FELLES PENSUMLISTE FOR KUN2015 OG KUN4015
Bøker:
- Wood, Christopher S. and Nagel, Alexander: Anachronic Renaissance, New York: Zone Books, 2010, 1-97, 241-251. Antall sider: 107. (Anbefalt anmeldelse av F. Fehrenbach tilgjengelig på: http://www.caareviews.org/reviews/1595. Link)
- Erwin Panofsky: Renaissance and renascences in Western art, 1972, New York: Icon Editions. 1-42; 162-210. Antall sider: 90.
- Barkan, Leonard: Unearthing the Past: archaeology and aesthetics in the making of Renaissance culture, 1999, New Haven, Conn.: Yale University Press, s. 1-67. Antall sider: 67.
- Belting, Hans, Florence & Bagdad. Renaissance Art and Arab Science, overs. D. L. Schneider, Cambridge, Mass. og London: Harvard University Press, 2011, 13-35; 211-222, 173-185. Antall sider: 45.
- Shearman, John, Only connect...: art and the spectator in the Italian Renaissance, 1992, Princeton, N.J.: Princeton University Press, 149-91. Antall sider: 42.
Samt ett av følgende oversiktsverk over veggdekorasjoner eller tilsvarende:
- Lavin, Marilyn Aronberg: The Place of Narrative: Mural Decoration in Italian Churches, 431-1600, 1990, Chicago: University of Chicago. S. 99-239. Antall sider: 138. (Tilgjengelig på Amazon.com Link). Alternativt: Link
- Roettgen, Steffi, The flowering of the Renaissance : 1470-1510, 1997, New York: Abbeville Press.
Kompendium:
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Aby Warburg: “The Art of Portraiture and the Florentine Bourgeoisie (1902)”, i Aby Warburg, The renewal of pagan antiquity: contributions to the cultural history of the European Renaissance, 1999, overs. David Britt, Los Angeles: Getty, 185-206; 207-221. Antall sider: 35.
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Aby Warburg: “Francesco Sassetti’s Last Injunctions to His Sons”, i Aby Warburg, The renewal of pagan antiquity: contributions to the cultural history of the European Renaissance, 1999, overs. David Britt, Los Angeles: Getty. 222-264. Antall sider: 44.
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Connelly, Frances S., The grotesque in Western art and culture: the image at play, New York, N.Y.: Cambridge University Press, 2012. 24-53; 165-169. Antall sider: 34.
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Plett, Heinrich F., Enargeia in Classical Antiquity and the Early Modern AgeLeiden: Brill, 7-21; 85-87. Antall sider. 18.
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Blumenröder, Sabine, “Symbols of time in the history of art, 2002, red. C. Heck og K. Lippincott, Turnhout: Brepols, 41-55. Antall sider: 14.
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Schoell-Glass, Charlotte: “En grisaille - Painting difference”, i Text and Visuality: Word & Image Interactions III, vol. 22, 1999, Martin Heusser et al., Editions Rodopi B.V., s. 197-204. Antall sider: 7.
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Reinhart Kosellect, “ ’Space of Experience’ and ‘Horizon of Expectation’: Two Historical Categories,” i Reinhart Koselleck, Futures past: on the semantics of historical time, 2004, trans. K. Triebe, New York: Colombia University Press, 255-275; 310-311. sider: 21.
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Andrews, Lew, Story and Space in Renaissance Art. The Rebirth of Continuous Narrative, 1995, Cambridge: Cambridge University Press, 1-18; 77-94; 127-132; 154-158.Sider: 47.
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Kemp, Martin, “In the light of Dante. Meditations on natural and divine light in Piero della Francesca , Raphael and Michelangelo,” i Ars naturam adiuvans : Festschrift für Matthias Winner zum 11. März 1996, red. von Flemming og S. Schütze, Mainz am Rhein: von Zabern, 1996. 160-177. Antall sider: 17.
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Van Duzer, Chet A., “Hic sunt dracones: the geography and cartography of monsters,” The Ashgate research companion to monsters and the monstrous, red. A. S. Mittman og P. J. Dendle, Farnham, 2012, 387-437. Antall sider: 49.
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Sandström, Sven, Levels of unreality: studies in structure and construction in Italian mural painting during the Renaissance, 1963, Uppsala: Almqvist & Wiksell, 41-60; 84-86; 214-220. Sider: 29.
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Krüger, Klaus, “Signa et res - The pictorial discourse of the imaginary in Early Modern Italy” (paper ved Harvard, tilgjengelig på nett, 2005), 1-14. Antall sider: 14.
- Greenstein, Jack M., “Mantegna, Leonardo and the times of painting”, Word & Image: A Journal of Verbal/Visual Enquiry, 15:3, (1999): 217-242. Antall sider: 25.
Artikler tilgjengelig på JSTOR via UiO:
- J. Schulz, “Pinturicchio and the Revival of Antiquity,” Journal of the Warburg and Courtauld Institutes, vol. 25, nr. 1/2 (Jan. - Jun., 1962), 35-55. Antall sider: 20.
- Dunlop, Anne, «Pinturicchio and the Pilgrims: Devotion and the Past at Santa Maria Del Popolo», Papers of the British School at Rome, vol. 71 (2003), 259-285. Antall sider: 26.
- Matthew, Louisa C., “The Painter's Presence: Signatures in Venetian Renaissance Pictures,” i Art Bulletin, vol. 80, no. 4 (Des., 1998), s 616-648. Antall sider: 32.
- Osborne, John, “The Dado Programme in Giotto's Arena Chapel and Its Italian Romanesque,” i The Burlington Magazine, vol. 145, No. 1202 (Mai, 2003), 361-365. Sider: 5.
- Ostrow, Steven F., “Coli’s Immacolata and Galileo's Moon: Astronomy and the Virgin in Early Seicento Rome” The Art Bulletin, vol. 78, no. 2 (Jun., 1996), 218-235. Antall sider: 17.
- Preimesberger, Rudolf, “ Zu Jan van Eycks Diptychon der Sammlung Thyssen-Bornemisza,”i Zeitschrift für Kunstgeschichte, 54. vol., H. 4 (1991), 459-489. Antall sider: 30.