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TIME - Musikk og mikrorytmikk

Hvilke aspekter ved musikalsk lyd er viktig for hvordan vi persiperer timing og rytme på mikronivå? Og hvordan varierer dette med kulturell bakgrunn og læring?

En parade med musikere.

Photo: Belo Horizonte, by Prefeitura de Belo Horizonte,(CC BY-SA 2.0)

Om prosjektet

Prosjektet Timing and Sound in Musical Micro-rhythm (TIME) skal undersøke mikrorytmiske forhold i fire rytmiske sjangre - jazz, elektronisk dansemusikk, R&B/hip-hop og skandinavisk folkemusikk. Vil du lese mer?

Finansiering

TIME er et TOPPFORSK-prosjekt finansiert av Norges forskningsråd og Universitetet i Oslo.

Varighet

Oktober 2016 - mars 2022.

Photo: Håkon Høgemo & Judith Vestreim, by David Zadig, (CC BY-SA 2.0)

Publikasjoner

  • Anne Danielsen (2019). Glitched and Warped: Transformations of Rhythm in the Age of the Digital Audio Workstation, I: Mads Walther-Hansen; Martin Knakkergaard & Mark Grimshaw (red.),  The Oxford Handbook of Sound and Imagination, Volume 2.  Oxford University Press.  ISBN 9780190460242.  Chapter 29.
  • Anne Danielsen; Kristian Nymoen; Evan Anderson; Guilherme Schmidt Câmara; Martin Torvik Langerød; Marc R. Thompson & Justin London (2019). Where is the beat in that note? Effects of attack, duration, and frequency on the perceived timing of musical and quasi-musical sounds. Journal of Experimental Psychology: Human Perception and Performance.  ISSN 0096-1523.  45, s 402- 418
  • Justin London; Kristian Nymoen; Martin Torvik Langerød; Marc Richard Thompson; David Løberg Code & Anne Danielsen (2019). A comparison of methods for investigating the perceptual center of musical sounds. Attention, Perception & Psychophysics.  ISSN 1943-3921.
  • Alexandros Kontogeorgakopoulos; George Sioros & Odysseas Klissouras (2019). Mechanical Entanglement: A Collaborative Haptic-Music Performance. Proceedings of the SMC Conferences.  ISSN 2518-3672.
  • Anne Danielsen (2018). Time and Time Again: Repetition and Difference in Repetitive Music, I: Christophe Levaux & Olivier Julien (red.),  Over and Over. Exploring Repetition in Popular Music.  Bloomsbury Academic.  ISBN 9781501324888.  kapittel 2.
  • Ragnhild Brøvig-Hanssen (2018). Listening To or Through Technology: Opaque and Transparent Mediation, I: Eliot Bates & Samantha Bennett (red.),  Critical Approaches to the Production of Music and Sound.  Bloomsbury Academic.  ISBN 9781501332.  Chapter 11.  s 195 - 210
  • Guilherme Schmidt Câmara & Anne Danielsen (2018). Groove, I: Rings Steven & Rehding Alexander (red.),  The Oxford Handbook of Critical Concepts in Music Theory.  Oxford University Press.  ISBN 9780190454746.  Groove.
  • Anne Danielsen (2018). Pulse as Dynamic Attending: Analysing Beat Bin Metre in Neo Soul Grooves, I: Kenneth M. Smith; John Brackett & Ciro Scotto (red.),  The Routledge Companion to Popular Music Analysis: Expanding Approaches.  Routledge.  ISBN 9781138683112.  Chapter 12.
  • Sofia Dahl & George Sioros (2018). Rhythmic recurrency in dance to music with ambiguous meter, I: Antonio Camurri & Gualtiero Volpe (red.),  Proceedings of the 5th International Conference on Movement and Computing.  ACM Publications.  ISBN 978-1-4503-6504-8.  Article No. 38.
  • Anne Danielsen (2018). Music, media and technological creativity in the digital age. Nordisk musikkpedagogisk forskning : Årbok.  ISSN 1504-5021.  18, s 9- 22
  • Kristian Nymoen; Anne Danielsen & Justin London (2017). Validating Attack Phase Descriptors Obtained by the Timbre Toolbox and MIRtoolbox, I: Tapio Lokki; Vesa Välimäki & Jukka Pätynen (red.),  Proceedings of the 14th Sound and Music Computing Conference 2017.  Aalto University.  ISBN 978-952-60-3729-5.  KAPITTEL.  s 214 - 219
  • Mari Romarheim Haugen (2017). Investigating Musical Meter as Shape: Two Case Studies of Brazilian Samba and Norwegian Telespringar, I: Edith Van Dyck (red.),  Proceedings of the 25th Anniversary Conference of the European Society for the Cognitive Sciences of Music.  IPEM, University of Ghent, Belgium.  Article in proceedings.  s 67 - 74
  • Ragnhild Brøvig-Hanssen & Anne Danielsen (2017). Music Production: Recording Technology and Acousmatic Listening, I: Renee Timmers & Richard D Ashley (red.),  The Routledge Companion to Music Cognition.  Routledge.  ISBN 9781138721050.  kapittel 16.
  • Anne Danielsen (2017). Struktur og performativitet: mikrorytmikk i afroamerikansk populærmusikk. Svensk tidskrift för musikforskning.  ISSN 2002-021X.  99, s 3- 19

Se alle arbeider i Cristin

  •  (2020). Musikkverdenen voksne ikke forstår.
  • Kjell Andreas Oddekalv (2019). Rap Flows PhD Thesis.
  • Anne Danielsen (2019). Classic Album Sundays: Aretha Franklin (paneldeltakelse).
  • Alexandros Kontogeorgakopoulos; George Sioros & Odysseas Klissouras (2019). Mechanical Entanglement: A Collaborative Haptic-Music Performance.
  • Mari Romarheim Haugen; Mats Sigvard Johansson & Olivier Lartillot (2019). Investigating rhythm production and perception in traditional scandinavian dance music in non-isochronous meter: A case study of norwegian telespringar.
  • Ragnhild Brøvig-Hanssen & Jon Marius Aareskjold (2019). Vocal Chops and its Aesthetics.
  • Ragnhild Brøvig-Hanssen; Paul Théberge; Nyssim Lefford; Catherine Provenzano & Alan Williams (2019). Methodology Panel.
  • Kjell Andreas Oddekalv (2019). The urge to «clean up» the rap: rhythm and plasticity in rap music.
  • Kjell Andreas Oddekalv (2019). Surrender to the flow – rhyme as the defining structural element in rap.
  • Anne Danielsen; Kristian Nymoen & Justin London (2019). Noise in the click or click in the noise: Investigating probe-stimulus order in P-center estimation tasks.
  • Gary Bromham; David Moffat; Anne Danielsen & György Fazekas (2019). Digital Warmth: The Retro in Digital.
  •  (2019). Konsert med Sinsenfist.
  •  (2019). Konsert med Sinsenfist - Rockeklubben i Porsgrunn.
  •  (2019). Sinsenfist på x2.
  •  (2019). Vet du aller helst.
  •  (2019). Parkour.
  • Anne Danielsen; Mats Sigvard Johansson & Mari Romarheim Haugen (2018). Presentasjon av TIME-prosjektet.
  • Anne Danielsen & Alexander Refsum Jensenius (2018). The Norwegian Centre of Excellence RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion.
  • Anne Danielsen & Alexander Refsum Jensenius (2018). Rytme i tid og rom.
  • Alexander Refsum Jensenius (2018). Sophus Bugges Salong: Rytmer og følelser.
  • Alexander Refsum Jensenius; Anne Danielsen; Justin London; Katja Henriksen Schia & Filip Abramczyk (2018). Intellectual warm-up: "Rhythm".
  • Anne Danielsen (2018). Analysing Popular Music in the Digital Age.
  • Mari Romarheim Haugen (2018). The Effect of Tempo on Non-Isochronous Subdivisions in Performed Samba Groove.
  • Anne Danielsen (2018). Microrhythms and Microsounds: The impact of digitization on African-American popular music.
  • Justin London; Anne Danielsen & Kristian Nymoen (2018). Where is the beat in that note? Effects of attack, frequency, and duration on the p-centers of musical and quasi-musical sounds.
  • Ragnhild Brøvig-Hanssen; Jon Marius Aareskjold & Bjørnar Sandvik (2018). EDM Producers' Reflections on Groove.
  • Mari Romarheim Haugen (2018). Meter i Skandinavisk folkemusikk.
  • Sofia Dahl & George Sioros (2018). Rhythmic recurrency in dance to music with ambiguous meter.
  • Georgios Sioros (2018). What we do when we move to music v.2.
  • Mari Romarheim Haugen (2018). Investigating Rhythm Structures in Music and Dance Using Motion Capture.
  • Guilherme Schmidt Câmara (2018). Presentation of Mocap Component of Performance Experiments from the Timing and Sound in Musical Microrhythm (TIME) project.
  • Guilherme Schmidt Câmara (2018). Presentation of preliminary findings: Effects of Instructed Timing on Guitar and Bass Sound in Groove Performance.
  •  (2018). Konsert med Sinsenfist.
  •  (2018). Julekonsert med Sinsenfist (Belleville).
  •  (2018). UiOs innovasjonspris til RITMO ved Anne Danielsen og Alexander Refsum Jensenius.
  •  (2018). På sporet av rytmen.
  •  (2018). Rytmen er en danser.
  •  (2018). Hva er en sommerhit?.
  •  (2018). Intervju om Aretha Franklin i Dagsnytt, NRK 2.
  •  (2018). Intervju om Aretha Franklin til NTB.
  • Kjell Andreas Oddekalv (2018). Masteroppgåva: Kjell Andreas Oddekalv Betre flows enn Akerselva. Mål og makt.  ISSN 0332-7744.  48, s 33- 41
  • Anne Danielsen (2017). Kvalitet i rytmisk musikk.
  • Anne Danielsen (2017). Paneldeltakelse i serien Musikklære på Nasjonalbiblioteket, tema "Rytme".
  • Anne Danielsen (2017). Paneldeltakelse i serien Musikklære på Nasjonalbiblioteket, tema "Låten".
  • Anne Danielsen; Justin London & Kristian Nymoen (2017). Mapping the Beat Bin: The Effects of Rise Time, Duration, and Frequency Range on the Perceived Timing of Musical Sounds.
  • Anne Danielsen (2017). Experimental hip-hop and the meanings of glitched grooves.
  • Anne Danielsen (2017). Rhythm and Groove in African-American Popular Music.
  • Anne Danielsen; Kristian Nymoen; Mari Romarheim Haugen & Guilherme Schmidt Câmara (2017). Project presentation: Timing and Sound in Musical Microrhythm (TIME).
  • Anne Danielsen (2017). Digital Signatures. The Impact of Digitization on Popular Music Sound.
  • Anne Danielsen (2017). Populærmusikk og mediering i den digitale tidsalder.
  • Kristian Nymoen; Anne Danielsen & Justin London (2017). Validating Attack Phase Descriptors Obtained by the Timbre Toolbox and MIRtoolbox.
  • Mari Romarheim Haugen (2017). Investigating Musical Meter as Shape: Two Case Studies of Brazilian Samba and Norwegian Telespringar.
  • Anne Danielsen; Justin London & Kristian Nymoen (2017). Mapping the beat bin: Effects of rise time, duration and frequency range on the perceived timing (P-center) of musical sounds.
  • Justin London; Kristian Nymoen; Marc Thompson; David Loberg Code & Anne Danielsen (2017). Where is the beat in that note? Comparing methods for identifying the p-center of musical sounds.
  • Justin London; Kristian Nymoen; Marc Thompson; David Loberg Code & Anne Danielsen (2017). Where is the beat in that note? Comparing methods for identifying the p-center of musical sounds.
  • Anne Danielsen (2017). Timing and Sound in Musical Microrhythm: Theoretical, Aesthetic and Empirical Aspects.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Does Compression Influence Timing? A Case Study in EDM Music.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Dynamic Range Compression’s Influence on Perceived Timing in EDM Music.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Dynamic Range Processing’s Influence on Perceived Timing.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Dynamic Range Compression’s Influence on Perceived Timing.
  • Anne Danielsen (2017). The perception, aesthetics, and cultural values of 'glitched' grooves.
  • Anne Danielsen (2017). P-centres and beat bins - an introduction to the TIME project.
  • Anne Danielsen (2017). Methodologies in Record Production Research (Panel).
  • George Sioros (2017). What we do when we move to music.
  • Anne Danielsen (2016). Investigating the perception of sound-timing relationships in recorded (real) music.

Se alle arbeider i Cristin

Emneord: Rytmeforskning
Publisert 24. aug. 2016 10:13 - Sist endret 11. jan. 2019 12:03