I tillegg til fellespensum, består pensumlisten av min. 200 sider som velges av studentene selv i forbindelse med semesteroppgaven.
Uthevede bøker (D’Alleva, Foucault, Cusset, Sokal & Bricmont og Steinberg) bør snarest kjøpes av studentene på Akademika eller hos amazon.com.
Anne D’Alleva: Methods & Theories of Art History, London 2005 (172 sider)
Michel Foucault: This is not a Pipe, Berkeley: University of California Press 1983. (63 s.)
Francois Cusset: French Theory. How Foucault, Derrida, Deleuze & Co. Transformed the Intellectual Life of the United States, Univ. of Minneapolis Press: Minneapøolis 2008, s. 1-13, 193-247, 329-338.
Alan Sokal & Jean Bricmont: Fashionable Nonsense: Postmodern Intellectuals’ Abuse of Science, Picador: London 1999, s. 212-268.
Leo Steinberg: The Sexuality of Christ in Renaissance Art and in Modern Oblivion, Chicago and London, 1996 (392 sider)
De andre tekstene finner man i kompendium som bør kjøpes fra UniPub/Akademika før avreise. NB! Alle bør lese hele pensum før avreise.
Husk gyldig studentbevis ved kjøp av kompendium.
Evt. andre fellespensumtekster (bl.a. artiklene valgt av studentene i forbindelse med semesteroppgaver) vil være tilgjengelig på DNIR utlån/kopiering.
Obligatorisk fellespensum. Oversiktslitteratur [ca. 1300 s.=ca. 1000 tekstsider]
Anne D’Alleva: Methods & Theories of Art History, London 2005 (172 sider).
Wind, Edgar: “Botticelli`s Primavera”, i: Pagan Mysteries in the Renaissance, 1958/1968. New York. 113-127 (14 s.).
Gombrich, EH: Symbolic Images, 1972/1978. Phaidon . “Botticelli`s Mythologies: A Study in Neo-Platonic Symbolism of his Circle” 31-81. (50 s.) .
Panofsky, Erwin: Meaning and the Visual Arts, 1970 (eller senere). London. “Iconography and Iconology: An introduction to the Study of Renaissance Art” i: Meaning and the Visual Arts, London 1970 (eller senere utgave) s. 51-81. (30 s.) .
Graeve, Mary Ann : The Art Bulletin, vol. 40 (1958). “The Stone of Unction in Caravaggio`s Painting for the Chiesa Nuova”, 223-238. (15 s.).
Wright, Georgia : The Art Bulletin, , vol. 60 (1978). “Caravaggio`s Entombment Considered in Situ”, 35-42. (7 s.).
E.H.Gombrich, “Aims and Limits of Iconology”, i: Symbolic Images, 1972/1978. Phaidon. 1-25. (25 s.).
Brendan Cassidy (ed.): Iconography at the Crossroads. Papers from the Colloquium sponsored by the Index of Christian Art, Princeton University, 23-24 March 1990, 1993. Princeton. (243 s.) Følgende artikler: Brendan Cassidy: “Introduction: Iconography, Texts, and Audiences”, s. 3-16 Michael Ann Holly: “Unwriting Iconology”, s. 17-26 Keith Moxey: “The Politics of Iconology”, s. 27-32 Irving Lavin: Iconography as a Humanistic Discipline (“Iconography at the Crossroads”), s. 33-42 (tilsammen: 39 s.).
Maginnis, H.B.S.: Art History, 1990. “The Role of Perceptual Learning in Connoisseurship: Morelli, Berenson, and Beyond”, s. 104 - 117 (10 s.).
Offner, Richard: A Discerning Eye: Essays on Early Italian Painting, 1998. University of Pennsylvania State University Press . ISBN: ISBN-10: 0271017473. Offner, Richard.: “An outline of a theory of method”s. 127-136 .
Offner, R:"Giotto, Non-Giotto" i J.H. Stubblebine: Giotto: The Arena Chapel Frescoes, 1969. London. s 136-155 (20s).
Kemp, W.: “The Work of Art and Its Beholder (180-96) 15s (tysk utgave i kompendium: Kemp, Wolfgang: “Kunstwerk und Betrachter: Der rezeptionsästhetische Ansatz”, i: Belting, H. m.fl. (red.): Kunstgeschichte. Eine Einführung, Berlin: Dietrich Riemer Verlag 1988, s. 240-257): The Subjects of Art History. Historical Objects in Contemporary Perspectives, 1998. Cambridge University Press (15 s.). Mark A.Cheetham, Michael Ann Holly, Keith Moxey (eds.).
Pollock, G: “Det moderna och kvinnlighetens rum” Lindberg, A. L., red.: Konst, kön och blick: Feministiska bildanalyser från renässans til postmodernism, Stockholm: Norstedts, 1995, . 165-210 (40s).
Warburg, Aby: "Francesco Sassetti's Last Injunctions" i : The renewal of pagan Antiquity. Contributions to the Cultural History of European Renaissance, 1999. Getty. s 222-262, 452-466 (50s).
Michel Foucault: This is not a Pipe, Berkeley: University of California Press 1983. (63 s.)
Starn, R. og Patridge, L.: Arts of Power: Three Halls of State, Oxford, 1992, . “The Republican Regime of The Sala dei Nove in Siena, 1338-1340” Introduksjon og kap. 1. (ca. 60 s.).
Francois Cusset: French Theory. How Foucault, Derrida, Deleuze & Co.Transformed the Intellectual Life of the United States, Univ. of Minneapolis Press: Minneapolis 2008, s. 1-13, 193-247, 329-338.
Alan Sokal & Jean Bricmont: Fashionable Nonsense: Postmodern Intellectuals’ Abuse of Science, Picador: London 1999, s. 212-268.
Leo Steinberg: The Sexuality of Christ in Renaissance Art and in Modern Oblivion, Chicago and London, 1996 (392 sider)