Supervision and Mentoring

Students and fellows supervised or mentored by Alexander Refsum Jensenius. Main supervision for candidate names in bold.

Completion YearNameDegreeDisciplineTitle
2027Hugh von ArnimPh.D.Musicology 
2027Marius Bø AaløkkenM.A.Kunst og samfunn, OsloMet 
2027Andrea EideM.A.Linguistics 
2027Håkon KornstadM.Sc.Informatics 
2026Margarida LealM.Sc.Computer Science (University of Porto)Sonic Inhabitation
2026Nanna Tao KarlstrømM.Sc.InformaticsDistributed Control: How Professional Musicians navigate the Control-Serendipity Paradox in Interaction with AI-based Music Systems
2026Sara D'AmarioMarie Skłodowska-Curie fellowMusicologySynchInConcert
2026Anna-Maria ChristodoulouPh.D.MusicologyComputational Music Performance Analysis: A multimodal, context-informed approach
2026Arthur GuoPh.D.MusicologyMachine Synchresis: Immersive and Embodied Audio–Video Information Retrieval for Indoor Environments
2025Bilge SerdarPostdocMusicologyAMBIENT
2025Maham RiazPh.D.MusicologyEmbodied Spaces: Explorations in Spatial Audio–Video Recording and Ambient Interventions
2026Bálint LaczkoPh.D.MusicologyInstrumental Image Sonification
2026Joanna SulkowskaPh.D.MedicineMechanics Behind the Pump: Pathophysiological Insights and Data-Driven Signatures of Cardiac Function
2024Finn UphamPostdocMusicologyBodies in Concert
2024Henrik Haraldsen SveenM.A.Music, Communication & TechnologyCyclic Patterns and Spatial Orientations in Artificial Impulsive ASMR Sounds
 Gaute Dahl WardenærM.A.Music, Communication & Technology 
 Ahmet Emin MemişM.A.Music, Communication & Technology 
2024Fadi Al-GhawanmehPh.D.MusicologyṬarab and AI: Maqām Music Generation through Machine Translation and Motion Capture
2023Kristin NordervalArtistic fellowshipOpera, Oslo National Academy of the ArtsElectrifying Opera: Amplifying agency for opera singers improvising with interactive audio technology
2023Mojtaba KarbassiPh.D.InformaticsZRob: Embodied Exploration of Rhythmic Patterns and Emergent Behaviour in Robotic Drumming
2023Kristian WentzelM.A.Music, Communication & TechnologyExploring multi-touch instruments with MPE and MIDI 2.0
2023Henrik HerrebrødenPh.D.PsychologyAttention And Effort In Elite Athletes: A Case Against Automaticity
2023Dongho KwakPh.D.MusicologyMusic for cells? Rhythmic mechanical stimulations of cell cultures
2023Dana SwarbrickPh.D.MusicologyBeing in Concert: Audience Emotion, Motion, and Social Connectedness
2022Laura BishopPostdocMusic psychologyBodies in Concert
2022Rayam SoeiroM.A.Music, Communication & TechnologyVisualizing psychophysiological responses to music stimuli
2022Joni W. MokM.A.Music, Communication & TechnologyCrossmodal correspondence:  different modes, common codes? Investigating music engagement with an ecological cognitive approach
2022Karoline Ruderaas AlbrigtsenM.A.MusicologyLearning to Un-sing: A study of free improvisation vocalists’ ideas, strategies, and techniques
2021Mari LestebergM.A.Music, Communication & TechnologyMicro and Macro:
Developing New Accessible Musicking
Technologies
2021Qichao LanPh.D.MusicologyExploring Collaboration in Computer Music Systems for Live Coding
2021Cagri ErdemPh.D.MusicologyControlling or Being Controlled? Exploring Embodiment, Agency and Artificial Intelligence in Interactive Music Performance
2020Ashane SilvaM.A.Music, Communication & TechnologySonification of Standstill Recordings
2020Agata ŻelechowskaPh.D.MusicologyIrresistible Movement: The Role of Musical Sound, Individual Differences and Listening Context in Movement Responses to Music
2020Victor Evaristo Gonzalez SanchezPostdocMusicologyMusic-related micromotion
2019Tejaswinee KelkarPh.D.MusicologyComputational Analysis of Melodic Contour and Body Movement
2019Gaute BarlindhaugPh.D.Music, UiTThe Kids Want Noise - How Sonic Mediations Change the Aesthetics of Music
2019Ximena Alarcón DiazMarie Skłodowska-Curie fellowMusicologyINTIMAL: Interfaces for Relational Listening – Body, Memory, Migration, Telematics
2019Marcus WidmerM.Sc.PhysicsMachine Learning and Sonification Applied to Fish in Wideband Hydroacoustic Data: Exploring Two Approaches to Classification of Underwater Targets
2018Mads ByeM.A.MusicologyMIDI Polyphonic Expression: A Bridge Between Acoustic and Electronic Instrument Experience?
2018Line-Mathilde EspesetM.A.MusicologyExpressive Intention and Perception of Body Language in Popular Music Performance: Interpretation of the visual communication between the vocal performer and the audience
2018Anders TveitM.A.MusicologyOn using the laptop in improvisation.-Constrained interfaces, engaging instruments
2016Jørgen SkjulstadM.A.AestheticsCircuit bending as an aesthetic phenomenon
2016Bo ZhouM.Sc.InformaticsVideo analysis of music-related body motion in Matlab
2016Mari Romarheim HaugenPh.D.MusicologyMusic-Dance. Investigating Rhythm Structures in Brazilian Samba and Norwegian Telespringar Performance
2016Diana KayserM.A.MusicologyDo We Feel What We Perceive and Perceive What We Feel? A Review of Methods in the Study of Emotions in Music
2016Frank TjørhomM.A.MusicologyHvordan underviser man musikalsk improvisasjon på videregående- og bachelornivå? – En intervjuundersøkelse av tre hovedinstrumentlæreres undervisningsmetoder sett i lys av forskning innen musikalsk improvisasjon
2016Håkon Bachken EikelandM.A.MusicologySyntetisk musikk: En turingtest av maskinell stilsyntese
2016Mats BergstrømM.A.MusicologyAlgoritmisk akkordsegmentering En metode for akkordsegmentering av Bachs firstemmige koraler
2014Ståle SkogstadPh.D.InformaticsMethods and Technologies for Using Body Motion for Real-Time Musical Interaction
2013Kristian NymoenPh.D.InformaticsMethods and Technologies for Analysing Links Between Musical Sound and Body Motion
2012Even BekkedalM.A.MusicologyMusic Kinection: Musical Sound and Motion in Interactive Systems
2012Catherine I. StøverM.A.MusicologyFreestyle equipage: an equipage riding to music
2011Øyvind HaubackM.Sc.InformaticsTeknologi for sensordata: innsamling til mediespiller
2010Bjørnar HeggeM.A.MusicologyMellomsanselig groove
2011Roger Stein GradingM.Sc.InformaticsAnalyzing Sensor Data for Active Music
2010Notto ThelleM.A.MusicologyMaking Sensors Make Sense: Challenges in the Development of Digital Musical Instruments
2009Eirik RentonM.Sc.InformaticsCollecting Sensor Data for Active Music
2009Bjørnar HjelmevoldM.Sc.InformaticsSemiotiske systemlyder
2008Rune FagerengM.A.MusicologyLevende elektronikk: En studie av Eivind Aarsets bruk av gitar og elektronikk i konsertsammenheng
2007Arve VoldsundM.A.MusicologyBrukergrensesnitt for sanntidsdbehandling av lyd: Mapping av sensordata til DSP-funksjoner
2005Trond Christian FrøhaugM.Sc.Media technology, Gjøvik University CollegePublikumsinteraktivitet i konserter

Ph.D. Examinations

Member of the following PhD dissertation committees:

  • 2027: Robert Ek, Luleå Technical University
  • 2026: Martin Pleiss, University of Oslo
  • 2025: Olof Misgeld, KTH/KMH
  • 2024: Victor Paredes, IRCAM/Sorbonne
  • 2024: Hans Lindetorp, KTH/KMH
  • 2024: Nima Darabi, NTNU
  • 2024: Jillian Beacon, University of Ottawa
  • 2023: Courtney Reed, Queen Mary University of London
  • 2022: Merve Akca, University of Oslo
  • 2022: Notto Thelle, Norwegian Academy of Music
  • 2021: Amelia Turrell, University of Kent
  • 2021: Jeppe Veirum Larsen, Aalborg University Copenhagen
  • 2021: Karen Cochrane, University of Sydney
  • 2017: Stella Paschalidou, Durham University
  • 2017: Federico Visi, University of Plymouth
  • 2014: Frank Havrøy, Norwegian Academy of Music
  • 2014: Birgitte Sandve, University of Oslo
  • 2011: Risto Holopainen, University of Oslo
Published Feb. 1, 2021 10:57 AM - Last modified Sep. 11, 2026 3:45 PM