & Jan Fredrik Hovden (red.),  Contested qualities: negotiating value in arts and culture.  Fagbokforlaget.  ISBN 9788245023770.  kapittel.  s 187 - 202
  • Alexander Refsum Jensenius (2018). Methods for Studying Music-Related Body Motion, I: Rolf Bader (red.),  Springer Handbook of Systematic Musicology.  Springer Nature.  ISBN 978-3-662-55002-1.  38.  s 805 - 818
  • Rolf Inge Godøy (2018). Sonic Object Cognition, I: Rolf Bader (red.),  Springer Handbook of Systematic Musicology.  Springer Nature.  ISBN 978-3-662-55002-1.  35.  s 761 - 777
  • Victor Evaristo Gonzalez Sanchez; Charles Patrick Martin; Agata Zelechowska; Kari Anne Vadstensvik Bjerkestrand; Victoria Kristine Å Johnson & Alexander Refsum Jensenius (2018). Bela-based augmented acoustic guitars for sonic microinteraction, I: Luke Dahl; Tom Martin & Doug Bowman (red.),  Proceedings of the International Conference On New Interfaces For Musical Expression.  Virginia Tech.  Chapter.  s 324 - 327
  • Charles Patrick Martin; Alexander Refsum Jensenius & Jim Tørresen (2018). Composing an ensemble standstill work for Myo and Bela, I: Doug Bowman; Luke Dahl & Tom Martin (red.),  Proceedings of the International Conference On New Interfaces For Musical Expression.  Virginia Tech.  KAPITTEL.  s 196 - 197
  • Stefania Serafin; Sofia Dahl; Roberto Bresin; Alexander Refsum Jensenius; Runar Unnthorsson & Vesa Välimäki (2018). NordicSMC: A Nordic University Hub on Sound and Music Computing, I: Anastasia Georgaki (red.),  Proceedings of the Sound and Music Computing Conference.  Cyprus University of Technology.  KAPITTEL.
  • Pritty Patel-Grosz; Patrick Georg Grosz; Tejaswinee Kelkar & Alexander Refsum Jensenius (2018). Coreference and disjoint reference in the semantics of narrative dance, I: Stephanie Solt & Uli Sauerland (red.),  Proceedings of Sinn und Bedeutung 22, vol. 2, ZASPiL 61.  Leibniz-Zentrum Allgemeine Sprachwissenschaft (ZAS).  Chapter in Vol. 2.  s 199 - 216
  • Jørgen Halvorsen Nordmoen; Eivind Samuelsen; Kai Olav Ellefsen & Kyrre Glette (2018). Dynamic mutation in MAP-Elites for robotic repertoire generation, I:  The 2018 Conference on Artificial Life.  MIT Press.  ISBN 9780262355766.  Konferanseartikkel.  s 598 - 605
  • Alexander Refsum Jensenius (2018). The Musical Gestures Toolbox for Matlab, I: Emilia Gómez; Emmanouil Benetos; Eric Humphrey & Xiao Hu (red.),  Proceedings of the 19th International Society for Music Information Retrieval Conference.  Institut de Recherche et Coordination Acoustique/Musique.  ISBN 978-2-9540351-2-3.  Demo.
  • Guilherme Schmidt Câmara & Anne Danielsen (2018). Groove, I: Rehding Alexander & Rings Steven (red.),  The Oxford Handbook of Critical Concepts in Music Theory.  Oxford University Press.  ISBN 9780190454746.  Groove.
  • Tejaswinee Kelkar; Udit Roy & Alexander Refsum Jensenius (2018). Evaluating a collection of Sound-Tracing Data of Melodic Phrases, I: Xiao Hu; Emilia Gómez; Eric Humphrey & Emmanouil Benetos (red.),  Proceedings of the 19th International Society for Music Information Retrieval Conference.  Institut de Recherche et Coordination Acoustique/Musique.  ISBN 978-2-9540351-2-3.  KAPITTEL.
  • Olivier Lartillot; Hans-Hinrich Thedens & Alexander Refsum Jensenius (2018). Computational model of pitch detection, perceptive foundations, and application to Norwegian fiddle music, I: Richard Parncutt & Sabrina Sattmann (red.),  Proceedings of ICMPC15/ESCOM10.  Centre for Systematic Musicology, University of Graz.  ISBN 978-3-200-05771-5.  article.  s 252 - 255
  • Anne Danielsen (2018). Pulse as Dynamic Attending: Analysing Beat Bin Metre in Neo Soul Grooves, I: Ciro Scotto; John Brackett & Kenneth M. Smith (red.),  The Routledge Companion to Popular Music Analysis: Expanding Approaches.  Routledge.  ISBN 9781138683112.  Chapter 12.
  • Victor Evaristo Gonzalez Sanchez; Agata Zelechowska & Alexander Refsum Jensenius (2018). Muscle activity response of the audience during an experimental music performance, I: Stuart Cunningham (red.),  Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion.  Association for Computing Machinery (ACM).  ISBN 978-1-4503-5373-1.  Sound and Immersion. Article 11.
  • Rolf Inge Godøy (2018). Sound-Motion Bonding in Body and Mind, I: Sander L. Gilman & Youn Kim (red.),  The Oxford Handbook of Music and the Body.  Oxford University Press.  ISBN 9780190636234.  Chapter.
  • Merve Akca (2018). Time course of selective attention for instrumental timbres and human voice, I: Tom Ziemke; Mattias Arvola; Nils Dahlbäck & Erik Billing (red.),  PROCEEDINGS OF THE 14TH SWEDISH COGNITIVE SCIENCE SOCIETY CONFERENCE.  The University of Skövde.  ISBN 978-91-983667-3-0.  Paper published at the proceedings.  s 10 - 11
  • Ulf A. S. Holbrook (2018). An Approach to Stochastic Spatialisation: A Case of Hot Pocket, I: Doug Bowman; Luke Dahl & Tom Martin (red.),  Proceedings of the International Conference On New Interfaces For Musical Expression.  Virginia Tech.  1.  s 31 - 32
  • Sofia Dahl & George Sioros (2018). Rhythmic recurrency in dance to music with ambiguous meter, I: Antonio Camurri & Gualtiero Volpe (red.),  Proceedings of the 5th International Conference on Movement and Computing.  ACM Publications.  ISBN 978-1-4503-6504-8.  Article No. 38.

Se alle arbeider i Cristin

  • Simon Høffding (2019). A Phenomenology of Musical Absorption. Palgrave Macmillan.  ISBN 978-3-030-00659-4.  300 s.

Se alle arbeider i Cristin

  • Jonna Katariina Vuoskoski & Tuomas Eerola (2020). Personality and musicians, I:  The Science and Psychology of Music: From Beethoven at the Office to Beyoncé at the Gym.  ABC-CLIO.  ISBN 978-1-4408-5771-3.  Chapter 7b.
  • Tuomas Eerola & Jonna Katariina Vuoskoski (2020). Personality and listeners, I:  The Science and Psychology of Music: From Beethoven at the Office to Beyoncé at the Gym.  ABC-CLIO.  ISBN 978-1-4408-5771-3.  Chapter 7a.
  • Kjell Andreas Oddekalv (2019). Rap Flows PhD Thesis.
  • Ximena Alarcón Diaz (2019). Seminario Transdisciplinar: voz, memoria, violencia, comunidad, prácticas artísticas.
  • Ragnhild Brøvig-Hanssen (2019). Presentation of the MASHED-project.
  • Ragnhild Brøvig-Hanssen; Ellis Nathaniel Jones; Alan Hui & Josh Perrett (2019). Mashup Music, Copyright, and Platform Regulation: A promo video.
  • Alexander Refsum Jensenius (2019). Tutorial: Musical Gestures Toolbox.
  • Alexander Refsum Jensenius; Andrew McPherson; Anna Xambo Sedo; Dan Overholt; Guillaume Pellerin; Ivica Ico Bukvic; Rebecca Fiebrink & Rodrigo Schramm (2019). Open Research Strategies and Tools in the NIME Community.
  • Alexander Refsum Jensenius; Rodrigo Schramm; Lamberto Coccioli; Clara Mancini & Michael J. Lyons (2019). Ethics at NIME.
  • Simon Høffding (2019). Hvad er musikalsk fordybelse?.
  • Alan Hui (2019). Platform regulation of mashup makers in a post-Brexit UK.
  • Yngvar Kjus; Ragnhild Brøvig-Hanssen; Eirik Askerøi; Mike Hartung; Magnus Wergeland Juell & Sara Karoliussen (2019). Musikkprodusentens rolle.
  • Ragnhild Brøvig-Hanssen (2019). Presentation of MASHED; TIME; and MusFrag.
  • Jim Tørresen (2019). Ethics and artificial intelligence in healthcare.
  • Alexander Refsum Jensenius (2019). Hvordan fremme tverrfaglighet?.
  • Anne Danielsen (2019). Classic Album Sundays: Aretha Franklin (paneldeltakelse).
  • Kyrre Glette (2019). Kunstig intelligens for tilpasningsdyktige roboter.
  • Jim Tørresen (2019). Kunstig intelligens – hvem, hva og hvor. (Eng. Artificial Intelligence – who, what and where).
  • Jim Tørresen (2019). Kunstig intelligens – hvem, hva og hvor.
  • Kristian Nymoen (2019). Musikalske maskiner.
  • Alexander Refsum Jensenius (2019). The RITMO Centre at University of Oslo.
  • Alexander Refsum Jensenius (2019). Developing the self-playing guitars.
  • Alan Hui; Ragnhild Brøvig-Hanssen & Ellis Nathaniel Jones (2019). Grey Tuesday (Musikk I gråsonen).
  • Kyrre Glette (2019). Kunstig intelligens for tilpasningsdyktige roboter.
  • Charles Patrick Martin; Torgrim Rudland Næss; Andrei Faitas & Synne Engdahl Baumann (2019). Session on Musical Prediction and Generation with Deep Learning.
  • Alexander Refsum Jensenius (2018). The importance of "nothing": studying human music-related micromotion.
  • Alexander Refsum Jensenius (2018). Studying "nothing": complexities of human music-related micromotion.
  • Alexander Refsum Jensenius; Michael Francis Duch; Jørgen Langdalen; Tone Åse; Edvine Larsen & Tone Pernille Østern (2018). Kunsten å forske.
  • Anne Danielsen (2018). RITMO - a center for interdisciplinary research into rhythm, time and motion.
  • Anne Danielsen (2018). Veien til RITMO: Fra musikkestetikk til tverrfaglig rytmeforskning.
  • Anne Danielsen; Mats Sigvard Johansson & Mari Romarheim Haugen (2018). Presentasjon av TIME-prosjektet.
  • Alexander Refsum Jensenius (2018). Kunnskapsledelse av et Senter for fremragende forskning.
  • Charles Patrick Martin (2018). Deep Predictive Models in Interactive Music.
  • Alexander Refsum Jensenius (2018). Introduction to Musical Gestures Toolbox for Matlab.
  • Alexander Refsum Jensenius (2018). Hvilken type IKT-kompetanse trenger humanister og samfunnsvitere?.
  • Kristian Nymoen (2018). Music Information Retrieval.
  • Kristian Nymoen (2018). Soundtracer - Et innblikk i innholdsbasert arkivsøk.
  • Alexander Refsum Jensenius (2018). Comments on Open Science - Do we need a national action plan?.
  • Alexander Refsum Jensenius (2018). Evaluering, merittering og forskningsvurdering.
  • Alexander Refsum Jensenius (2018). The recording and use of videos from music events – how to balance ethical requirements and FAIR principles using data from live concerts, music performances and the like?.
  • Alexander Refsum Jensenius (2018). Åpen forskning - et humanistisk-teknologisk perspektiv.
  • Alexander Refsum Jensenius (2018). How I try to do it FAIR.
  • Tejaswinee Kelkar (2018). Python Toolboxes for Mocap Analysis.
  • Anne Danielsen (2018). Hvordan legge til rette for nytt tverrfaglig samarbeid mellom institutter og fakulteter? RITMO Senter for tverrfaglig forskning på rytme, tid og bevegelse..
  • Tejaswinee Kelkar (2018). Data visualization in Python.
  • Jim Tørresen (2018). Artificial Intelligence Applied for Real-World Systems.
  • Ragnhild Brøvig-Hanssen (2018). Panel ved boklansering av Yngvar Kjus bok "Live and Recorded: Music Experience in the Digital Millennuim".
  • Alexander Refsum Jensenius (2018). RITMO - et nytt senter for fremragende forskning.
  • Anne Danielsen & Alexander Refsum Jensenius (2018). The Norwegian Centre of Excellence RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion.
  • Alexander Refsum Jensenius; Njål Sparbo; Sagar Sen & Elisabeth Edvardsen (2018). Breath, breathing and the sensing of breathing.
  • Jim Tørresen (2018). Artificial Intelligence – State-of-the-art.
  • Jim Tørresen (2018). Roboter kommer nærmere – skal vi glede eller grue oss?.
  • Anne Danielsen & Alexander Refsum Jensenius (2018). Rytme i tid og rom.
  • Charles Patrick Martin (2018). Creative Prediction with Neural Networks.
  • Alexander Refsum Jensenius (2017). Åpen forskning - et humanistisk-teknologisk perspektiv.
  • Victor Evaristo Gonzalez Sanchez; Agata Zelechowska & Alexander Refsum Jensenius (2017). The influence of music in people's standstill.
  • Jim Tørresen (2017). Brazilian Student Exchange Opportunities to University of Oslo.
  • Alexander Refsum Jensenius (2017). Quantitative Video analysis for Qualitative Research.
  • Kyrre Glette (2017). ROBIN: Robotics, Intelligent Systems and Evolutionary Computation.
  • Kyrre Glette (2017). Robotikk og kunstig intelligens.

Se alle arbeider i Cristin

Publisert 15. feb. 2018 09:38 - Sist endret 1. aug. 2018 10:39